{"id":15341,"date":"2021-01-01T00:01:33","date_gmt":"2020-12-31T22:01:33","guid":{"rendered":"http:\/\/www.amboilati.org\/chantier\/?p=15341"},"modified":"2024-07-09T10:49:48","modified_gmt":"2024-07-09T08:49:48","slug":"la-discotheque","status":"publish","type":"post","link":"https:\/\/www.amboilati.org\/chantier\/la-discotheque\/","title":{"rendered":"La discoth\u00e8que"},"content":{"rendered":"

Comme l’herbier ou des po\u00e8mes, la discoth\u00e8que est une op\u00e9ration sur le monde, une op\u00e9ration, je veux dire, proprement d\u00e9miurgique ; le cabinet de curiosit\u00e9 est une astuce qu’a trouv\u00e9e la collection pour ne pas sombrer dans la n\u00e9vrose.<\/p>\n

Pendant trois ann\u00e9es, depuis que j’ai chang\u00e9 d’ordinateur et rang\u00e9 ma discoth\u00e8que, j’\u00e9coute des disques. J’estime, qu’apr\u00e8s en avoir \u00e9cout\u00e9 plus de mille deux cents albums, je suis en mesure d’avoir une id\u00e9e des disques qui me paraissent les plus int\u00e9ressants, d\u00e9paysants, \u00e9mouvants, dansants et autres.<\/p>\n

Je les ai \u00e9valu\u00e9s \u00e0 l’aune du seul outil qui vaille : le perspectivisme, c’est-\u00e0-dire une juste dose de subjectif et d’objectif. J’ai not\u00e9 chaque piste de 1 \u00e0 5 (avec le temps, j’ai pris l’habitude, et c’est le plus simple), en tenant compte aussi de la ‘capacit\u00e9’ de chaque artiste\/\u0153uvre. On ne demande pas \u00e0 un saxophoniste bop exactement les m\u00eames qualit\u00e9s d’\u00e9criture qu’\u00e0 un chansonnier. Ou du moins, si on cherche la qualit\u00e9, pas sur les m\u00eames ‘crit\u00e8res’. J’ai ensuite simplement attribu\u00e9 la moyenne de ces notes au disque. Je suis un peu effray\u00e9 par la teneur statistique, ou plus simplement scolaire de ce travail, mais c’est le jeu n’est-ce pas ?<\/p>\n

Nota. Le fait que le journal Rolling Stones<\/em> ait mis \u00e0 jour sa propre liste ordin\u00e9e, chamboulant la premi\u00e8re \u00e9dition de 2004, est un pur hasard.<\/p>\n

Nota. Il y a plusieurs listes possibles, \u00e0 partir de la notation :
\n1. tenir compte simplement de l’ordre des notes pour tous les disques : les 100 premiers (102, compte-tenu des ex-\u00e6quo) ; c\u2019est le classement \u00ab\u00a0absolu\u00a0\u00bb, qui est cit\u00e9 ci-dessous (dans le tableau, cela correspond \u00e0 la colonne CAE) ;
\n2. ne garder qu’une \u0153uvre (la meilleure) du m\u00eame artiste : on arrive alors au n\u00b0140 (pour 100 \u0153uvres, compte-tenu des ex-\u00e6quo) ; c’est le classement \u00ab\u00a0sans doublon d’artiste\u00a0\u00bb, CA ;
\n3. classement par genre ; je n’aime pas les genres, mais enfin, c’est une typologie utile, et il y en a onze : blues & rythm’n’blues (choix d\u00e9cisif, pour l’instant, je n’ai pas rep\u00e9r\u00e9 assez de disques de blues pens\u00e9s comme tels, j’y ai de plus ajout\u00e9 le reggae), jazz classique (sauf bop et free), jazz post bop (en particulier free), pop\/rock, funk, musique exp\u00e9rimentale (? ce n’est pas tout \u00e0 fait la musique conceptuelle, mais ce n’est plus tout \u00e0 fait de la musique populaire), post-punk, musique \u00e9lectronique, hip-hop, chanson (y compris folk anglo-saxon, y compris country). Les disques sont donc affubl\u00e9s d’une cat\u00e9gorie, et g\u00e9n\u00e9ralement un m\u00eame artiste reste dans la m\u00eame cat\u00e9gorie, sauf quelques cas isol\u00e9s (David Bowie, Robert Wyatt) o\u00f9 un disque ou un tournant de carri\u00e8re est \u00e9vident. On note qu’il n’y a pas de classique, enfin de musique savante, (faut-il noter les \u0153uvres ou leurs interpr\u00e9tations ?), pour l’instant ; la world est balanc\u00e9e entre folk et pop, selon ; dans le tableau, le classement par genre est not\u00e9 CG ;
\n4. les 100 premi\u00e8res notes (hors ex-\u00e6quo) : on arrive alors au num\u00e9ro 586 ! Et la 100e note est 4 ! 4 sur 5 ; on voir que je ne suis pas si s\u00e9v\u00e8re. 585 disques ont 4 ou plus ; dans le tableau c\u2019est le classement CS ;<\/p>\n

En outre, pour les ex-\u00e6quo, l’ordre est celui, alphab\u00e9tique, des titres d’albums. <\/p>\n

 <\/p>\n

1. Seize chefs d’\u0153uvre.<\/h2>\n

Sortent du lot seize disques, qui \u00e0 mon sens n’ont quasiment aucun d\u00e9faut (et sont tous 1er ex-\u00e6quo). Les voici par ordre alphab\u00e9tique du titre.<\/p>\n

\u2022 John Coltrane, Ascension<\/em> : pourquoi pas A Love Supreme<\/em> (A77) est une premi\u00e8re question. Je n’ai pas trouv\u00e9 de faux-pas, mais il faut dire aussi que le disque n’a que deux pistes. En effet, les disques avec beaucoup de morceaux sont sans doute p\u00e9nalis\u00e9s. Une pond\u00e9ration devrait exister…
\n\u2022 The Rolling Stones, Beggar\u2019s Banquet<\/em> : pourquoi pas Let It Bleed<\/em> ? A cause de Country Honk<\/em> ou de You Can’t Always Get What You Want<\/em> ? Pourquoi pas Sticky Fingers<\/em> ? A cause de Dead Flowers<\/em>. Pourquoi pas Exile On Main Street<\/em> ? Il y a beaucoup de morceaux et plusieurs n’arrivent pas \u00e0 ce niveau d’\u00e9criture et d’interpr\u00e9tation. M\u00eame Dear Doctor<\/em>, qui se veut un peu une farce, est remarquablement ex\u00e9cut\u00e9e. (Premier disque rock).
\n\u2022 Thelonious Monk, Brilliant Corner<\/em> : eh bien que dire de plus ? du pur Monk, servi par un groupe qui d\u00e9pote, Max Roach, Paul Chambers, Sonny Rollins, Oscar Pettitford, Clark Terry
\n\u2022 Don Cherry, Complete Communion<\/em> : beaucoup de Don Cherry dans cette liste, celui-ci me para\u00eet excellent.
\n\u2022 Fela Kuti, Confusion\/Gentleman<\/em> : l\u00e0 encore, deux chansons, donc \u00e7a biaise. Mais c’est remarquable. (Premier en funk.)
\n\u2022 AAVV, Kronos Quartet, Early Music<\/em> : une exception \u00ab\u00a0musique savante\u00a0\u00bb, dont tout le m\u00e9rite revient au Kronos Quartet ; bon je crois que c’est le disque que je vais \u00e9couter toute ma vie.
\n\u2022 Fela Kuti, Expensive Shit<\/em> : idem d’autre.
\n\u2022 Archie Shepp, Four For Trane<\/em> : beaucoup de Shepp, qui est intarrissable et tr\u00e8s tr\u00e8s souvent juste ; celui-ci me para\u00eet \u00eatre le meilleur.
\n\u2022 Talk Talk, Laughing Stock<\/em> : un autre ovni, un groupe de pop se lance dans l’exp\u00e9rimental, avec brio.
\n\u2022 David Bowie, Low<\/em> : beaucoup de disques de Bowie, beaucoup de bons disques, peu d’erreurs de parcours (et encore, les plus remarquables ne sont pas si indigestes, Let’s Dance<\/em> et Tonight<\/em> ont moins mal vieilli que Ziggy Stardust<\/em>) ; mais Low<\/em> est d\u00e9cid\u00e9ment au-dessus, avec pour outsider Blackstar<\/em>. C’est pour moi l’une des meilleurs pi\u00e8ces musicales de tous les temps.
\n\u2022 Andre 3000 a Madlib, Otis Benjamin<\/em> : une claque. Je n’aurais pas mis\u00e9 un kopek sur ce disque, mais je dois bien reconna\u00eetre qu’il n’y a as de faux pas.
\n\u2022 Portishead, Portishead<\/em> : j’ai beau retourner le probl\u00e8me dans tous les sens, et ce n’est pas parce qu’il est sorti \u00e0 un moment crucial de ma vie, et ce n’est pas parce que je l’ai beaucoup \u00e9cout\u00e9 dans la Montagne Noire cet hiver-l\u00e0, mais voil\u00e0 : une ambiance, un paysage. Odelay<\/em> (121) et Homogenic<\/em> (50) sont du m\u00eame acabit , ce sont ceux qui m’ont fait appr\u00e9cier les machines en musique (auparavant, pas question !), mais celui-ci n’a pas de morceau plus faible.
\n\u2022 Alice Coltrane, Ptah, The El Daoud<\/em> : je suis s\u00e9v\u00e8re et je peux facilement descendre des morceaux ; mais dans ce disque, Alice Coltrane est fantastique, moins pompeuse que dans d’autres disques, et va directement au c\u0153ur.
\n\u2022 John Coltrane, Sun Ship<\/em> : celui-ci est un petit plaisir personnel. Il n’est peut-\u00eatre pas parfait pour les sp\u00e9cialistes de Coltrane, mais je trouve que c\u2019est le t\u00e9moignage le plus fort du free, la violence ma\u00eetris\u00e9e, l’\u00e9l\u00e9gance de la cruaut\u00e9.
\n\u2022 Charlie Mingus, The Black Saint and The Sinner Lady<\/em> : tout simplement exceptionnel de blues, de foi, de violence, de beaut\u00e9, de noir.
\n\u2022 Thelonious Monk, With John Coltrane<\/em> : Une esp\u00e8ce de compilation live, avec un compagnon essentiel. Le meilleur de Monk par le meilleur de Thelonious (comme beaucoup de g\u00e9nies, il peine \u00e0 produire un album coh\u00e9rent et unique).<\/p>\n

On note une certaine \u00ab\u00a0coltranisation\u00a0\u00bb des baffles, mais c’est probablement que la place de Coltrane dans la musique populaire est incontestable. On note aussi que le jazz moderne, le post-bop disons, occupe une place consid\u00e9rable (7\/15), mais c’est \u00e9galement probablement parce que c’est la musique qui s’accorde le plus de libert\u00e9 et en offre le plus (le jazz contemporain est, en contrepoint, remarquablement absent, souvent trop c\u00e9r\u00e9bral sans doute). Il y a deux Fela, c’est notable \u00e9galement, mais c’est la loi des nombres : ces deux-l\u00e0 ne pr\u00e9sentent, \u00e0 mon sens, pas de d\u00e9faut majeur. On me reprochera l’absence ici de Dylan, de Springsteen, des Beatles, mais j’ai beau r\u00e9\u00e9couter, il y a des morceaux entiers qui me tombent des oreilles. Le premier Dylan est Highway 61 Revisited<\/em> (A292), le premier Springsteen est Nebraska<\/em> (A390), le premier Beatles est The Beatles<\/em> (A653, mais avec presque 4\/5 hein !)… c’est s\u00e9v\u00e8re, mais c\u2019est aussi d\u00fb \u00e0 l’excellence de tous les autres (je r\u00e9p\u00e8te la note 4 va de la 586e \u00e0 la 16e place !)<\/p>\n

Concernant les Beatles, comme pour Led Zep, je pense que le groupe est largement surestim\u00e9. J’aime beaucoup ce disque blanc, mais certaines chansons sont absolument horribles : Piggies<\/em>, Obladi-Oblada<\/em>, etc. C’est typiquement ce que je n’aime pas chez eux, et qui est aussi je pense la difficult\u00e9 artistique, de coh\u00e9rence artistique, du groupe. Abbey Road<\/em> est A676, et Revolver<\/em> a un peu mal vieilli \u00e0 mon go\u00fbt (A856). Quant \u00e0 Led Zep, le II arrive 453e (4,25\/5, c’est pas si mal)?<\/p>\n

 <\/p>\n

2. Les suivants…<\/h2>\n

De 12 \u00e0 50<\/h3>\n

17. Antipop Consortium, The Tragic Epilogue<\/i> : premier disque de hip-hop, il est certes assez exp\u00e9rimental, mais il d\u00e9passe tous les autres de tr\u00e8s loin.
\n18. Gang Of Four, Entertainment!<\/i> : le disque de post-punk le plus abouti, m\u00eame si d’autres sont plus exp\u00e9rimentaux peut-\u00eatre, celui-ci est non seulement une collection de chansons de haute tenue (avec une m\u00e9lodie et des paroles, par exemple) mais il est remarquablement interpr\u00e9t\u00e9, la palme revenant \u00e0 la rythmique d’Andy Gill.
\n19ea. Fabrizio de Andr\u00e8, Creuza de m\u00e4<\/i> : premier disque de chansons ; celui-ci est un ovni, italien, chant\u00e9 en g\u00e9nois ; oui il y a un tropisme, de ma part, mais David Byrne a dit de lui qu’il \u00e9tait le meilleur disques des ann\u00e9es 80.
\n19ea. Dr John, Gris-gris<\/i> : brouet poisseux et mystique ind\u00e9passable.
\n21. Nina Simone, In Concert<\/i> : premier disque de jazz \u00ab\u00a0classique\u00a0\u00bb mais il pourrait aussi \u00eatre class\u00e9 en rythm’n’blues.
\n22. Alain Bashung, L\u2019imprudence<\/i> : le chef d’\u0153uvre de Bashung, il n’y rien \u00e0 redire.
\n23. Sam Rivers, Crystals<\/em> : tr\u00e8s tr\u00e8s beau disque.
\n24. Joe Jackson, Look Sharp!<\/i> : il pourrait \u00eatre en post-punk, mais \u00e7a reste un disque m\u00ealant les genres et donc est une pop muscl\u00e9e, parfaitement huil\u00e9e et avec un haut niveau de morceaux. C\u2019est son premier ; le deuxi\u00e8me est tr\u00e8s bon, mais pas aussi bon, notamment dans l’\u00e9criture (et l’ironie).
\n25. Wynton Marsalis Septet, In This House On This Morning<\/i> : un dr\u00f4le de disque, parce que les grands projets de Marsalis sont souvent un peu trop \u00e9labor\u00e9s (comme City Movement<\/em>), c\u00e9r\u00e9braux. Mais celui-ci poss\u00e8de un vrai souffle, une inspiration sans doute li\u00e9e \u00e0 la foi, sa port\u00e9e mystique est incomparable, et il a de plus un invit\u00e9 de choix, le pianiste Eric Reed, qui transcende l’\u00e9go du trompettiste.
\n26ae. Antipop Consortium & Matthew Shipp, Antipop Consortium vs. Matthew Shipp<\/i> : d\u00e9j\u00e0 un autre Antipop, avec le pianiste de jazz Matthew Shipp (et pour cela class\u00e9 ‘exp\u00e9rimental’), pour une aventure spatiale tout a fait aboutie.
\n26ae. Miles Davis, Kind of Blue<\/i> : jazz ou free-jazz ? Bop. Il n’a pas cinq \u00e9toiles, parce qu’il a peut-\u00eatre un chou\u00efa de malice, compar\u00e9 \u00e0 Monk ou Coltrane, qui \u00e0 mon avis le dessert.
\n26ae. Thelonious Monk, Monk’s Music<\/em> : Troisi\u00e8me Monk.
\n29ae. James Chance & The Contortions, Buy<\/i> : comment un disque aussi bord\u00e9lique peut-il \u00eatre aussi g\u00e9nial ?
\n29ae. The Rolling Stones, Let it Bleed<\/i>, bon, on le conna\u00eet.
\n29ae. Pink Floyd, The Dark Side Of The Moon<\/i> : il n’est pas parfait ?!? en effet je consid\u00e8re Us And Them<\/em> le point faible du disque, alors que ce disque signe la fin du rock, comme je l’ai dit par ailleurs. C’est leur meilleur disque, la plupart des titres sont leurs meilleurs, mais malheureusement Us And Them<\/em>, tr\u00e8s romantique, casse le g\u00e9nie de Time<\/em> ou Money<\/em>, la subversion de Speak To Me<\/em>, On The Run<\/em> ou Any Colour You Like<\/em>.
\n32ae. Nick Mason & Carla Bley, Fictitious Sports<\/i> : disque sign\u00e9 Nick Mason, mais derri\u00e8re lequel il y a Carla Bley (qui signe les chansons). Extraordinaire, avec Robert Wyatt et Chris Spedding.
\n32ae. Patti Smith, Horses<\/i> : un ensemble quasi parfait, \u00e9nergique, po\u00e9tique, mais qui ne conna\u00eet pas cet album ?
\n32ae. Fabrizio de Andr\u00e9 (2e), Le nuvole<\/em> : qui, contre mes attentes, a brillament r\u00e9ussi son passage !
\n32ae. Bud Powell, The Amazing Bud Powell 01<\/i> ; un po\u00e8te du jazz, lui aussi borderline.
\n32ae. James Brown, The Payback<\/i> : malgr\u00e9 un l\u00e9ger ton de pr\u00eache, c’est assur\u00e9ment la meilleur section musicale de funk, la rythmique la plus ac\u00e9r\u00e9e, les cuivres les plus intelligents.
\n32ae. Fela Kuti, Zombie<\/em>. 3e Fela ! C’est toujours pareil, peut-\u00eatre, mais c’est toujours pareil.
\n38ae. Vladimir Vissotsky, Le vol arr\u00eat\u00e9<\/em> : certes, on reconna\u00eet la m\u00eame constance que dans le blues ou chez Brassens, mais du coup pas facile de s’en sortir : la voix et les mots.
\n38ae. Nick Mason, Live<\/em> : le r\u00e9pertoire r\u00eav\u00e9 de Pink Floyd, et excellemment ex\u00e9cut\u00e9 ; tr\u00e8s intelligent, tr\u00e8s Mason (tout r\u00e9cent, il gagne peut-\u00eatre de subjectivit\u00e9).
\n40ae. David Bowie, Blackstar<\/i> (2e) : impeccable testament, des morceaux s\u00e9rieux, \u00e9crits, et tr\u00e8s \u00e9mouvants.
\n40ae. Parliament, Mothership Connection<\/i> : le funk m\u00eame.
\n40ae. Kalil El Zabar\u2019s Ritual Trio, Renaissance Of Resistance<\/i> : magnifique trio m\u00e9connu.
\n43ae. Neil Young, Dead Man<\/i>, une excellente improvisation sur les images du film de Jarmush, compl\u00e8tement en dehors des clous, extr\u00eamement suggestive.
\n43ae. Pink Floyd, More<\/i> (2e) Pour moi le disque charni\u00e8re du groupe qui apprend \u00e0 faire groupe ; aussi son meilleur avant Dark Side<\/em> ; totalement m\u00e9connu, comme l’autre BO de Barbet Shroeder, La Vall\u00e9e\/Obscured By Clouds<\/em>
\n43ae. Marc Ribot, Silent Movies<\/em> : j’aurais pu dire la m\u00eame chose ici que pour Dead Man<\/em> ; toujours des improvisations, et toujours du cin\u00e9ma. Quand il se laisse aller, il est moins fatigant.
\n46ae. Syd Barrett, Barrett<\/i> : magnifique collection de morceaux d\u00e9jant\u00e9s, second\u00e9s par Gilmour et Wright.
\n46ae. Pink Floyd, Meddle<\/i> (3e !) : d\u00e9cid\u00e9ment, seul ou ensemble, le Floyd occupe le terrain ; bon, One Of These Days<\/em>, que dire de plus ? Echoes<\/em>.
\n46ae. Neu!, Neu!<\/i> Deuxi\u00e8me album de machines, un ovni, celui-l\u00e0 aussi, que j’ai d\u00e9couvert bien tard… Excellente batterie ; premier groupe allemand.
\n46ae. Henry Grimes Trio, The Call<\/i> Excellent disque de blues jazz.
\n46ae. Neil Young, Tonight’s the night<\/i> : fanchement, la journ\u00e9e partait pas d’un bon pied ; mais quand on arrive au bout c’st pire ; entre les deux, on a travers\u00e9 des champs de mines de beaut\u00e9 suffoqu\u00e9e, absolue…
\n46e. Morphine, Yes<\/em><\/p>\n

 <\/p>\n

Le tableau<\/h2>\n

 <\/p>\n\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
N\u00f8<\/th>CAE<\/th>CA<\/th>CG<\/th>CS<\/th>Genre<\/th>Artiste<\/th>Album<\/th>N<\/th>Date<\/th>Note<\/th>\n<\/tr>\n<\/thead>\n
1<\/td>1<\/td>1<\/td>1<\/td>1<\/td>B<\/td>John Coltrane<\/td>Ascension<\/td>US<\/td>1966<\/td>5<\/td>\n<\/tr>\n
2<\/td>1<\/td>2<\/td>1<\/td><\/td>P<\/td>The Rolling Stones<\/td>Beggar's Banquet<\/td>UK<\/td>1968<\/td>5<\/td>\n<\/tr>\n
3<\/td>1<\/td><\/td>1<\/td><\/td>B<\/td>Thelonious Monk<\/td>Brilliant Corners<\/td>US<\/td>1957<\/td>5<\/td>\n<\/tr>\n
4<\/td>1<\/td>3<\/td>1<\/td><\/td>B<\/td>Don Cherry<\/td>Complete Communion<\/td>US<\/td>1965<\/td>5<\/td>\n<\/tr>\n
5<\/td>1<\/td>4<\/td>1<\/td><\/td>F<\/td>Fela Kuti<\/td>Confusion\/Gentleman<\/td>NG<\/td>1973<\/td>5<\/td>\n<\/tr>\n
6<\/td>1<\/td>5<\/td>1<\/td><\/td>A<\/td>AAVV<\/td>Early Music [Kronos Quartet]<\/td>US<\/td>1997<\/td>5<\/td>\n<\/tr>\n
7<\/td>1<\/td><\/td><\/td><\/td>F<\/td>Fela Kuti<\/td>Expensive Shit<\/td>NG<\/td>1975<\/td>5<\/td>\n<\/tr>\n
8<\/td>1<\/td>6<\/td>1<\/td><\/td>B<\/td>Archie Shepp <\/td>Four For Trane<\/td>US<\/td>1964<\/td>5<\/td>\n<\/tr>\n
9<\/td>1<\/td>7<\/td>1<\/td><\/td>A<\/td>Talk Talk<\/td>Laughing Stock<\/td>UK<\/td>1991<\/td>5<\/td>\n<\/tr>\n
10<\/td>1<\/td>8<\/td>1<\/td><\/td>A<\/td>David Bowie<\/td>Low<\/td>UK<\/td>1973<\/td>5<\/td>\n<\/tr>\n
11<\/td>1<\/td>9<\/td>1<\/td><\/td>M<\/td>Andre 3000 & Madlib<\/td>Otis Benjamin<\/td>US<\/td>2019<\/td>5<\/td>\n<\/tr>\n
12<\/td>1<\/td>10<\/td>1<\/td><\/td>M<\/td>Portishead<\/td>Portishead<\/td>UK<\/td>1997<\/td>5<\/td>\n<\/tr>\n
13<\/td>1<\/td>11<\/td>1<\/td><\/td>B<\/td>Alice Coltrane<\/td>Ptah, The El Daoud<\/td>US<\/td>1970<\/td>5<\/td>\n<\/tr>\n
14<\/td>1<\/td><\/td><\/td><\/td>B<\/td>John Coltrane<\/td>Sun Ship<\/td>US<\/td>1971<\/td>5<\/td>\n<\/tr>\n
15<\/td>1<\/td>12<\/td>1<\/td><\/td>B<\/td>Charles Mingus<\/td>The Black Saint & The Sinner Lady<\/td>US<\/td>1963<\/td>5<\/td>\n<\/tr>\n
16<\/td>1<\/td>13<\/td><\/td><\/td>B<\/td>Thelonious Monk<\/td>With John Coltrane<\/td>US<\/td>1961<\/td>5<\/td>\n<\/tr>\n
17<\/td>17<\/td>14<\/td>1<\/td>2<\/td>R<\/td>Antipop Consortium<\/td>The Tragic Epilogue<\/td>US<\/td>2000<\/td>4,94736842105263<\/td>\n<\/tr>\n
18<\/td>18<\/td>15<\/td>1<\/td>3<\/td>N<\/td>Gang Of Four<\/td>Entertainment!<\/td>UK<\/td>1979<\/td>4,93333333333333<\/td>\n<\/tr>\n
19<\/td>19<\/td>16<\/td>1<\/td>4<\/td>C<\/td>Fabrizio de Andr\u201a<\/td>Creuza De M\u201e<\/td>IT<\/td>1984<\/td>4,92857142857143<\/td>\n<\/tr>\n
20<\/td>19<\/td>17<\/td>2<\/td><\/td>F<\/td>Dr John<\/td>Gris-Gris<\/td>US<\/td>1968<\/td>4,92857142857143<\/td>\n<\/tr>\n
21<\/td>19<\/td>18<\/td>1<\/td><\/td>J<\/td>Nina Simone<\/td>In Concert<\/td>US<\/td>1964<\/td>4,92857142857143<\/td>\n<\/tr>\n
22<\/td>22<\/td>19<\/td>2<\/td>5<\/td>C<\/td>Alain Bashung<\/td>L'imprudence<\/td>FR<\/td>2002<\/td>4,92307692307692<\/td>\n<\/tr>\n
23<\/td>23<\/td>20<\/td>2<\/td>6<\/td>B<\/td>Sam Rivers<\/td>Crystals<\/td>US<\/td>1974<\/td>4,91666666666667<\/td>\n<\/tr>\n
24<\/td>24<\/td>21<\/td>2<\/td>7<\/td>P<\/td>Joe Jackson<\/td>Look Sharp!<\/td>UK<\/td>1979<\/td>4,90909090909091<\/td>\n<\/tr>\n
25<\/td>25<\/td>22<\/td>2<\/td>8<\/td>J<\/td>Wynton Marsalis Septet<\/td>In This House On This Morning<\/td>US<\/td>1994<\/td>4,90476190476191<\/td>\n<\/tr>\n
26<\/td>26<\/td>23<\/td>2<\/td>9<\/td>A<\/td>Antipop Consortium & Matthew Shipp<\/td>Antipop Vs. Matthew Shipp<\/td>US<\/td>2003<\/td>4,9<\/td>\n<\/tr>\n
27<\/td>26<\/td>24<\/td>3<\/td><\/td>B<\/td>Miles Davis<\/td>Kind Of Blue<\/td>US<\/td>1959<\/td>4,9<\/td>\n<\/tr>\n
28<\/td>26<\/td><\/td><\/td><\/td>B<\/td>Thelonious Monk<\/td>Monk's Music<\/td>US<\/td>1957<\/td>4,9<\/td>\n<\/tr>\n
29<\/td>29<\/td>25<\/td>2<\/td>10<\/td>N<\/td>James Chance & The Contortions<\/td>Buy<\/td>US<\/td>1979<\/td>4,88888888888889<\/td>\n<\/tr>\n
30<\/td>29<\/td><\/td><\/td><\/td>P<\/td>The Rolling Stones<\/td>Let It Bleed<\/td>UK<\/td>1969<\/td>4,88888888888889<\/td>\n<\/tr>\n
31<\/td>29<\/td>26<\/td>1<\/td><\/td>H<\/td>Pink Floyd<\/td>The Dark Side Of The Moon<\/td>UK<\/td>1973<\/td>4,88888888888889<\/td>\n<\/tr>\n
32<\/td>32<\/td>27<\/td>3<\/td>11<\/td>J<\/td>Nick Mason & Carla Bley<\/td>Fictitious Sports<\/td>UK<\/td>1981<\/td>4,875<\/td>\n<\/tr>\n
33<\/td>32<\/td>28<\/td>3<\/td><\/td>N<\/td>Patti Smith<\/td>Horses<\/td>US<\/td>1975<\/td>4,875<\/td>\n<\/tr>\n
34<\/td>32<\/td><\/td><\/td><\/td>C<\/td>Fabrizio de Andr\u201a<\/td>Le Nuvole<\/td>IT<\/td>1990<\/td>4,875<\/td>\n<\/tr>\n
35<\/td>32<\/td>29<\/td>3<\/td><\/td>J<\/td>Bud Powell<\/td>The Amazing Bud Powell 01<\/td>US<\/td>1952<\/td>4,875<\/td>\n<\/tr>\n
36<\/td>32<\/td>30<\/td>3<\/td><\/td>F<\/td>James Brown<\/td>The Payback<\/td>US<\/td>1973<\/td>4,875<\/td>\n<\/tr>\n
37<\/td>32<\/td><\/td><\/td><\/td>F<\/td>Fela Kuti<\/td>Zombie<\/td>NG<\/td>1977<\/td>4,875<\/td>\n<\/tr>\n
38<\/td>38<\/td>31<\/td>3<\/td>12<\/td>C<\/td>???????? ????????<\/td>Le Vol Arr\u02c6t\u201a<\/td>RU<\/td>1981<\/td>4,86363636363636<\/td>\n<\/tr>\n
39<\/td>38<\/td><\/td><\/td><\/td>H<\/td>Nick Mason<\/td>Live<\/td>UK<\/td>2020<\/td>4,86363636363636<\/td>\n<\/tr>\n
40<\/td>40<\/td><\/td><\/td>13<\/td>A<\/td>David Bowie<\/td>Blackstar<\/td>UK<\/td>2016<\/td>4,85714285714286<\/td>\n<\/tr>\n
41<\/td>40<\/td>32<\/td>4<\/td><\/td>F<\/td>Parliament<\/td>Mothership Connection<\/td>US<\/td>1975<\/td>4,85714285714286<\/td>\n<\/tr>\n
42<\/td>40<\/td>33<\/td>4<\/td><\/td>J<\/td>Kahil El Zabar's Ritual Trio<\/td>Renaissance Of Resistance<\/td>US<\/td>1994<\/td>4,85714285714286<\/td>\n<\/tr>\n
43<\/td>43<\/td>34<\/td>3<\/td>14<\/td>A<\/td>Neil Young<\/td>Dead Man<\/td>CA<\/td>1996<\/td>4,84615384615385<\/td>\n<\/tr>\n
44<\/td>43<\/td><\/td><\/td><\/td>H<\/td>Pink Floyd<\/td>More<\/td>UK<\/td>1969<\/td>4,84615384615385<\/td>\n<\/tr>\n
45<\/td>43<\/td>35<\/td>3<\/td><\/td>A<\/td>Marc Ribot<\/td>Silent Movies<\/td>FR<\/td>2010<\/td>4,84615384615385<\/td>\n<\/tr>\n
46<\/td>46<\/td>36<\/td>2<\/td>15<\/td>H<\/td>Syd Barrett<\/td>Barrett<\/td>UK<\/td>1970<\/td>4,83333333333333<\/td>\n<\/tr>\n
47<\/td>46<\/td><\/td><\/td><\/td>H<\/td>Pink Floyd<\/td>Meddle<\/td>UK<\/td>1971<\/td>4,83333333333333<\/td>\n<\/tr>\n
48<\/td>46<\/td>37<\/td>2<\/td><\/td>M<\/td>Neu!<\/td>Neu!<\/td>DE<\/td>1972<\/td>4,83333333333333<\/td>\n<\/tr>\n
49<\/td>46<\/td>38<\/td>4<\/td><\/td>B<\/td>Henry Grimes Trio<\/td>The Call<\/td>US<\/td>1966<\/td>4,83333333333333<\/td>\n<\/tr>\n
50<\/td>46<\/td>39<\/td>4<\/td><\/td>B<\/td>Pharoah Sanders<\/td>Thembi<\/td>US<\/td>1971<\/td>4,83333333333333<\/td>\n<\/tr>\n
51<\/td>46<\/td><\/td><\/td><\/td>P<\/td>Neil Young<\/td>Tonight's the Night<\/td>CA<\/td>1975<\/td>4,83333333333333<\/td>\n<\/tr>\n
52<\/td>47<\/td>40<\/td>3<\/td><\/td>P<\/td>Morphine<\/td>Yes<\/td>US<\/td>1995<\/td>4,83333333333333<\/td>\n<\/tr>\n
53<\/td>53<\/td>41<\/td>2<\/td>16<\/td>R<\/td>The Roots<\/td>Things Fall Apart<\/td>US<\/td>1999<\/td>4,82352941176471<\/td>\n<\/tr>\n
54<\/td>54<\/td>42<\/td>3<\/td>17<\/td>M<\/td>Throbbing Gristle<\/td>20 Jazz Funk Great<\/td>UK<\/td>1979<\/td>4,81818181818182<\/td>\n<\/tr>\n
55<\/td>54<\/td>43<\/td>3<\/td><\/td>H<\/td>Love<\/td>Forever Change<\/td>US<\/td>1967<\/td>4,81818181818182<\/td>\n<\/tr>\n
56<\/td>54<\/td><\/td><\/td><\/td>F<\/td>Dr John<\/td>In The Right Place<\/td>US<\/td>1973<\/td>4,81818181818182<\/td>\n<\/tr>\n
57<\/td>54<\/td><\/td><\/td><\/td>H<\/td>Pink Floyd<\/td>The Piper At The Gates Of Dawn<\/td>UK<\/td>1967<\/td>4,81818181818182<\/td>\n<\/tr>\n
58<\/td>54<\/td>44<\/td>4<\/td><\/td>C<\/td>Georges Brassens<\/td>Xi [Supplique]<\/td>FR<\/td>1966<\/td>4,81818181818182<\/td>\n<\/tr>\n
59<\/td>59<\/td>45<\/td>4<\/td>18<\/td>N<\/td>Television<\/td>Marquee Moon<\/td>US<\/td>1979<\/td>4,8125<\/td>\n<\/tr>\n
60<\/td><\/td><\/td>1<\/td><\/td>X<\/td>Elmore James<\/td>Blues after hours<\/td>US<\/td>1960<\/td>4,81<\/td>\n<\/tr>\n
61<\/td>60<\/td>46<\/td>5<\/td>19<\/td>B<\/td>Eric Dolphy<\/td>'Out To Lunch\u00ff!'<\/td>US<\/td>1964<\/td>4,8<\/td>\n<\/tr>\n
62<\/td>60<\/td>47<\/td>5<\/td><\/td>J<\/td>Osamu Kitajima<\/td>Benzaiten<\/td>JA<\/td>1974<\/td>4,8<\/td>\n<\/tr>\n
63<\/td>60<\/td>48<\/td>2<\/td><\/td>X<\/td>Matana Roberts<\/td>Coin Coin Chapter Two<\/td>US<\/td>2013<\/td>4,8<\/td>\n<\/tr>\n
64<\/td>60<\/td>49<\/td>5<\/td><\/td>N<\/td>Pere Ubu<\/td>Dub Housing<\/td>US<\/td>1978<\/td>4,8<\/td>\n<\/tr>\n
65<\/td>60<\/td><\/td><\/td><\/td>B<\/td>Archie Shepp <\/td>Fire Music<\/td>US<\/td>1965<\/td>4,8<\/td>\n<\/tr>\n
66<\/td>60<\/td>50<\/td>5<\/td><\/td>J<\/td>Carla Bley<\/td>Fleur Carnivore<\/td>US<\/td>1989<\/td>4,8<\/td>\n<\/tr>\n
67<\/td>60<\/td>51<\/td>5<\/td><\/td>B<\/td>Hugh Masekala<\/td>Home Is Were The Music Is<\/td>SA<\/td>1972<\/td>4,8<\/td>\n<\/tr>\n
68<\/td>60<\/td>52<\/td>4<\/td><\/td>M<\/td>Bj\u201drk<\/td>Homogenic<\/td>IS<\/td>1997<\/td>4,8<\/td>\n<\/tr>\n
69<\/td>60<\/td><\/td><\/td><\/td>F<\/td>Fela Kuti<\/td>London Scene<\/td>NG<\/td>1971<\/td>4,8<\/td>\n<\/tr>\n
70<\/td>60<\/td><\/td><\/td><\/td>H<\/td>Pink Floyd<\/td>Obscured By Clouds<\/td>UK<\/td>1972<\/td>4,8<\/td>\n<\/tr>\n
71<\/td>60<\/td>53<\/td>3<\/td><\/td>R<\/td>Eric B. & Rakim<\/td>Paid In Full<\/td>US<\/td>1987<\/td>4,8<\/td>\n<\/tr>\n
72<\/td>60<\/td>54<\/td>4<\/td><\/td>P<\/td>PJ Harvey<\/td>To Bring You My Love<\/td>UK<\/td>1995<\/td>4,8<\/td>\n<\/tr>\n
73<\/td>60<\/td>55<\/td>5<\/td><\/td>C<\/td>Fiona Apple<\/td>When The Pawn Hits The Conflicts He Thinks Like A King What He Knows Throws The Blows When He Goes To The Fight And He'll Win The Whole Thing 'Fore He Enters The Ring There's No Body To Batter When Your Mind Is Your Might So When You Go Solo, You Hold Your Own Hand And Remember That Depth Is The Greatest Of Heights And If You Know Where You Stand, Then You Know Where To Land And If You Fall It Won't Matter, Cuz You'll Know That You're Right<\/td>US<\/td>1999<\/td>4,8<\/td>\n<\/tr>\n
74<\/td>60<\/td><\/td><\/td><\/td>H<\/td>Pink Floyd<\/td>Wish You Were Here<\/td>UK<\/td>1975<\/td>4,8<\/td>\n<\/tr>\n
75<\/td>74<\/td>56<\/td>4<\/td>20<\/td>R<\/td>Orelsan<\/td>La F\u02c6te Est Finie<\/td>FR<\/td>2017<\/td>4,78571428571429<\/td>\n<\/tr>\n
76<\/td>74<\/td><\/td><\/td>21<\/td>P<\/td>The Rolling Stones<\/td>Exile On Main St<\/td>UK<\/td>1972<\/td>4,77777777777778<\/td>\n<\/tr>\n
77<\/td>74<\/td>57<\/td>5<\/td><\/td>F<\/td>Prince<\/td>Piano & A Microphone<\/td>US<\/td>2018<\/td>4,77777777777778<\/td>\n<\/tr>\n
78<\/td>74<\/td>58<\/td>5<\/td><\/td>P<\/td>Roxy Music<\/td>Roxy Music<\/td>UK<\/td>1972<\/td>4,77777777777778<\/td>\n<\/tr>\n
79<\/td>74<\/td>59<\/td>6<\/td><\/td>N<\/td>Alternative T.V.<\/td>Vibing Up The Senile Man<\/td>UK<\/td>1979<\/td>4,77777777777778<\/td>\n<\/tr>\n
80<\/td>79<\/td>60<\/td>6<\/td>22<\/td>P<\/td>Supergrass<\/td>I Should Coco<\/td>UK<\/td>1995<\/td>4,76923076923077<\/td>\n<\/tr>\n
81<\/td>80<\/td><\/td><\/td>23<\/td>B<\/td>John Coltrane<\/td>A Love Supreme<\/td>US<\/td>1965<\/td>4,75<\/td>\n<\/tr>\n
82<\/td>80<\/td>61<\/td>6<\/td><\/td>B<\/td>Cecil Taylor<\/td>Dark To Themselves<\/td>US<\/td>1976<\/td>4,75<\/td>\n<\/tr>\n
83<\/td>80<\/td>62<\/td>7<\/td><\/td>P<\/td>Janis Joplin<\/td>I Got Dem Ol' Kozmic Blues Again Mama!<\/td>US<\/td>1969<\/td>4,75<\/td>\n<\/tr>\n
84<\/td>80<\/td>63<\/td>6<\/td><\/td>B<\/td>Milestone Jazz Stars<\/td>In Concert<\/td>US<\/td>1978<\/td>4,75<\/td>\n<\/tr>\n
85<\/td>80<\/td>64<\/td>6<\/td><\/td>F<\/td>Tony Allen<\/td>Jealousy<\/td>US<\/td>1975<\/td>4,75<\/td>\n<\/tr>\n
86<\/td>80<\/td><\/td><\/td><\/td>B<\/td>Archie Shepp <\/td>Mama Too Tight<\/td>US<\/td>1967<\/td>4,75<\/td>\n<\/tr>\n
87<\/td>80<\/td><\/td><\/td><\/td>B<\/td>Charles Mingus<\/td>Mingus Ah Um<\/td>US<\/td>1959<\/td>4,75<\/td>\n<\/tr>\n
88<\/td>80<\/td>65<\/td>5<\/td><\/td>R<\/td>Kanye West<\/td>My Beautiful Dark Twisted Fantasy<\/td>US<\/td>2010<\/td>4,75<\/td>\n<\/tr>\n
89<\/td>80<\/td><\/td><\/td><\/td>F<\/td>Prince<\/td>Parade<\/td>US<\/td>1986<\/td>4,75<\/td>\n<\/tr>\n
90<\/td>80<\/td><\/td><\/td><\/td>B<\/td>Charles Mingus<\/td>Pithecanthropus Erectus<\/td>US<\/td>1956<\/td>4,75<\/td>\n<\/tr>\n
91<\/td><\/td><\/td><\/td><\/td>F<\/td>Tony Allen<\/td>Progress<\/td>US<\/td>1977<\/td>4,75<\/td>\n<\/tr>\n
92<\/td>80<\/td><\/td><\/td><\/td>F<\/td>Fela Kuti<\/td>Rofoforo Night<\/td>NG<\/td>1972<\/td>4,75<\/td>\n<\/tr>\n
93<\/td>80<\/td><\/td><\/td><\/td>F<\/td>Fela Kuti<\/td>Shakara<\/td>NG<\/td>1972<\/td>4,75<\/td>\n<\/tr>\n
94<\/td>80<\/td>66<\/td>6<\/td><\/td>B<\/td>Albert Ayler<\/td>Spiritual Unity<\/td>US<\/td>1965<\/td>4,75<\/td>\n<\/tr>\n
95<\/td>80<\/td>67<\/td>4<\/td><\/td>H<\/td>Roy Harper<\/td>Stormrock<\/td>UK<\/td>1971<\/td>4,75<\/td>\n<\/tr>\n
96<\/td>80<\/td><\/td><\/td><\/td>B<\/td>Archie Shepp <\/td>The Magic Of Ju-Ju<\/td>US<\/td>1968<\/td>4,75<\/td>\n<\/tr>\n
97<\/td>80<\/td>68<\/td>4<\/td><\/td>H<\/td>Soft Machine<\/td>Third<\/td>UK<\/td>1970<\/td>4,75<\/td>\n<\/tr>\n
98<\/td>97<\/td>70<\/td>7<\/td>24<\/td>N<\/td>Devo<\/td>Q:Are We Not Men\u00ff? A:No\u00ff! We Are Devo\u00ff!<\/td>US<\/td>1978<\/td>4,72727272727273<\/td>\n<\/tr>\n
99<\/td>98<\/td>71<\/td>5<\/td>25<\/td>M<\/td>Kid See Ghosts<\/td>Kids See Ghosts<\/td>US<\/td>2018<\/td>4,71428571428571<\/td>\n<\/tr>\n
100<\/td>98<\/td>72<\/td>3<\/td><\/td>X<\/td>Bill Withers<\/td>Live At The Carnegie Hall<\/td>US<\/td>1973<\/td>4,71428571428571<\/td>\n<\/tr>\n
101<\/td>98<\/td>73<\/td>6<\/td><\/td>J<\/td>Dave Brubeck Quartet<\/td>Time Out<\/td>US<\/td>1959<\/td>4,71428571428571<\/td>\n<\/tr>\n
102<\/td><\/td><\/td>4<\/td><\/td>X<\/td>Big Bill Bronzy<\/td>Big Bill Bronzy Sings Folk Songs<\/td>US<\/td>1956<\/td>4,71<\/td>\n<\/tr>\n
103<\/td>99<\/td>74<\/td>8<\/td>26<\/td>N<\/td>Alan Vega, Alex Chilton, Ben Vaugh<\/td>Cubist Blues<\/td>US<\/td>1996<\/td>4,70833333333333<\/td>\n<\/tr>\n
104<\/td>102<\/td>75<\/td>6<\/td>27<\/td>C<\/td>Beth Gibbons & Rustin Man<\/td>Out Of Season<\/td>UK<\/td>2002<\/td>4,7<\/td>\n<\/tr>\n
105<\/td>102<\/td>76<\/td>7<\/td><\/td>J<\/td>Bojan Z<\/td>Solobsession<\/td>CR<\/td>2000<\/td>4,7<\/td>\n<\/tr>\n
106<\/td>102<\/td>77<\/td>6<\/td><\/td>C<\/td>Joe Wilkes<\/td>Spotlight<\/td>UK<\/td>2006<\/td>4,7<\/td>\n<\/tr>\n
107<\/td>102<\/td><\/td><\/td><\/td>P<\/td>The Rolling Stones<\/td>Sticky Fingers<\/td>UK<\/td>1971<\/td>4,7<\/td>\n<\/tr>\n
108<\/td>102<\/td>78<\/td>9<\/td><\/td>N<\/td>The Pop Group<\/td>Y<\/td>UK<\/td>1979<\/td>4,7<\/td>\n<\/tr>\n
109<\/td><\/td><\/td>4<\/td><\/td>A<\/td>Godspeed You! Black Emperor<\/td>Lift Your Skinny Fists Like Antennas to Heaven<\/td>CA<\/td>2000<\/td>4,69166666666667<\/td>\n<\/tr>\n
110<\/td><\/td><\/td>5<\/td><\/td>X<\/td>Muddy Waters<\/td>Live At Newport<\/td>US<\/td>1960<\/td>4,69<\/td>\n<\/tr>\n
111<\/td>107<\/td>79<\/td>7<\/td><\/td>F<\/td>Larry Graham Central Station<\/td>Aint No 'Bout-A-Doubt It<\/td>US<\/td>1975<\/td>4,66666666666667<\/td>\n<\/tr>\n
112<\/td>107<\/td><\/td><\/td><\/td>N<\/td>Pere Ubu<\/td>Carnival Of Souls<\/td>US<\/td>2014<\/td>4,66666666666667<\/td>\n<\/tr>\n
113<\/td>107<\/td><\/td><\/td><\/td>B<\/td>Cecil Taylor<\/td>Conquistador\u00ff!<\/td>US<\/td>1968<\/td>4,66666666666667<\/td>\n<\/tr>\n
114<\/td>107<\/td>80<\/td>10<\/td><\/td>N<\/td>XTC<\/td>Drums And Wires<\/td>UK<\/td>1979<\/td>4,66666666666667<\/td>\n<\/tr>\n
115<\/td>107<\/td>81<\/td>8<\/td><\/td>P<\/td>Nirvana<\/td>In Utero<\/td>US<\/td>1993<\/td>4,66666666666667<\/td>\n<\/tr>\n
116<\/td>107<\/td><\/td><\/td><\/td>X<\/td>Bill Withers<\/td>Just As I Am<\/td>US<\/td>1971<\/td>4,66666666666667<\/td>\n<\/tr>\n
117<\/td>107<\/td>82<\/td>7<\/td><\/td>C<\/td>Dominique A<\/td>La M\u201amoire Neuve<\/td>FR<\/td>1995<\/td>4,66666666666667<\/td>\n<\/tr>\n
118<\/td>107<\/td>83<\/td>5<\/td><\/td>H<\/td>King Crimson<\/td>Lark's Tongues In Aspic<\/td>UK<\/td>1973<\/td>4,66666666666667<\/td>\n<\/tr>\n
119<\/td>107<\/td><\/td><\/td><\/td>F<\/td>Fela Kuti<\/td>Open And Close<\/td>NG<\/td>1971<\/td>4,66666666666667<\/td>\n<\/tr>\n
120<\/td>107<\/td>84<\/td>5<\/td><\/td>H<\/td>Robert Wyatt<\/td>Rock Bottom<\/td>UK<\/td>1974<\/td>4,66666666666667<\/td>\n<\/tr>\n
121<\/td>107<\/td><\/td><\/td><\/td>J<\/td>Carla Bley<\/td>Social Studies<\/td>US<\/td>1981<\/td>4,66666666666667<\/td>\n<\/tr>\n
122<\/td>107<\/td>85<\/td>7<\/td><\/td>B<\/td>Ornette Coleman<\/td>The Shape Of The Jazz To Come<\/td>US<\/td>1959<\/td>4,66666666666667<\/td>\n<\/tr>\n
123<\/td>107<\/td>86<\/td>6<\/td><\/td>R<\/td>AV<\/td>Time Bomb Vol 1<\/td>FR<\/td>1995<\/td>4,66666666666667<\/td>\n<\/tr>\n
124<\/td>107<\/td><\/td><\/td><\/td>B<\/td>John Coltrane<\/td>Transition<\/td>US<\/td>1970<\/td>4,66666666666667<\/td>\n<\/tr>\n
125<\/td>80<\/td>69<\/td>6<\/td>28<\/td>B<\/td>Tina Brooks<\/td>True Blue<\/td>US<\/td>1960<\/td>4,66666666666667<\/td>\n<\/tr>\n
126<\/td>107<\/td>87<\/td>6<\/td><\/td>X<\/td>Marvin Gaye<\/td>What's Going On<\/td>US<\/td>1971<\/td>4,66666666666667<\/td>\n<\/tr>\n
127<\/td>107<\/td>88<\/td>6<\/td><\/td>M<\/td>DJ Crush<\/td>Zen<\/td>JA<\/td>2001<\/td>4,66666666666667<\/td>\n<\/tr>\n
128<\/td><\/td><\/td>7<\/td><\/td>X<\/td>Howlin' Wolf<\/td>Howlin' Wolf [The Rockin' Chair Album]<\/td>US<\/td>1962<\/td>4,65<\/td>\n<\/tr>\n
129<\/td>123<\/td>89<\/td>9<\/td>29<\/td>P<\/td>Roger Waters<\/td>Amused To Death<\/td>UK<\/td>1992<\/td>4,64285714285714<\/td>\n<\/tr>\n
130<\/td>124<\/td><\/td><\/td>30<\/td>P<\/td>David Bowie<\/td>Hunky Dory<\/td>UK<\/td>1971<\/td>4,63636363636364<\/td>\n<\/tr>\n
131<\/td>124<\/td>90<\/td>8<\/td><\/td>C<\/td>Paolo Conte<\/td>Paolo Conte [1975]<\/td>IT<\/td>1975<\/td>4,63636363636364<\/td>\n<\/tr>\n
132<\/td>124<\/td>91<\/td>8<\/td><\/td>C<\/td>Nick Drake<\/td>Pink Moon<\/td>UK<\/td>1979<\/td>4,63636363636364<\/td>\n<\/tr>\n
133<\/td>124<\/td><\/td><\/td><\/td>H<\/td>Robert Wyatt<\/td>Schleep<\/td>UK<\/td>1997<\/td>4,63636363636364<\/td>\n<\/tr>\n
134<\/td>124<\/td>92<\/td>8<\/td><\/td>B<\/td>Dewey\u00ffRedman<\/td>The Ear Of The Behearer<\/td>US<\/td>1973<\/td>4,63636363636364<\/td>\n<\/tr>\n
135<\/td>124<\/td>93<\/td>8<\/td><\/td>F<\/td>Sly And The Family Stone<\/td>There's A Riot Goin' On<\/td>US<\/td>1971<\/td>4,63636363636364<\/td>\n<\/tr>\n
136<\/td>130<\/td>94<\/td>10<\/td>31<\/td>P<\/td>Marianne Faithfull<\/td>Broken English<\/td>UK<\/td>1979<\/td>4,625<\/td>\n<\/tr>\n
137<\/td>130<\/td>95<\/td>10<\/td><\/td>P<\/td>Creedence Clearwater Revival<\/td>Creedence Clearwater Revival<\/td>US<\/td>1968<\/td>4,625<\/td>\n<\/tr>\n
138<\/td>130<\/td><\/td><\/td><\/td>P<\/td>Roxy Music<\/td>For Your Pleasure<\/td>UK<\/td>1973<\/td>4,625<\/td>\n<\/tr>\n
139<\/td>130<\/td>96<\/td><\/td><\/td>N<\/td>X-Ray Specs<\/td>Germfree Adolescents<\/td>UK<\/td>1978<\/td>4,625<\/td>\n<\/tr>\n
140<\/td>130<\/td><\/td><\/td><\/td>B<\/td>Charles Mingus<\/td>Mingus Mingus Mingus Mingus Mingus<\/td>US<\/td>1964<\/td>4,625<\/td>\n<\/tr>\n
141<\/td>130<\/td>97<\/td>10<\/td><\/td>P<\/td>Iggy Pop<\/td>The Idiot<\/td>US<\/td>1977<\/td>4,625<\/td>\n<\/tr>\n
142<\/td>136<\/td>98<\/td>7<\/td>32<\/td>R<\/td>Kendrick Lamar<\/td>Mr. Morale & The Big Steppers<\/td>US<\/td>2022<\/td>4,61111111111111<\/td>\n<\/tr>\n
143<\/td><\/td><\/td><\/td><\/td>X<\/td>Howlin' Wolf<\/td>Moanin' in the moolight<\/td>US<\/td>1959<\/td>4,61<\/td>\n<\/tr>\n
144<\/td>137<\/td>99<\/td>7<\/td>33<\/td>M<\/td>Kraftwerk<\/td>Autobahn<\/td>DE<\/td>1974<\/td>4,6<\/td>\n<\/tr>\n
145<\/td>137<\/td><\/td><\/td><\/td>X<\/td>Matana Roberts<\/td>Coin Coin Chapter One<\/td>US<\/td>2011<\/td>4,6<\/td>\n<\/tr>\n
146<\/td>137<\/td><\/td><\/td><\/td>C<\/td>Nick Drake<\/td>Five Leaves Left<\/td>UK<\/td>1969<\/td>4,6<\/td>\n<\/tr>\n
147<\/td>137<\/td>100<\/td>6<\/td><\/td>H<\/td>Quicksilver Messenger Service<\/td>Happy Trails<\/td>US<\/td>1969<\/td>4,6<\/td>\n<\/tr>\n
148<\/td>137<\/td>101<\/td>9<\/td><\/td>B<\/td>Sun Ra<\/td>Lanquidity<\/td>US<\/td>1978<\/td>4,6<\/td>\n<\/tr>\n
149<\/td>137<\/td><\/td><\/td><\/td>B<\/td>Cecil Taylor<\/td>Looking Ahead<\/td>US<\/td>1959<\/td>4,6<\/td>\n<\/tr>\n
150<\/td>137<\/td>102<\/td>8<\/td><\/td>J<\/td>Chik Corea<\/td>Now He Sings, Now He Sobs<\/td>US<\/td>1968<\/td>4,6<\/td>\n<\/tr>\n
151<\/td>137<\/td>103<\/td><\/td><\/td>N<\/td>Au Pairs<\/td>Playing With A Different Sex<\/td>UK<\/td>1981<\/td>4,6<\/td>\n<\/tr>\n
152<\/td><\/td><\/td>9<\/td><\/td>B<\/td>Masahiko Togashi<\/td>Session in Paris vol 1<\/td>JA<\/td>1976<\/td>4,6<\/td>\n<\/tr>\n
153<\/td><\/td><\/td><\/td><\/td>B<\/td>Masahiko Togashi<\/td>Session in Paris vol 2<\/td>JA<\/td>1980<\/td>4,6<\/td>\n<\/tr>\n
154<\/td>137<\/td>104<\/td>9<\/td><\/td>B<\/td>Ornette Coleman & Charlie Hiden<\/td>Soapsuds, Soapsuds<\/td>US<\/td>1977<\/td>4,6<\/td>\n<\/tr>\n
155<\/td>137<\/td><\/td><\/td><\/td>N<\/td>Gang Of Four<\/td>Solid Gold<\/td>UK<\/td>1981<\/td>4,6<\/td>\n<\/tr>\n
156<\/td>137<\/td><\/td><\/td><\/td>P<\/td>The Rolling Stones<\/td>Some Girls<\/td>UK<\/td>1978<\/td>4,6<\/td>\n<\/tr>\n
157<\/td>137<\/td>105<\/td>9<\/td><\/td>B<\/td>Charles Guayle<\/td>Touchin' On Trane<\/td>US<\/td>1994<\/td>4,6<\/td>\n<\/tr>\n
158<\/td>149<\/td>106<\/td>9<\/td>34<\/td>F<\/td>Keziah Jones<\/td>Black Orpheus<\/td>US<\/td>2003<\/td>4,58333333333333<\/td>\n<\/tr>\n
159<\/td>149<\/td><\/td><\/td><\/td>X<\/td>The Rolling Stones<\/td>Blues And Lonesome<\/td>UK<\/td>2017<\/td>4,58333333333333<\/td>\n<\/tr>\n
160<\/td>149<\/td>107<\/td>9<\/td><\/td>C<\/td>Jacques Brel<\/td>BREL<\/td>BE<\/td>1977<\/td>4,58333333333333<\/td>\n<\/tr>\n
161<\/td>152<\/td>108<\/td><\/td><\/td>K<\/td>Nino Rota<\/td>Il Padrino<\/td>IT<\/td>1972<\/td>4,58333333333333<\/td>\n<\/tr>\n
162<\/td>152<\/td><\/td><\/td><\/td>P<\/td>Nirvana<\/td>Nevermind<\/td>US<\/td>1991<\/td>4,58333333333333<\/td>\n<\/tr>\n
163<\/td>154<\/td><\/td><\/td><\/td>P<\/td>Pink Floyd<\/td>The Final Cut<\/td>UK<\/td>1983<\/td>4,58333333333333<\/td>\n<\/tr>\n
164<\/td>156<\/td>109<\/td><\/td>35<\/td>N<\/td>Minutemen<\/td>Double Nickels On The Dime<\/td>US<\/td>1984<\/td>4,58139534883721<\/td>\n<\/tr>\n
165<\/td><\/td><\/td>8<\/td><\/td>X<\/td>Mulatu Astatke<\/td>thiopiques 4: Ethio Jazz & Musique Instrumentale 1969-1974<\/td>ET<\/td>1974<\/td>4,58<\/td>\n<\/tr>\n
166<\/td>157<\/td><\/td><\/td><\/td>J<\/td>Marianne Faithfull<\/td>20th Century Blues<\/td>UK<\/td>1997<\/td>4,57142857142857<\/td>\n<\/tr>\n
167<\/td>157<\/td><\/td><\/td><\/td>B<\/td>Ornette Coleman<\/td>Change Of The Century<\/td>US<\/td>1960<\/td>4,57142857142857<\/td>\n<\/tr>\n
168<\/td>157<\/td><\/td><\/td><\/td>B<\/td>John Coltrane<\/td>Giant Steps<\/td>US<\/td>1960<\/td>4,57142857142857<\/td>\n<\/tr>\n
169<\/td>157<\/td>110<\/td>10<\/td><\/td>B<\/td>Ndikho Xaba and the Natives<\/td>Ndikho Xaba And The Natives<\/td>SA<\/td>1971<\/td>4,57142857142857<\/td>\n<\/tr>\n
170<\/td>157<\/td>111<\/td><\/td><\/td>P<\/td>Beck<\/td>Odelay<\/td>US<\/td>1996<\/td>4,57142857142857<\/td>\n<\/tr>\n
171<\/td>157<\/td><\/td><\/td><\/td>B<\/td>Eric Dolphy<\/td>Out There<\/td>US<\/td>1960<\/td>4,57142857142857<\/td>\n<\/tr>\n
172<\/td>157<\/td><\/td><\/td><\/td>N<\/td>PJ Harvey<\/td>Rid Of Me<\/td>UK<\/td>1993<\/td>4,57142857142857<\/td>\n<\/tr>\n
173<\/td>157<\/td>112<\/td>10<\/td><\/td>F<\/td>Funkadelic<\/td>Satanding On The Verge Of Getting It On<\/td>US<\/td>1974<\/td>4,57142857142857<\/td>\n<\/tr>\n
174<\/td>157<\/td><\/td><\/td><\/td>N<\/td>XTC<\/td>Skylarking<\/td>UK<\/td>1986<\/td>4,57142857142857<\/td>\n<\/tr>\n
175<\/td>258<\/td>165<\/td><\/td>36<\/td>N<\/td>Tom Verlaine<\/td>Songs And Other Things<\/td>US<\/td>1979<\/td>4,57142857142857<\/td>\n<\/tr>\n
176<\/td>166<\/td>113<\/td><\/td>37<\/td>B<\/td>Archie Shepp meets Kahil el Zabar's Trio<\/td>Conversation<\/td>US<\/td>1999<\/td>4,57<\/td>\n<\/tr>\n
177<\/td>187<\/td>138<\/td>5<\/td>38<\/td>A<\/td>Laurie Anderson & Kronos Quartet<\/td>Landfall<\/td>US<\/td>2018<\/td>4,56666666666667<\/td>\n<\/tr>\n
178<\/td>167<\/td><\/td><\/td>39<\/td>H<\/td>Robert Wyatt<\/td>Cuckooland<\/td>UK<\/td>2003<\/td>4,5625<\/td>\n<\/tr>\n
179<\/td>167<\/td>114<\/td>10<\/td><\/td>C<\/td>Philippe Katerine<\/td>Le Film<\/td>FR<\/td>2016<\/td>4,5625<\/td>\n<\/tr>\n
180<\/td>167<\/td><\/td><\/td><\/td>P<\/td>Neil Young<\/td>Le noise<\/td>CA<\/td>2010<\/td>4,5625<\/td>\n<\/tr>\n
181<\/td>169<\/td>115<\/td>8<\/td><\/td>R<\/td>Dead Prez<\/td>Let's Get Free<\/td>US<\/td>2000<\/td>4,5625<\/td>\n<\/tr>\n
182<\/td>172<\/td>116<\/td>9<\/td>40<\/td>R<\/td>IAM<\/td>L'\u201acole Du Micro D'argent<\/td>FR<\/td>1998<\/td>4,56<\/td>\n<\/tr>\n
183<\/td>173<\/td>117<\/td><\/td>41<\/td>P<\/td>Santana<\/td>Abraxas<\/td>MX<\/td>1970<\/td>4,55555555555556<\/td>\n<\/tr>\n
184<\/td>173<\/td><\/td><\/td><\/td>F<\/td>Parliament<\/td>Chocolate City<\/td>US<\/td>1975<\/td>4,55555555555556<\/td>\n<\/tr>\n
185<\/td>173<\/td>118<\/td><\/td><\/td>P<\/td>Dire Straits<\/td>Dire Straits<\/td>UK<\/td>1978<\/td>4,55555555555556<\/td>\n<\/tr>\n
186<\/td>173<\/td>119<\/td>6<\/td><\/td>A<\/td>Adult Jazz<\/td>Gist Is<\/td>UK<\/td>2014<\/td>4,55555555555556<\/td>\n<\/tr>\n
187<\/td>173<\/td><\/td><\/td><\/td>F<\/td>Funkadelic<\/td>One Nation Under A Groove<\/td>US<\/td>1978<\/td>4,55555555555556<\/td>\n<\/tr>\n
188<\/td>173<\/td><\/td><\/td><\/td>J<\/td>Bud Powell<\/td>The Amazing Bud Powell 02<\/td>US<\/td>1954<\/td>4,55555555555556<\/td>\n<\/tr>\n
189<\/td><\/td><\/td>9<\/td><\/td>X<\/td>John Lee Hooker<\/td>I'm John Lee Hooker<\/td>US<\/td>1960<\/td>4,55<\/td>\n<\/tr>\n
190<\/td>179<\/td>120<\/td><\/td>42<\/td>N<\/td>Siouxie And The Banshees<\/td>Kaleidoscope<\/td>UK<\/td>1980<\/td>4,54545454545455<\/td>\n<\/tr>\n
191<\/td>179<\/td>121<\/td><\/td><\/td>N<\/td>Lydia Lunch<\/td>Queen Of Siam<\/td>US<\/td>1980<\/td>4,54545454545455<\/td>\n<\/tr>\n
192<\/td><\/td><\/td><\/td><\/td>P<\/td>Fiona Apple<\/td>The Idler is Wiser than the Driver of the Screw abd Whipping Cords Will Serve You More Than Ropes Will Ever Do<\/td>US<\/td>2012<\/td>4,54545454545455<\/td>\n<\/tr>\n
193<\/td>179<\/td>122<\/td><\/td><\/td>N<\/td>The Raincoats<\/td>The Raincoats<\/td>UK<\/td>1979<\/td>4,54545454545455<\/td>\n<\/tr>\n
194<\/td>179<\/td><\/td><\/td><\/td>C<\/td>Georges Brassens<\/td>Xiii [Fernande]<\/td>FR<\/td>1972<\/td>4,54545454545455<\/td>\n<\/tr>\n
195<\/td>179<\/td><\/td><\/td>43<\/td>P<\/td>Neil Young<\/td>Freedom<\/td>CA<\/td>1989<\/td>4,54166666666667<\/td>\n<\/tr>\n
196<\/td>182<\/td><\/td><\/td>44<\/td>P<\/td>Morphine<\/td>Cure For Pain<\/td>US<\/td>1993<\/td>4,53846153846154<\/td>\n<\/tr>\n
197<\/td>182<\/td><\/td><\/td><\/td>C<\/td>Fiona Apple<\/td>Fetch The Bold Cutters<\/td>US<\/td>2020<\/td>4,53846153846154<\/td>\n<\/tr>\n
198<\/td>182<\/td>123<\/td><\/td><\/td>C<\/td>Vinicio Caposella<\/td>Ovunque Proteggi<\/td>IT<\/td>2006<\/td>4,53846153846154<\/td>\n<\/tr>\n
199<\/td>185<\/td>124<\/td>8<\/td>45<\/td>M<\/td>Ace Of Clubs<\/td>Benefist<\/td>UK<\/td>2007<\/td>4,53<\/td>\n<\/tr>\n
200<\/td>186<\/td>125<\/td>9<\/td>46<\/td>J<\/td>Frank Zappa<\/td>Broadway The Hardway<\/td>US<\/td>1988<\/td>4,52941176470588<\/td>\n<\/tr>\n
201<\/td>187<\/td>126<\/td><\/td>47<\/td>F<\/td>Demon Fuzz<\/td>Afreaka\u00ff!<\/td>US<\/td>1970<\/td>4,5<\/td>\n<\/tr>\n
202<\/td>187<\/td><\/td><\/td><\/td>F<\/td>Fela Kuti<\/td>Afrodisiac<\/td>NG<\/td>1973<\/td>4,5<\/td>\n<\/tr>\n
203<\/td>187<\/td><\/td><\/td><\/td>B<\/td>Sun Ra<\/td>Angels & Demons At Play<\/td>US<\/td>1965<\/td>4,5<\/td>\n<\/tr>\n
204<\/td>187<\/td><\/td><\/td><\/td>B<\/td>Archie Shepp <\/td>Blas\u201a<\/td>US<\/td>1969<\/td>4,5<\/td>\n<\/tr>\n
205<\/td>187<\/td><\/td><\/td><\/td>B<\/td>Don Cherry<\/td>Brown Rice<\/td>US<\/td>1975<\/td>4,5<\/td>\n<\/tr>\n
206<\/td>187<\/td><\/td><\/td><\/td>C<\/td>Alain Bashung<\/td>Chatterton<\/td>FR<\/td>1994<\/td>4,5<\/td>\n<\/tr>\n
207<\/td>187<\/td><\/td><\/td><\/td>P<\/td>Frank Zappa<\/td>Chunga's Revenge<\/td>US<\/td>1970<\/td>4,5<\/td>\n<\/tr>\n
208<\/td>187<\/td>127<\/td><\/td><\/td>N<\/td>Joy Division<\/td>Closer<\/td>UK<\/td>1980<\/td>4,5<\/td>\n<\/tr>\n
209<\/td>187<\/td><\/td><\/td><\/td>F<\/td>Dr John<\/td>Dr John's Gumbo<\/td>US<\/td>1972<\/td>4,5<\/td>\n<\/tr>\n
210<\/td>187<\/td>128<\/td>9<\/td><\/td>M<\/td>AV<\/td>Electro Cypher<\/td>FR<\/td>2000<\/td>4,5<\/td>\n<\/tr>\n
211<\/td>187<\/td>129<\/td>7<\/td><\/td>A<\/td>Fire\u00ff! Orchestra<\/td>Enter<\/td>NO<\/td>2014<\/td>4,5<\/td>\n<\/tr>\n
212<\/td>187<\/td>130<\/td>10<\/td><\/td>R<\/td>Wu-Tang Klan <\/td>Enter The 36 Chambers<\/td>US<\/td>1993<\/td>4,5<\/td>\n<\/tr>\n
213<\/td>187<\/td>131<\/td><\/td><\/td>N<\/td>The Residents<\/td>Eskimo<\/td>US<\/td>1979<\/td>4,5<\/td>\n<\/tr>\n
214<\/td>187<\/td><\/td><\/td><\/td>B<\/td>Don Cherry<\/td>Eternal Rythm<\/td>US<\/td>1968<\/td>4,5<\/td>\n<\/tr>\n
215<\/td>187<\/td><\/td><\/td><\/td>A<\/td>Fire\u00ff! Orchestra<\/td>Exit<\/td>NO<\/td>2013<\/td>4,5<\/td>\n<\/tr>\n
216<\/td>187<\/td>132<\/td><\/td><\/td>C<\/td>Franco Battiato<\/td>Foetus<\/td>IT<\/td>1972<\/td>4,5<\/td>\n<\/tr>\n
217<\/td>187<\/td>133<\/td>7<\/td><\/td>A<\/td>Jon Hassel & Brian Eno<\/td>Fourth World Vol.1<\/td>UK<\/td>1980<\/td>4,5<\/td>\n<\/tr>\n
218<\/td>187<\/td><\/td><\/td><\/td>B<\/td>Ornette Coleman<\/td>Free Jazz<\/td>US<\/td>1961<\/td>4,5<\/td>\n<\/tr>\n
219<\/td>187<\/td><\/td><\/td><\/td>F<\/td>Parliament<\/td>Funkentelechy Vs. The Placebo Syndrome<\/td>US<\/td>1977<\/td>4,5<\/td>\n<\/tr>\n
220<\/td>187<\/td><\/td><\/td><\/td>F<\/td>Isley Brothers<\/td>Get Into Something<\/td>US<\/td>1970<\/td>4,5<\/td>\n<\/tr>\n
221<\/td>187<\/td>134<\/td><\/td><\/td>C<\/td>Tim Buckley<\/td>Goodbye And Hello<\/td>US<\/td>1967<\/td>4,5<\/td>\n<\/tr>\n
222<\/td>187<\/td>135<\/td><\/td><\/td>F<\/td>Herbie Hancock<\/td>Head Hunters<\/td>US<\/td>1973<\/td>4,5<\/td>\n<\/tr>\n
223<\/td>187<\/td>136<\/td><\/td><\/td>F<\/td>Isaac Hayes<\/td>Hot Buttered Soul<\/td>US<\/td>1969<\/td>4,5<\/td>\n<\/tr>\n
224<\/td>187<\/td><\/td><\/td><\/td>P<\/td>Frank Zappa<\/td>Hot Rats<\/td>US<\/td>1969<\/td>4,5<\/td>\n<\/tr>\n
225<\/td>187<\/td><\/td><\/td><\/td>B<\/td>Miles Davis<\/td>In A Silent Way<\/td>US<\/td>1962<\/td>4,5<\/td>\n<\/tr>\n
226<\/td>187<\/td><\/td><\/td><\/td>P<\/td>PJ Harvey<\/td>Is This Desire<\/td>UK<\/td>1998<\/td>4,5<\/td>\n<\/tr>\n
227<\/td>187<\/td>137<\/td><\/td><\/td>P<\/td>The Doors<\/td>L.A. Woman<\/td>US<\/td>1971<\/td>4,5<\/td>\n<\/tr>\n
228<\/td>187<\/td>139<\/td><\/td><\/td>P<\/td>The Who<\/td>Live at Leeds<\/td>UK<\/td>1970<\/td>4,5<\/td>\n<\/tr>\n
229<\/td>187<\/td><\/td><\/td><\/td>C<\/td>Vinicio Caposella<\/td>Nel Niente Sotto Il Sole<\/td>IT<\/td>2006<\/td>4,5<\/td>\n<\/tr>\n
230<\/td>187<\/td>140<\/td><\/td><\/td>C<\/td>Harry Nilsson<\/td>Nilsson Schmilson<\/td>US<\/td>1971<\/td>4,5<\/td>\n<\/tr>\n
231<\/td>187<\/td><\/td><\/td><\/td>F<\/td>Fela Kuti<\/td>No Agreement<\/td>NG<\/td>1977<\/td>4,5<\/td>\n<\/tr>\n
232<\/td>187<\/td><\/td><\/td><\/td>F<\/td>Fela Kuti<\/td>Opposite People<\/td>NG<\/td>1977<\/td>4,5<\/td>\n<\/tr>\n
233<\/td>187<\/td>141<\/td><\/td><\/td>P<\/td>Tin Machine<\/td>Oy Vey Baby<\/td>UK<\/td>1992<\/td>4,5<\/td>\n<\/tr>\n
234<\/td>187<\/td>142<\/td><\/td><\/td>B<\/td>Max Roach<\/td>Percussion Bitter Suite<\/td>US<\/td>1961<\/td>4,5<\/td>\n<\/tr>\n
235<\/td>187<\/td>143<\/td><\/td><\/td>P<\/td>John Lennon<\/td>Plastic Ono Band<\/td>UK<\/td>1970<\/td>4,5<\/td>\n<\/tr>\n
236<\/td>187<\/td><\/td><\/td><\/td>F<\/td>Fela Kuti<\/td>Shufferind And Shimmling<\/td>NG<\/td>1977<\/td>4,5<\/td>\n<\/tr>\n
237<\/td>187<\/td>144<\/td>10<\/td><\/td>J<\/td>Horace Silver<\/td>Songs For My Father<\/td>US<\/td>1965<\/td>4,5<\/td>\n<\/tr>\n
238<\/td>187<\/td>145<\/td><\/td><\/td>N<\/td>Slint<\/td>Spiederland<\/td>US<\/td>1991<\/td>4,5<\/td>\n<\/tr>\n
239<\/td>187<\/td><\/td><\/td><\/td>C<\/td>Franco Battiato<\/td>Sulle Corde Di Aries<\/td>IT<\/td>1973<\/td>4,5<\/td>\n<\/tr>\n
240<\/td>187<\/td><\/td><\/td><\/td>B<\/td>Charles Mingus<\/td>The Clown<\/td>US<\/td>1957<\/td>4,5<\/td>\n<\/tr>\n
241<\/td>187<\/td><\/td><\/td><\/td>B<\/td>Horace Silver<\/td>The Jody Grind<\/td>US<\/td>1967<\/td>4,5<\/td>\n<\/tr>\n
242<\/td>187<\/td>146<\/td>7<\/td><\/td>A<\/td>Keith Jarrett<\/td>The K\u201dln Concert<\/td>US<\/td>1975<\/td>4,5<\/td>\n<\/tr>\n
243<\/td>187<\/td>147<\/td><\/td><\/td>N<\/td>The Modern Lovers<\/td>The Modern Lovers<\/td>US<\/td>1976<\/td>4,5<\/td>\n<\/tr>\n
244<\/td>187<\/td>148<\/td>7<\/td><\/td>A<\/td>Gavin Bryars<\/td>The Sinking Of The Titanic<\/td>UK<\/td>1975<\/td>4,5<\/td>\n<\/tr>\n
245<\/td>187<\/td><\/td><\/td><\/td>M<\/td>Kraftwerk<\/td>Trans-Europa Express<\/td>DE<\/td>1977<\/td>4,5<\/td>\n<\/tr>\n
246<\/td><\/td><\/td><\/td><\/td>X<\/td>John Lee Hooker<\/td>Travellin'<\/td>US<\/td>1960<\/td>4,5<\/td>\n<\/tr>\n
247<\/td>187<\/td><\/td><\/td><\/td>P<\/td>Neil Young<\/td>Unplugged<\/td>CA<\/td>1993<\/td>4,5<\/td>\n<\/tr>\n
248<\/td>187<\/td>149<\/td><\/td><\/td>C<\/td>Robbie Bacho<\/td>Visions Of The Country<\/td>US<\/td>1978<\/td>4,5<\/td>\n<\/tr>\n
249<\/td>187<\/td>150<\/td><\/td><\/td>P<\/td>Pearl Jam<\/td>Vs.<\/td>US<\/td>1993<\/td>4,5<\/td>\n<\/tr>\n
250<\/td>187<\/td>151<\/td><\/td><\/td>F<\/td>Kool And The Gang<\/td>Wild And Peaceful<\/td>US<\/td>1973<\/td>4,5<\/td>\n<\/tr>\n
251<\/td><\/td><\/td>10<\/td><\/td>X<\/td>Mahmoud Ahmed<\/td>thiopiques 7: Er\u0160 M\u0160la M\u0160la<\/td>ET<\/td>1975<\/td>4,49<\/td>\n<\/tr>\n
252<\/td>237<\/td>152<\/td>10<\/td>48<\/td>M<\/td>LCD Sounsystem<\/td>Sound of Silver<\/td>US<\/td>2007<\/td>4,47222222222222<\/td>\n<\/tr>\n
253<\/td>238<\/td>153<\/td><\/td>49<\/td>R<\/td>Akhenaton<\/td>M\u201at\u0160que Et Mat<\/td>FR<\/td>1995<\/td>4,47058823529412<\/td>\n<\/tr>\n
254<\/td>239<\/td><\/td><\/td>50<\/td>R<\/td>Antipop Consortium<\/td>Arrythmia<\/td>US<\/td>2002<\/td>4,46666666666667<\/td>\n<\/tr>\n
255<\/td>240<\/td>154<\/td><\/td>51<\/td>R<\/td>Beastie Boys<\/td>Check Your Head<\/td>US<\/td>1992<\/td>4,46153846153846<\/td>\n<\/tr>\n
256<\/td>241<\/td><\/td><\/td><\/td>M<\/td>Portishead<\/td>Dummy<\/td>UK<\/td>1994<\/td>4,45454545454545<\/td>\n<\/tr>\n
257<\/td>241<\/td><\/td><\/td><\/td>C<\/td>Namas Pamos<\/td>L'odeur D'un Cri<\/td>FR<\/td>1997<\/td>4,45454545454545<\/td>\n<\/tr>\n
258<\/td>241<\/td><\/td><\/td><\/td>C<\/td>Jacques Higelin<\/td>Live 2000<\/td>FR<\/td>2000<\/td>4,45454545454545<\/td>\n<\/tr>\n
259<\/td>241<\/td><\/td><\/td><\/td>B<\/td>Albert Ayler<\/td>Love Cry<\/td>US<\/td>1968<\/td>4,45454545454545<\/td>\n<\/tr>\n
260<\/td>241<\/td>155<\/td><\/td><\/td>R<\/td>Mike Ladd<\/td>Negrophilia<\/td>US<\/td>2005<\/td>4,45454545454545<\/td>\n<\/tr>\n
261<\/td>241<\/td><\/td><\/td><\/td>C<\/td>Rickie Lee Jones<\/td>Rickie Lee Jones<\/td>US<\/td>1979<\/td>4,45454545454545<\/td>\n<\/tr>\n
262<\/td>241<\/td>156<\/td><\/td>52<\/td>P<\/td>Lou Reed<\/td>Transformer<\/td>US<\/td>1972<\/td>4,45454545454545<\/td>\n<\/tr>\n
263<\/td>248<\/td>157<\/td><\/td>53<\/td>K<\/td>Morricone<\/td>Inchiesta Su Un Cittadino<\/td>IT<\/td>1970<\/td>4,45<\/td>\n<\/tr>\n
264<\/td>248<\/td><\/td><\/td><\/td>P<\/td>The Doors<\/td>The Doors<\/td>US<\/td>1967<\/td>4,45<\/td>\n<\/tr>\n
265<\/td>249<\/td>158<\/td><\/td>54<\/td>C<\/td>Pescado Rabioso<\/td>Artaud<\/td>AR<\/td>1973<\/td>4,44444444444444<\/td>\n<\/tr>\n
266<\/td>249<\/td>159<\/td><\/td><\/td>N<\/td>Essential Logic<\/td>Beat Rhythm News<\/td>UK<\/td>1979<\/td>4,44444444444444<\/td>\n<\/tr>\n
267<\/td>249<\/td>160<\/td><\/td><\/td>K<\/td>Enio Morricone<\/td>C'era Una Volta Nell'Ovest<\/td>IT<\/td>1968<\/td>4,44444444444444<\/td>\n<\/tr>\n
268<\/td>249<\/td><\/td><\/td><\/td>P<\/td>Iggy Pop<\/td>Lust For Life<\/td>US<\/td>1977<\/td>4,44444444444444<\/td>\n<\/tr>\n
269<\/td>249<\/td>161<\/td><\/td><\/td>M<\/td>Africa Head Charge<\/td>Off The Beaten Track<\/td>UK<\/td>1985<\/td>4,44444444444444<\/td>\n<\/tr>\n
270<\/td>249<\/td><\/td><\/td><\/td>P<\/td>Neil Young & Crazy Horse<\/td>Rust Never Sleeps<\/td>CA<\/td>1979<\/td>4,44444444444444<\/td>\n<\/tr>\n
271<\/td>249<\/td><\/td><\/td><\/td>F<\/td>Kool And The Gang<\/td>Spirit Of The Boogie<\/td>US<\/td>1975<\/td>4,44444444444444<\/td>\n<\/tr>\n
272<\/td>249<\/td><\/td><\/td><\/td>N<\/td>Alternative T.V.<\/td>The Image Has Cracked<\/td>UK<\/td>1978<\/td>4,44444444444444<\/td>\n<\/tr>\n
273<\/td>257<\/td>162<\/td><\/td>55<\/td>N<\/td>The Germs<\/td>The Germs<\/td>US<\/td>1979<\/td>4,4375<\/td>\n<\/tr>\n
274<\/td>258<\/td>163<\/td><\/td>56<\/td>P<\/td>Big Brother And The Holding Compagny<\/td>Cheap Thrills<\/td>US<\/td>1968<\/td>4,42857142857143<\/td>\n<\/tr>\n
275<\/td>258<\/td><\/td><\/td><\/td>P<\/td>Neil Young & Crazy Horse<\/td>Everybody Knows This Is Nowhere<\/td>CA<\/td>1969<\/td>4,42857142857143<\/td>\n<\/tr>\n
276<\/td>258<\/td>164<\/td><\/td><\/td>P<\/td>Cake<\/td>Fashion Nuggets<\/td>US<\/td>1996<\/td>4,42857142857143<\/td>\n<\/tr>\n
277<\/td>258<\/td><\/td><\/td><\/td>C<\/td>Dominique A<\/td>Remu\u201a<\/td>FR<\/td>1999<\/td>4,42857142857143<\/td>\n<\/tr>\n
278<\/td>258<\/td>166<\/td><\/td><\/td>N<\/td>Suicide<\/td>Suicide<\/td>US<\/td>1977<\/td>4,42857142857143<\/td>\n<\/tr>\n
279<\/td>258<\/td>167<\/td><\/td><\/td>B<\/td>Ahmad Jamal<\/td>The Awakening<\/td>US<\/td>1970<\/td>4,42857142857143<\/td>\n<\/tr>\n
280<\/td>265<\/td>168<\/td><\/td>57<\/td>P<\/td>Blondie<\/td>Plastic Letters<\/td>US<\/td>1978<\/td>4,42307692307692<\/td>\n<\/tr>\n
281<\/td>266<\/td>169<\/td><\/td>58<\/td>X<\/td>Aretha Franklin<\/td>Spirit In The Dark<\/td>US<\/td>1970<\/td>4,41666666666667<\/td>\n<\/tr>\n
282<\/td>266<\/td>170<\/td><\/td><\/td>N<\/td>Poly Styrene<\/td>Translucence<\/td>UK<\/td>1980<\/td>4,41666666666667<\/td>\n<\/tr>\n
283<\/td><\/td><\/td><\/td><\/td>X<\/td>Aretha Franklin<\/td>Young, Gifted and Black<\/td>US<\/td>1972<\/td>4,41666666666667<\/td>\n<\/tr>\n
284<\/td><\/td><\/td><\/td><\/td>X<\/td>Muddy Waters<\/td>Hard Again<\/td>US<\/td>1977<\/td>4,41<\/td>\n<\/tr>\n
285<\/td>268<\/td>171<\/td><\/td>59<\/td>R<\/td>Madvillain<\/td>Madvillainy<\/td>US<\/td>2004<\/td>4,40909090909091<\/td>\n<\/tr>\n
286<\/td>269<\/td><\/td><\/td>60<\/td>P<\/td>David Bowie<\/td>Heroes<\/td>UK<\/td>1977<\/td>4,4<\/td>\n<\/tr>\n
287<\/td>269<\/td>172<\/td><\/td><\/td>P<\/td>Country Joe And The Fish<\/td>I Feel Like I'm Fixin' To Die<\/td>US<\/td>1967<\/td>4,4<\/td>\n<\/tr>\n
288<\/td>269<\/td>173<\/td><\/td><\/td>P<\/td>Joe Jacskon<\/td>I'm The Man<\/td>UK<\/td>1979<\/td>4,4<\/td>\n<\/tr>\n
289<\/td>269<\/td><\/td><\/td><\/td>H<\/td>King Crimson<\/td>In The Court Of The Crimson King<\/td>UK<\/td>1969<\/td>4,4<\/td>\n<\/tr>\n
290<\/td>269<\/td>174<\/td><\/td><\/td>R<\/td>Les X<\/td>Jeunes, Coupables Et Libres<\/td>FR<\/td>1998<\/td>4,4<\/td>\n<\/tr>\n
291<\/td>269<\/td><\/td><\/td><\/td>B<\/td>Alice Coltrane<\/td>Journey In Satchidananda<\/td>US<\/td>1971<\/td>4,4<\/td>\n<\/tr>\n
292<\/td>269<\/td>175<\/td><\/td><\/td>M<\/td>Arnaud Rebotini<\/td>Music components<\/td>FR<\/td>2008<\/td>4,4<\/td>\n<\/tr>\n
293<\/td>269<\/td><\/td><\/td><\/td>N<\/td>Pere Ubu<\/td>New Picnic Time<\/td>US<\/td>1979<\/td>4,4<\/td>\n<\/tr>\n
294<\/td>269<\/td><\/td><\/td><\/td>B<\/td>Charles Mingus<\/td>Oh Yeah<\/td>US<\/td>1962<\/td>4,4<\/td>\n<\/tr>\n
295<\/td>269<\/td><\/td><\/td><\/td>H<\/td>King Crimson<\/td>Red<\/td>UK<\/td>1974<\/td>4,4<\/td>\n<\/tr>\n
296<\/td>269<\/td><\/td><\/td><\/td>N<\/td>Au Pairs<\/td>Sense And Sensiblity<\/td>UK<\/td>1982<\/td>4,4<\/td>\n<\/tr>\n
297<\/td><\/td><\/td><\/td><\/td>B<\/td>Miles Davis<\/td>Sketches of Spain<\/td>US<\/td>1960<\/td>4,4<\/td>\n<\/tr>\n
298<\/td>269<\/td>176<\/td><\/td><\/td>C<\/td>Leonard Cohen<\/td>Songs of Leonard Cohen<\/td>US<\/td>1967<\/td>4,4<\/td>\n<\/tr>\n
299<\/td>269<\/td>177<\/td><\/td><\/td>C<\/td>Paul Simon<\/td>Still Crazy After All These Years<\/td>US<\/td>1975<\/td>4,4<\/td>\n<\/tr>\n
300<\/td>269<\/td>178<\/td><\/td><\/td>P<\/td>Ten Years After<\/td>Stonehenge<\/td>UK<\/td>1969<\/td>4,4<\/td>\n<\/tr>\n
301<\/td>269<\/td>179<\/td><\/td><\/td>B<\/td>Tchangodei, Archie Shepp, Max Waldron Trio<\/td>Three For Freedom<\/td>US<\/td>1987<\/td>4,4<\/td>\n<\/tr>\n
302<\/td>269<\/td><\/td><\/td><\/td>J<\/td>Horace Silver<\/td>Tokyo Blues<\/td>US<\/td>1962<\/td>4,4<\/td>\n<\/tr>\n
303<\/td>269<\/td><\/td><\/td><\/td>B<\/td>Don Cherry<\/td>Where Is Brooklin\u00ff?<\/td>US<\/td>1969<\/td>4,4<\/td>\n<\/tr>\n
304<\/td>286<\/td>180<\/td><\/td>61<\/td>M<\/td>Boards of Canada<\/td>Music Has The Right To Children<\/td>UK<\/td>1998<\/td>4,38888888888889<\/td>\n<\/tr>\n
305<\/td><\/td><\/td><\/td><\/td>C<\/td>Fabrizio de Andr\u201a<\/td>Storia di un impiegato<\/td>IT<\/td>1973<\/td>4,38888888888889<\/td>\n<\/tr>\n
306<\/td>287<\/td>181<\/td><\/td>62<\/td>P<\/td>Jon Spencer Blues Explosion<\/td>Acme<\/td>US<\/td>1998<\/td>4,38461538461539<\/td>\n<\/tr>\n
307<\/td>287<\/td>182<\/td>8<\/td><\/td>A<\/td>Max Richter<\/td>Infra<\/td>UK<\/td>2010<\/td>4,38461538461539<\/td>\n<\/tr>\n
308<\/td>289<\/td><\/td><\/td>63<\/td>F<\/td>Prince<\/td>Dirty Mind<\/td>US<\/td>1980<\/td>4,375<\/td>\n<\/tr>\n
309<\/td>289<\/td>183<\/td>9<\/td><\/td>A<\/td>Brian Eno<\/td>Discreet Music<\/td>UK<\/td>1975<\/td>4,375<\/td>\n<\/tr>\n
310<\/td>289<\/td>184<\/td><\/td><\/td>P<\/td>Talking Heads<\/td>Remain In Light<\/td>US<\/td>1980<\/td>4,375<\/td>\n<\/tr>\n
311<\/td>292<\/td>185<\/td>10<\/td>64<\/td>A<\/td>John Zorn<\/td>The Circle Maker<\/td>US<\/td>1998<\/td>4,37<\/td>\n<\/tr>\n
312<\/td>293<\/td>186<\/td><\/td>65<\/td>M<\/td>Dan The Automator<\/td>A Much Better Tomorrow<\/td>US<\/td>2000<\/td>4,36363636363636<\/td>\n<\/tr>\n
313<\/td>293<\/td>187<\/td><\/td><\/td>X<\/td>Colette Magny<\/td>Blues<\/td>FR<\/td>2000<\/td>4,36363636363636<\/td>\n<\/tr>\n
314<\/td>293<\/td>188<\/td><\/td><\/td>N<\/td>This Heat<\/td>Deceipt<\/td>UK<\/td>1981<\/td>4,36363636363636<\/td>\n<\/tr>\n
315<\/td>293<\/td>189<\/td><\/td><\/td>A<\/td>Nick Cave & The Bad Seeds<\/td>Ghosteen<\/td>AU<\/td>2019<\/td>4,36363636363636<\/td>\n<\/tr>\n
316<\/td>293<\/td><\/td><\/td><\/td>C<\/td>Philippe Katerine<\/td>Les Cr\u201aatures<\/td>FR<\/td>1999<\/td>4,36363636363636<\/td>\n<\/tr>\n
317<\/td>298<\/td><\/td><\/td>66<\/td>C<\/td>Roy Harper<\/td>HQ<\/td>UK<\/td>1975<\/td>4,35714285714286<\/td>\n<\/tr>\n
318<\/td>298<\/td><\/td><\/td>67<\/td>C<\/td>Colette Magny<\/td>Les Tuileries<\/td>FR<\/td>1965<\/td>4,35714285714286<\/td>\n<\/tr>\n
319<\/td>300<\/td><\/td><\/td>68<\/td>R<\/td>Antipop Consortium<\/td>Fluorescent Black<\/td>US<\/td>2009<\/td>4,35294117647059<\/td>\n<\/tr>\n
320<\/td>301<\/td><\/td><\/td>69<\/td>B<\/td>Archie Shepp <\/td>On This Night<\/td>US<\/td>1965<\/td>4,35<\/td>\n<\/tr>\n
321<\/td>302<\/td>190<\/td><\/td>70<\/td>N<\/td>Liliput<\/td>LiLiPUT<\/td>CH<\/td>1982<\/td>4,34782608695652<\/td>\n<\/tr>\n
322<\/td>303<\/td><\/td><\/td>71<\/td>P<\/td>Pink Floyd<\/td>The Wall<\/td>UK<\/td>1979<\/td>4,34615384615385<\/td>\n<\/tr>\n
323<\/td><\/td><\/td><\/td><\/td>C<\/td>Colette Magny<\/td>68<\/td>FR<\/td>1969<\/td>4,33333333333333<\/td>\n<\/tr>\n
324<\/td>304<\/td>191<\/td><\/td><\/td>C<\/td>Randy Newman<\/td>12 Songs<\/td>US<\/td>1970<\/td>4,33333333333333<\/td>\n<\/tr>\n
325<\/td>304<\/td>194<\/td><\/td><\/td>C<\/td>Bert Jansch<\/td>Birthday Blues<\/td>UK<\/td>1969<\/td>4,33333333333333<\/td>\n<\/tr>\n
326<\/td>304<\/td>192<\/td><\/td><\/td>N<\/td>Richard Hell & The Voidoids<\/td>Blank Generation<\/td>UK<\/td>1977<\/td>4,33333333333333<\/td>\n<\/tr>\n
327<\/td>304<\/td>193<\/td><\/td><\/td>P<\/td>Jeff Beck<\/td>Blow By Blow<\/td>UK<\/td>1975<\/td>4,33333333333333<\/td>\n<\/tr>\n
328<\/td>304<\/td><\/td><\/td><\/td>B<\/td>Don Cherry<\/td>Blue Lake<\/td>US<\/td>2002<\/td>4,33333333333333<\/td>\n<\/tr>\n
329<\/td>304<\/td>195<\/td><\/td><\/td>X<\/td>Al Green<\/td>Call Me<\/td>US<\/td>1973<\/td>4,33333333333333<\/td>\n<\/tr>\n
330<\/td>304<\/td>196<\/td>7<\/td><\/td>H<\/td>Yes<\/td>Close to the Edge<\/td>UK<\/td>1972<\/td>4,33333333333333<\/td>\n<\/tr>\n
331<\/td>304<\/td>197<\/td><\/td><\/td>J<\/td>Paul Motian<\/td>Conception Vessel<\/td>US<\/td>1973<\/td>4,33333333333333<\/td>\n<\/tr>\n
332<\/td>304<\/td>198<\/td><\/td><\/td>B<\/td>Charlie Haden - Paul Motian - Geri Allen<\/td>Etudes<\/td>US<\/td>1987<\/td>4,33333333333333<\/td>\n<\/tr>\n
333<\/td>304<\/td><\/td><\/td><\/td>P<\/td>Creedence Clearwater Revival<\/td>Green River<\/td>US<\/td>1969<\/td>4,33333333333333<\/td>\n<\/tr>\n
334<\/td>304<\/td>199<\/td><\/td><\/td>C<\/td>Bob Dylan<\/td>Highway 61 Revisited<\/td>US<\/td>1965<\/td>4,33333333333333<\/td>\n<\/tr>\n
335<\/td>304<\/td><\/td><\/td><\/td>B<\/td>Alice Coltrane<\/td>Huntington Ashram Monastery<\/td>US<\/td>1969<\/td>4,33333333333333<\/td>\n<\/tr>\n
336<\/td>304<\/td><\/td><\/td><\/td>C<\/td>Jacques Brel<\/td>J'arrive<\/td>BE<\/td>1968<\/td>4,33333333333333<\/td>\n<\/tr>\n
337<\/td>304<\/td><\/td><\/td><\/td>X<\/td>Al Green<\/td>Let's Stay Together<\/td>US<\/td>1972<\/td>4,33333333333333<\/td>\n<\/tr>\n
338<\/td>304<\/td><\/td><\/td><\/td>B<\/td>Miles Davis<\/td>Miles Smiles<\/td>US<\/td>1967<\/td>4,33333333333333<\/td>\n<\/tr>\n
339<\/td>304<\/td><\/td><\/td><\/td>B<\/td>Miles Davis<\/td>Nefertiti<\/td>US<\/td>1978<\/td>4,33333333333333<\/td>\n<\/tr>\n
340<\/td>304<\/td><\/td><\/td><\/td>C<\/td>Fabrizio de Andr\u201a<\/td>Non Al Denaro Non All'amore N\u201a Al Cielo<\/td>IT<\/td>1971<\/td>4,33333333333333<\/td>\n<\/tr>\n
341<\/td>304<\/td>200<\/td><\/td><\/td>M<\/td>Amon Tobin<\/td>Permutation<\/td>BR<\/td>1998<\/td>4,33333333333333<\/td>\n<\/tr>\n
342<\/td>304<\/td><\/td><\/td><\/td>F<\/td>Isaac Hayes<\/td>Shaft<\/td>US<\/td>1971<\/td>4,33333333333333<\/td>\n<\/tr>\n
343<\/td>304<\/td><\/td><\/td><\/td>B<\/td>Sun Ra<\/td>Sleeping Beauty<\/td>US<\/td>1979<\/td>4,33333333333333<\/td>\n<\/tr>\n
344<\/td>304<\/td>201<\/td><\/td><\/td>B<\/td>Cannonball Adderley<\/td>Somethin' Else<\/td>US<\/td>1958<\/td>4,33333333333333<\/td>\n<\/tr>\n
345<\/td>304<\/td>202<\/td><\/td><\/td>J<\/td>Hank Mobley<\/td>Soul Station<\/td>US<\/td>1960<\/td>4,33333333333333<\/td>\n<\/tr>\n
346<\/td>304<\/td>203<\/td><\/td><\/td>J<\/td>Wayne Shorter<\/td>Speak No Evil<\/td>US<\/td>1966<\/td>4,33333333333333<\/td>\n<\/tr>\n
347<\/td>304<\/td><\/td><\/td><\/td>A<\/td>Talk Talk<\/td>Spirit Of Eden<\/td>UK<\/td>1988<\/td>4,33333333333333<\/td>\n<\/tr>\n
348<\/td>304<\/td><\/td><\/td><\/td>M<\/td>Amon Tobin<\/td>Supermodified<\/td>BR<\/td>2000<\/td>4,33333333333333<\/td>\n<\/tr>\n
349<\/td>304<\/td><\/td><\/td><\/td>F<\/td>James Brown<\/td>There It Is<\/td>US<\/td>1972<\/td>4,33333333333333<\/td>\n<\/tr>\n
350<\/td>304<\/td>204<\/td><\/td><\/td>A<\/td>Mike Cooper & Chris Abrahams<\/td>Trace<\/td>UK<\/td>2013<\/td>4,33333333333333<\/td>\n<\/tr>\n
351<\/td>304<\/td>205<\/td><\/td><\/td>B<\/td>Albert Ayler & Don Cherry<\/td>Vibrations<\/td>US<\/td>1975<\/td>4,33333333333333<\/td>\n<\/tr>\n
352<\/td>304<\/td><\/td><\/td><\/td>C<\/td>Georges Brassens<\/td>Xii [Misogynie]<\/td>FR<\/td>1969<\/td>4,33333333333333<\/td>\n<\/tr>\n
353<\/td><\/td><\/td><\/td>72<\/td>N<\/td>Wipers<\/td>Youth of America<\/td>US<\/td>1981<\/td>4,33333333333333<\/td>\n<\/tr>\n
354<\/td>334<\/td><\/td><\/td>73<\/td>P<\/td>Neil Young<\/td>Zuma<\/td>CA<\/td>1975<\/td>4,33<\/td>\n<\/tr>\n
355<\/td>335<\/td><\/td><\/td>74<\/td>M<\/td>Dan The Automator<\/td>Dan The Automator Presents 2k7<\/td>US<\/td>2006<\/td>4,30769230769231<\/td>\n<\/tr>\n
356<\/td>335<\/td><\/td><\/td><\/td>H<\/td>Robert Wyatt<\/td>Solar Flares Burn For You<\/td>UK<\/td>2003<\/td>4,30769230769231<\/td>\n<\/tr>\n
357<\/td>335<\/td>206<\/td><\/td><\/td>P<\/td>The Presidents Of The United States Of America<\/td>The Presidents Of The United States Of America<\/td>US<\/td>1995<\/td>4,30769230769231<\/td>\n<\/tr>\n
358<\/td>335<\/td>207<\/td><\/td>74<\/td>N<\/td>The Cure<\/td>Three Imaginary Boys<\/td>UK<\/td>1979<\/td>4,30769230769231<\/td>\n<\/tr>\n
359<\/td>339<\/td><\/td><\/td>75<\/td>p<\/td>Lou Reed<\/td>Berlin<\/td>US<\/td>1973<\/td>4,3<\/td>\n<\/tr>\n
360<\/td>339<\/td>208<\/td><\/td><\/td>C<\/td>Joni Mitchell<\/td>Blue<\/td>US<\/td>1971<\/td>4,3<\/td>\n<\/tr>\n
361<\/td>339<\/td><\/td><\/td><\/td>P<\/td>Santana<\/td>Caravanserail<\/td>MX<\/td>1972<\/td>4,3<\/td>\n<\/tr>\n
362<\/td>339<\/td><\/td><\/td><\/td>H<\/td>Robert Wyatt<\/td>Dondestan<\/td>UK<\/td>1991<\/td>4,3<\/td>\n<\/tr>\n
363<\/td>339<\/td><\/td><\/td><\/td>P<\/td>Neil Young<\/td>Harvest<\/td>CA<\/td>1972<\/td>4,3<\/td>\n<\/tr>\n
364<\/td>339<\/td>209<\/td><\/td><\/td>X<\/td>Bror Gunnar Jansson<\/td>Moan Snake Moan<\/td>SW<\/td>2014<\/td>4,3<\/td>\n<\/tr>\n
365<\/td>339<\/td><\/td><\/td><\/td>H<\/td>Robert Wyatt<\/td>Old Rottenhat<\/td>UK<\/td>1985<\/td>4,3<\/td>\n<\/tr>\n
366<\/td>339<\/td>210<\/td><\/td><\/td>X<\/td>John Campbell<\/td>One Believer<\/td>US<\/td>1991<\/td>4,3<\/td>\n<\/tr>\n
367<\/td>339<\/td>211<\/td><\/td><\/td>R<\/td>Beans<\/td>Only<\/td>US<\/td>2006<\/td>4,3<\/td>\n<\/tr>\n
368<\/td>339<\/td>212<\/td><\/td><\/td>P<\/td>The Police<\/td>Outlandos D'amour<\/td>UK<\/td>1978<\/td>4,3<\/td>\n<\/tr>\n
369<\/td>339<\/td><\/td><\/td><\/td>X<\/td>Bill Withers<\/td>Still Bill<\/td>US<\/td>1972<\/td>4,3<\/td>\n<\/tr>\n
370<\/td>339<\/td>213<\/td><\/td><\/td>R<\/td>N.W.A.<\/td>Straight Outta Compton<\/td>US<\/td>1988<\/td>4,3<\/td>\n<\/tr>\n
371<\/td>339<\/td><\/td><\/td><\/td>A<\/td>Brian Eno<\/td>Taking Tiger Mountain (By Strategy)<\/td>UK<\/td>1974<\/td>4,3<\/td>\n<\/tr>\n
372<\/td>339<\/td>214<\/td><\/td><\/td>A<\/td>Ali Farka Tour\u201a with Ry Cooder<\/td>Talking Timbuktu<\/td>ML<\/td>1994<\/td>4,3<\/td>\n<\/tr>\n
373<\/td>339<\/td><\/td><\/td><\/td>N<\/td>Pere Ubu<\/td>The Modern Dance<\/td>US<\/td>1978<\/td>4,3<\/td>\n<\/tr>\n
374<\/td>339<\/td>215<\/td><\/td><\/td>R<\/td>Ghostface Killah<\/td>Twelve Reasons To Die Ii<\/td>US<\/td>2015<\/td>4,3<\/td>\n<\/tr>\n
375<\/td>355<\/td>216<\/td><\/td>76<\/td>R<\/td>Cypress Hill<\/td>Black Sunday<\/td>US<\/td>1993<\/td>4,28571428571429<\/td>\n<\/tr>\n
376<\/td>355<\/td>217<\/td><\/td><\/td>F<\/td>Earth, Wind And Fire<\/td>Earth, Wind And Fire<\/td>US<\/td>1971<\/td>4,28571428571429<\/td>\n<\/tr>\n
377<\/td>355<\/td><\/td><\/td><\/td>H<\/td>Can<\/td>Ege Bamyasi<\/td>DE<\/td>1972<\/td>4,28571428571429<\/td>\n<\/tr>\n
378<\/td>355<\/td><\/td><\/td><\/td>J<\/td>Horace Silver<\/td>Horace-Scope<\/td>US<\/td>1960<\/td>4,28571428571429<\/td>\n<\/tr>\n
379<\/td>355<\/td>218<\/td><\/td><\/td>X<\/td>Curtis Mayfield<\/td>Roots<\/td>US<\/td>1971<\/td>4,28571428571429<\/td>\n<\/tr>\n
380<\/td>355<\/td>219<\/td>8<\/td><\/td>H<\/td>Can<\/td>Tago Mago<\/td>DE<\/td>1969<\/td>4,28571428571429<\/td>\n<\/tr>\n
381<\/td>355<\/td>220<\/td><\/td><\/td>N<\/td>Mission<\/td>The Last Details<\/td>UK<\/td>1983<\/td>4,28571428571429<\/td>\n<\/tr>\n
382<\/td><\/td><\/td><\/td>77<\/td>X<\/td>Millie Jackson<\/td>Caught up<\/td>US<\/td>1974<\/td>4,27777777777778<\/td>\n<\/tr>\n
383<\/td>362<\/td>221<\/td><\/td>78<\/td>X<\/td>Albert King<\/td>Born Under A Bad Sign<\/td>US<\/td>1951<\/td>4,27272727272727<\/td>\n<\/tr>\n
384<\/td>362<\/td>223<\/td><\/td><\/td>P<\/td>Rage Against The Machine<\/td>Evil Empire<\/td>US<\/td>1996<\/td>4,27272727272727<\/td>\n<\/tr>\n
385<\/td>362<\/td><\/td><\/td><\/td>C<\/td>Paolo Conte<\/td>Paolo Conte [1974]<\/td>IT<\/td>1974<\/td>4,27272727272727<\/td>\n<\/tr>\n
386<\/td>367<\/td>224<\/td><\/td>79<\/td>P<\/td>Clash<\/td>London Calling<\/td>UK<\/td>1979<\/td>4,26315789473684<\/td>\n<\/tr>\n
387<\/td>368<\/td>225<\/td><\/td>80<\/td>P<\/td>Robert Fripp & Brian Eno<\/td>(No Pussyfooting)<\/td>UK<\/td>1973<\/td>4,25<\/td>\n<\/tr>\n
388<\/td>368<\/td>226<\/td><\/td><\/td>P<\/td>REM<\/td>Automatic For The People<\/td>US<\/td>1992<\/td>4,25<\/td>\n<\/tr>\n
389<\/td>368<\/td><\/td><\/td><\/td>M<\/td>Acid Pauli<\/td>Bld<\/td>DE<\/td>2017<\/td>4,25<\/td>\n<\/tr>\n
390<\/td>368<\/td><\/td><\/td><\/td>P<\/td>La Rappresentante di Lista<\/td>Bu Bu Sad<\/td>IT<\/td>2015<\/td>4,25<\/td>\n<\/tr>\n
391<\/td>368<\/td>227<\/td>9<\/td><\/td>H<\/td>Supertramp<\/td>Crime Of The Century<\/td>UK<\/td>1974<\/td>4,25<\/td>\n<\/tr>\n
392<\/td>368<\/td><\/td><\/td><\/td>X<\/td>Curtis Mayfield<\/td>Curtis<\/td>US<\/td>1970<\/td>4,25<\/td>\n<\/tr>\n
393<\/td>368<\/td><\/td><\/td><\/td>A<\/td>Captain Beefheart<\/td>Doc At The Radar Station<\/td>US<\/td>1980<\/td>4,25<\/td>\n<\/tr>\n
394<\/td>368<\/td><\/td><\/td><\/td>P<\/td>Frank Zappa<\/td>Fillmore East<\/td>US<\/td>1971<\/td>4,25<\/td>\n<\/tr>\n
395<\/td>368<\/td><\/td><\/td><\/td>F<\/td>Earth, Wind And Fire<\/td>Gratitude<\/td>US<\/td>1975<\/td>4,25<\/td>\n<\/tr>\n
396<\/td>368<\/td>228<\/td><\/td><\/td>P<\/td>Kate Bush<\/td>Hounds of Love<\/td>UK<\/td>1985<\/td>4,25<\/td>\n<\/tr>\n
397<\/td>368<\/td><\/td><\/td><\/td>P<\/td>Supergrass<\/td>In It For The Money<\/td>UK<\/td>1997<\/td>4,25<\/td>\n<\/tr>\n
398<\/td>368<\/td><\/td><\/td><\/td>B<\/td>John Coltrane<\/td>Infinity<\/td>US<\/td>1972<\/td>4,25<\/td>\n<\/tr>\n
399<\/td>368<\/td>229<\/td><\/td><\/td>P<\/td>Led Zeppelin<\/td>Iv<\/td>UK<\/td>1971<\/td>4,25<\/td>\n<\/tr>\n
400<\/td>368<\/td>230<\/td><\/td><\/td>A<\/td>Moondog<\/td>Moondog [Cbs]<\/td>US<\/td>1969<\/td>4,25<\/td>\n<\/tr>\n
401<\/td>368<\/td>231<\/td><\/td><\/td>R<\/td>Die Antwoord<\/td>Mount Ninji And Da Nice Time Kid<\/td>SA<\/td>2016<\/td>4,25<\/td>\n<\/tr>\n
402<\/td>368<\/td><\/td><\/td><\/td>C<\/td>Franco Battiato<\/td>Pollution<\/td>IT<\/td>1972<\/td>4,25<\/td>\n<\/tr>\n
403<\/td>368<\/td>232<\/td><\/td><\/td>P<\/td>Iggy And The Stooges<\/td>Raw Power<\/td>US<\/td>1973<\/td>4,25<\/td>\n<\/tr>\n
404<\/td>368<\/td>233<\/td><\/td><\/td>M<\/td>Handsome Boy Modeling School<\/td>So? How's Your Girl\u00ff?<\/td>US<\/td>1999<\/td>4,25<\/td>\n<\/tr>\n
405<\/td>368<\/td>234<\/td>9<\/td><\/td>H<\/td>Tangerine Dream<\/td>Stratosfear<\/td>DE<\/td>1976<\/td>4,25<\/td>\n<\/tr>\n
406<\/td>368<\/td>235<\/td><\/td><\/td>C<\/td>Bonnie 'Prince' Billy<\/td>The Letting Go<\/td>US<\/td>2006<\/td>4,25<\/td>\n<\/tr>\n
407<\/td>368<\/td><\/td><\/td><\/td>R<\/td>Ghostface Killah<\/td>Twelve Reasons To Die I<\/td>US<\/td>2013<\/td>4,25<\/td>\n<\/tr>\n
408<\/td>368<\/td><\/td><\/td><\/td>P<\/td>Frank Zappa<\/td>Waka\/Jawaka<\/td>US<\/td>1972<\/td>4,25<\/td>\n<\/tr>\n
409<\/td>368<\/td><\/td><\/td><\/td>P<\/td>Neil Young & Crazy Horse<\/td>Weld 02<\/td>CA<\/td>1991<\/td>4,25<\/td>\n<\/tr>\n
410<\/td>391<\/td><\/td><\/td>81<\/td>P<\/td>The Who<\/td>Tommy<\/td>UK<\/td>1969<\/td>4,24<\/td>\n<\/tr>\n
411<\/td>392<\/td>236<\/td><\/td>82<\/td>M<\/td>LFO<\/td>Frequencies<\/td>US<\/td>1991<\/td>4,23076923076923<\/td>\n<\/tr>\n
412<\/td>392<\/td>237<\/td><\/td><\/td>R<\/td>113<\/td>Les Princes De La Ville<\/td>FR<\/td>1993<\/td>4,23076923076923<\/td>\n<\/tr>\n
413<\/td>394<\/td>238<\/td><\/td><\/td>R<\/td>Supr\u02c6me NTM<\/td>Supr\u02c6me NTM<\/td>FR<\/td>1998<\/td>4,23076923076923<\/td>\n<\/tr>\n
414<\/td>394<\/td><\/td><\/td><\/td>H<\/td>Soft Machine<\/td>The Soft Machine Volume 1<\/td>UK<\/td>1968<\/td>4,23076923076923<\/td>\n<\/tr>\n
415<\/td>396<\/td>239<\/td><\/td>83<\/td>X<\/td>Bob Marley<\/td>Catch A Fire<\/td>JM<\/td>1973<\/td>4,22222222222222<\/td>\n<\/tr>\n
416<\/td>396<\/td>240<\/td><\/td><\/td>C<\/td>Enzo Janacci<\/td>Ci Vuole Orecchio<\/td>IT<\/td>1980<\/td>4,22222222222222<\/td>\n<\/tr>\n
417<\/td>396<\/td><\/td><\/td><\/td>F<\/td>Funkadelic<\/td>Cosmic Slope<\/td>US<\/td>1973<\/td>4,22222222222222<\/td>\n<\/tr>\n
418<\/td>396<\/td><\/td><\/td><\/td>J<\/td>Carla Bley & Paul Haines<\/td>Escalator Over The Hill<\/td>US<\/td>1971<\/td>4,22222222222222<\/td>\n<\/tr>\n
419<\/td>396<\/td>241<\/td><\/td><\/td>N<\/td>Algebra Suicide<\/td>Feminine Squared<\/td>US<\/td>1984<\/td>4,22222222222222<\/td>\n<\/tr>\n
420<\/td>396<\/td><\/td><\/td><\/td>P<\/td>Led Zeppelin<\/td>Ii<\/td>UK<\/td>1969<\/td>4,22222222222222<\/td>\n<\/tr>\n
421<\/td>396<\/td><\/td><\/td><\/td>B<\/td>Max Roach<\/td>M'Boom<\/td>US<\/td>1979<\/td>4,22222222222222<\/td>\n<\/tr>\n
422<\/td>396<\/td><\/td><\/td><\/td>F<\/td>Prince<\/td>Purple Rain<\/td>US<\/td>1984<\/td>4,22222222222222<\/td>\n<\/tr>\n
423<\/td>404<\/td><\/td><\/td>84<\/td>C<\/td>Philippe Katerine<\/td>L'homme A Trois Mains<\/td>FR<\/td>1999<\/td>4,21428571428571<\/td>\n<\/tr>\n
424<\/td>404<\/td>242<\/td><\/td><\/td>C<\/td>Jean-Louis Murat<\/td>Travaux Sur La Rn 89<\/td>FR<\/td>2017<\/td>4,21428571428571<\/td>\n<\/tr>\n
425<\/td>404<\/td><\/td><\/td><\/td>B<\/td>Sun Ra<\/td>Visits Planet Earth<\/td>US<\/td>1966<\/td>4,21428571428571<\/td>\n<\/tr>\n
426<\/td>407<\/td>243<\/td><\/td>85<\/td>J<\/td>The Ramsay Lewis Trio<\/td>Back To The Blues<\/td>US<\/td>1964<\/td>4,2<\/td>\n<\/tr>\n
427<\/td>407<\/td>244<\/td><\/td><\/td>X<\/td>Sonny Sharrock<\/td>Black Woman<\/td>US<\/td>1970<\/td>4,2<\/td>\n<\/tr>\n
428<\/td>407<\/td>245<\/td><\/td><\/td>P<\/td>Buffalo Springfield<\/td>Buffalo Springfield<\/td>US<\/td>1966<\/td>4,2<\/td>\n<\/tr>\n
429<\/td><\/td><\/td><\/td><\/td>X<\/td>Albert Collins<\/td>Ice Pickin'<\/td>US<\/td>1978<\/td>4,2<\/td>\n<\/tr>\n
430<\/td>407<\/td>246<\/td><\/td><\/td>N<\/td>Bauhaus<\/td>In The Flat Field<\/td>UK<\/td>1980<\/td>4,2<\/td>\n<\/tr>\n
431<\/td>407<\/td>247<\/td><\/td><\/td>M<\/td>Autechre<\/td>Incunabula<\/td>UK<\/td>1993<\/td>4,2<\/td>\n<\/tr>\n
432<\/td>407<\/td>248<\/td><\/td><\/td>X<\/td>Gil Scott-Heron & Brian Jackson<\/td>It's Your World<\/td>US<\/td>1976<\/td>4,2<\/td>\n<\/tr>\n
433<\/td>407<\/td><\/td><\/td><\/td>F<\/td>Kool And The Gang<\/td>Kool And The Gang<\/td>US<\/td>1969<\/td>4,2<\/td>\n<\/tr>\n
434<\/td>407<\/td><\/td><\/td><\/td>B<\/td>John Coltrane<\/td>Meditations<\/td>US<\/td>1966<\/td>4,2<\/td>\n<\/tr>\n
435<\/td>407<\/td>249<\/td><\/td><\/td>P<\/td>Bruce Springsteen<\/td>Nebraska<\/td>US<\/td>1982<\/td>4,2<\/td>\n<\/tr>\n
436<\/td>407<\/td>250<\/td><\/td><\/td>J<\/td>The Lounge Lizards<\/td>Queen Of All Ears<\/td>US<\/td>2009<\/td>4,2<\/td>\n<\/tr>\n
437<\/td>407<\/td>251<\/td><\/td><\/td>C<\/td>John Martyn<\/td>Solid Air<\/td>UK<\/td>1973<\/td>4,2<\/td>\n<\/tr>\n
438<\/td>407<\/td><\/td><\/td><\/td>C<\/td>Joni Mitchell<\/td>The Hissing Of The Summer Lawns<\/td>US<\/td>1975<\/td>4,2<\/td>\n<\/tr>\n
439<\/td>407<\/td>252<\/td><\/td><\/td>B<\/td>McCoy Tyner<\/td>The Real McCoy<\/td>US<\/td>1967<\/td>4,2<\/td>\n<\/tr>\n
440<\/td>407<\/td>253<\/td><\/td><\/td>P<\/td>The Seeds<\/td>The Seeds<\/td>US<\/td>1966<\/td>4,2<\/td>\n<\/tr>\n
441<\/td>407<\/td>254<\/td><\/td><\/td>N<\/td>Violent Femmes<\/td>Violent Femmes<\/td>UK<\/td>1983<\/td>4,2<\/td>\n<\/tr>\n
442<\/td>407<\/td><\/td><\/td><\/td>C<\/td>Jacques Brel<\/td>X (Ces Gens-L\u2026)<\/td>BE<\/td>1966<\/td>4,2<\/td>\n<\/tr>\n
443<\/td>423<\/td>255<\/td><\/td>86<\/td>N<\/td>Wire<\/td>Pink Flag<\/td>UK<\/td>1977<\/td>4,19047619047619<\/td>\n<\/tr>\n
444<\/td><\/td><\/td><\/td>87<\/td>N<\/td>Television<\/td>Adventure<\/td>US<\/td>1978<\/td>4,1875<\/td>\n<\/tr>\n
445<\/td>424<\/td>256<\/td><\/td><\/td>R<\/td>OutKast<\/td>Aquemini<\/td>US<\/td>1998<\/td>4,1875<\/td>\n<\/tr>\n
446<\/td>424<\/td>257<\/td><\/td><\/td>F<\/td>Eugene McDaniels<\/td>Headless Heroes<\/td>US<\/td>1971<\/td>4,1875<\/td>\n<\/tr>\n
447<\/td>424<\/td><\/td><\/td><\/td>N<\/td>The Cure<\/td>Pornigraphy<\/td>UK<\/td>1982<\/td>4,1875<\/td>\n<\/tr>\n
448<\/td>427<\/td><\/td><\/td>88<\/td>P<\/td>Country Joe And The Fish<\/td>Electric Music For The Mind And Body<\/td>US<\/td>1967<\/td>4,18181818181818<\/td>\n<\/tr>\n
449<\/td>427<\/td><\/td><\/td><\/td>X<\/td>Marvin Gaye<\/td>I Want You<\/td>US<\/td>1976<\/td>4,18181818181818<\/td>\n<\/tr>\n
450<\/td>427<\/td>258<\/td><\/td><\/td>N<\/td>Beat Happening<\/td>Jamboree<\/td>US<\/td>1988<\/td>4,18181818181818<\/td>\n<\/tr>\n
451<\/td>427<\/td>259<\/td><\/td><\/td>M<\/td>Primal Scream<\/td>Screamadelica<\/td>UK<\/td>1991<\/td>4,18181818181818<\/td>\n<\/tr>\n
452<\/td>427<\/td><\/td><\/td><\/td>B<\/td>Sun Ra<\/td>Sound Of Joy<\/td>US<\/td>1968<\/td>4,18181818181818<\/td>\n<\/tr>\n
453<\/td>427<\/td>260<\/td><\/td><\/td>M<\/td>cLOUDDEAD<\/td>Ten<\/td>US<\/td>2004<\/td>4,18181818181818<\/td>\n<\/tr>\n
454<\/td>427<\/td>261<\/td><\/td><\/td>N<\/td>The Fall<\/td>This Nation's Saving Grace<\/td>UK<\/td>1985<\/td>4,18181818181818<\/td>\n<\/tr>\n
455<\/td>434<\/td>262<\/td><\/td>89<\/td>N<\/td>Girls At Our Best\u00ff!<\/td>Pleasure<\/td>UK<\/td>1981<\/td>4,17647058823529<\/td>\n<\/tr>\n
456<\/td><\/td><\/td><\/td><\/td>J<\/td>Charlie Parker & Dizzy Gillespie<\/td>Bird & Diz<\/td>US<\/td>1950<\/td>4,16666666666667<\/td>\n<\/tr>\n
457<\/td>434<\/td>263<\/td><\/td>90<\/td>M<\/td>M83<\/td>Dead Cities, Red Seas And Lost Ghots<\/td>FR<\/td>2003<\/td>4,16666666666667<\/td>\n<\/tr>\n
458<\/td>434<\/td>264<\/td><\/td><\/td>P<\/td>Black Country, New Road<\/td>For The First Time<\/td>UK<\/td>2021<\/td>4,16666666666667<\/td>\n<\/tr>\n
459<\/td>434<\/td><\/td><\/td><\/td>N<\/td>Devo<\/td>Freedom Of Choice<\/td>US<\/td>1980<\/td>4,16666666666667<\/td>\n<\/tr>\n
460<\/td>434<\/td><\/td><\/td><\/td>R<\/td>Beck<\/td>Mellow Gold<\/td>US<\/td>1994<\/td>4,16666666666667<\/td>\n<\/tr>\n
461<\/td>434<\/td>265<\/td><\/td><\/td>P<\/td>Sex Pistols<\/td>Nevermind The Bollocks<\/td>UK<\/td>1977<\/td>4,16666666666667<\/td>\n<\/tr>\n
462<\/td>434<\/td>266<\/td><\/td><\/td>N<\/td>Echo & the Bunnymen<\/td>Ocean Rain<\/td>UK<\/td>1984<\/td>4,16666666666667<\/td>\n<\/tr>\n
463<\/td>434<\/td>267<\/td><\/td><\/td>B<\/td>Joe Henderson<\/td>Page One<\/td>US<\/td>1963<\/td>4,16666666666667<\/td>\n<\/tr>\n
464<\/td>434<\/td>268<\/td><\/td><\/td>P<\/td>The B-52's<\/td>Play Loud<\/td>US<\/td>1979<\/td>4,16666666666667<\/td>\n<\/tr>\n
465<\/td>434<\/td>269<\/td><\/td><\/td>N<\/td>Alan Vega<\/td>Saturn strip<\/td>US<\/td>1983<\/td>4,16666666666667<\/td>\n<\/tr>\n
466<\/td>434<\/td><\/td><\/td><\/td>P<\/td>Frank Zappa<\/td>Sheik Yerbouti<\/td>US<\/td>1979<\/td>4,16666666666667<\/td>\n<\/tr>\n
467<\/td>434<\/td><\/td><\/td><\/td>B<\/td>Charles Mingus<\/td>Tijuana Mood<\/td>US<\/td>1962<\/td>4,16666666666667<\/td>\n<\/tr>\n
468<\/td>434<\/td><\/td><\/td><\/td>P<\/td>Tin Machine<\/td>Tin Machine II<\/td>UK<\/td>1991<\/td>4,16666666666667<\/td>\n<\/tr>\n
469<\/td>447<\/td>270<\/td><\/td>91<\/td>N<\/td>Young Marble Giants<\/td>Colossal Youth<\/td>UK<\/td>1980<\/td>4,16<\/td>\n<\/tr>\n
470<\/td>447<\/td>271<\/td><\/td><\/td>N<\/td>Crass<\/td>Station of the Crass<\/td>UK<\/td>1979<\/td>4,16<\/td>\n<\/tr>\n
471<\/td>449<\/td><\/td><\/td>92<\/td>N<\/td>Wire<\/td>154<\/td>UK<\/td>1979<\/td>4,15384615384615<\/td>\n<\/tr>\n
472<\/td>449<\/td>272<\/td><\/td><\/td>R<\/td>Mos Def & Tali<\/td>Are Black Star<\/td>US<\/td>1998<\/td>4,15384615384615<\/td>\n<\/tr>\n
473<\/td><\/td><\/td><\/td>93<\/td>X<\/td>Aretha Franklin<\/td>Lady Black<\/td>US<\/td>1968<\/td>4,15<\/td>\n<\/tr>\n
474<\/td><\/td><\/td><\/td><\/td>P<\/td>Van Morisson<\/td>Moondance<\/td>US<\/td>1970<\/td>4,15<\/td>\n<\/tr>\n
475<\/td>450<\/td>273<\/td><\/td>94<\/td>C<\/td>Johnny Cash<\/td>American III<\/td>US<\/td>2000<\/td>4,14285714285714<\/td>\n<\/tr>\n
476<\/td>450<\/td>274<\/td><\/td><\/td>F<\/td>Bootsie Colins<\/td>Back In The Days COMPILE \u00f5\u00f5\u00f5<\/td><\/td>1994<\/td>4,14285714285714<\/td>\n<\/tr>\n
477<\/td>450<\/td><\/td><\/td><\/td>B<\/td>Miles Davis<\/td>Bitches Brew<\/td>US<\/td>1970<\/td>4,14285714285714<\/td>\n<\/tr>\n
478<\/td>450<\/td><\/td><\/td><\/td>A<\/td>Adult Jazz<\/td>Earring Offs\u00ff!<\/td>UK<\/td>2016<\/td>4,14285714285714<\/td>\n<\/tr>\n
479<\/td>450<\/td>275<\/td><\/td><\/td>P<\/td>Bodega<\/td>Endless Scroll<\/td>US<\/td>2018<\/td>4,14285714285714<\/td>\n<\/tr>\n
480<\/td>450<\/td>276<\/td><\/td><\/td>P<\/td>Free<\/td>Fire And Water<\/td>US<\/td>1970<\/td>4,14285714285714<\/td>\n<\/tr>\n
481<\/td>450<\/td><\/td><\/td><\/td>P<\/td>Dire Straits<\/td>Making Movies<\/td>UK<\/td>1980<\/td>4,14285714285714<\/td>\n<\/tr>\n
482<\/td>450<\/td><\/td><\/td><\/td>P<\/td>Frank Zappa<\/td>Over-Nite Sensation<\/td>US<\/td>1973<\/td>4,14285714285714<\/td>\n<\/tr>\n
483<\/td>450<\/td><\/td><\/td><\/td>A<\/td>David Bowie<\/td>The Next Day<\/td>UK<\/td>2013<\/td>4,14285714285714<\/td>\n<\/tr>\n
484<\/td>450<\/td><\/td><\/td><\/td>F<\/td>Prince<\/td>The Undertaker<\/td>US<\/td>1994<\/td>4,14285714285714<\/td>\n<\/tr>\n
485<\/td>461<\/td><\/td><\/td>95<\/td>M<\/td>Dan The Automator<\/td>Bombay The Hardway<\/td>US<\/td>1998<\/td>4,13333333333333<\/td>\n<\/tr>\n
486<\/td>461<\/td>277<\/td><\/td><\/td>P<\/td>Sonic Youth<\/td>Dirty<\/td>US<\/td>1992<\/td>4,13333333333333<\/td>\n<\/tr>\n
487<\/td>461<\/td>278<\/td><\/td><\/td>R<\/td>Jurassic 5<\/td>Quality Control<\/td>US<\/td>2000<\/td>4,13333333333333<\/td>\n<\/tr>\n
488<\/td>464<\/td><\/td><\/td>96<\/td>P<\/td>The Seeds<\/td>A Web Of Sound<\/td>US<\/td>1967<\/td>4,125<\/td>\n<\/tr>\n
489<\/td>464<\/td>279<\/td><\/td><\/td>X<\/td>The Temptations<\/td>All Directions<\/td>US<\/td>1972<\/td>4,125<\/td>\n<\/tr>\n
490<\/td><\/td><\/td><\/td>129<\/td>H<\/td>Daevid Allen<\/td>Banana Moon<\/td>AU<\/td>1971<\/td>4,125<\/td>\n<\/tr>\n
491<\/td>464<\/td><\/td><\/td><\/td>H<\/td>Robert Wyatt<\/td>Comicopera<\/td>UK<\/td>2007<\/td>4,125<\/td>\n<\/tr>\n
492<\/td>464<\/td>280<\/td><\/td><\/td>N<\/td>MC5<\/td>Kick Out The Jams<\/td>US<\/td>1969<\/td>4,125<\/td>\n<\/tr>\n
493<\/td>464<\/td><\/td><\/td><\/td>F<\/td>Kool And The Gang<\/td>Live At P.J.'S<\/td>US<\/td>1971<\/td>4,125<\/td>\n<\/tr>\n
494<\/td>464<\/td>281<\/td>10<\/td><\/td>H<\/td>Matching Mole<\/td>Matching Mole<\/td>UK<\/td>1972<\/td>4,125<\/td>\n<\/tr>\n
495<\/td>464<\/td>282<\/td><\/td><\/td>C<\/td>Nino Ferrer<\/td>M\u201atronomie<\/td>FR<\/td>1971<\/td>4,125<\/td>\n<\/tr>\n
496<\/td>464<\/td>283<\/td><\/td><\/td>N<\/td>Ian Durry & The Blockheads<\/td>New Boots & Panties<\/td>UK<\/td>1977<\/td>4,125<\/td>\n<\/tr>\n
497<\/td>464<\/td><\/td><\/td><\/td>C<\/td>Nino Ferrer<\/td>Nino And Radiah<\/td>FR<\/td>1974<\/td>4,125<\/td>\n<\/tr>\n
498<\/td>464<\/td><\/td><\/td><\/td>P<\/td>Neil Young<\/td>On the beach<\/td>CA<\/td>1974<\/td>4,125<\/td>\n<\/tr>\n
499<\/td>464<\/td>284<\/td><\/td><\/td>P<\/td>Black Sabbath<\/td>Paranoid<\/td>UK<\/td>1970<\/td>4,125<\/td>\n<\/tr>\n
500<\/td>464<\/td><\/td><\/td><\/td>J<\/td>Bud Powell<\/td>The Amazing Bud Powell 03<\/td>US<\/td>1957<\/td>4,125<\/td>\n<\/tr>\n
501<\/td>464<\/td><\/td><\/td><\/td>B<\/td>Sun Ra<\/td>The Nubians Of Plutonia<\/td>US<\/td>1966<\/td>4,125<\/td>\n<\/tr>\n
502<\/td>464<\/td><\/td><\/td><\/td>J<\/td>Carla Bley & Paul Haines<\/td>Tropic Appetites<\/td>US<\/td>1974<\/td>4,125<\/td>\n<\/tr>\n
503<\/td>478<\/td><\/td><\/td>97<\/td>F<\/td>Prince<\/td>Around The World In A Day<\/td>US<\/td>1985<\/td>4,11111111111111<\/td>\n<\/tr>\n
504<\/td>478<\/td>285<\/td><\/td><\/td>B<\/td>Sonny Rollins<\/td>Don't Stop The Carnival<\/td>US<\/td>1978<\/td>4,11111111111111<\/td>\n<\/tr>\n
505<\/td>478<\/td>286<\/td><\/td><\/td>P<\/td>Shellac<\/td>Excellent Italian Greyhound<\/td>US<\/td>2007<\/td>4,11111111111111<\/td>\n<\/tr>\n
506<\/td>478<\/td><\/td><\/td><\/td>M<\/td>DJ Crush<\/td>Holonic<\/td>JA<\/td>1997<\/td>4,11111111111111<\/td>\n<\/tr>\n
507<\/td>478<\/td>287<\/td><\/td><\/td>H<\/td>Spacemen 3<\/td>Playing With Fire<\/td>UK<\/td>1989<\/td>4,11111111111111<\/td>\n<\/tr>\n
508<\/td>478<\/td>288<\/td><\/td><\/td>N<\/td>Magazine<\/td>Real Life<\/td>UK<\/td>1978<\/td>4,11111111111111<\/td>\n<\/tr>\n
509<\/td>484<\/td>289<\/td><\/td>98<\/td>C<\/td>Tom Waits<\/td>Rain Dogs<\/td>US<\/td>1985<\/td>4,10526315789474<\/td>\n<\/tr>\n
510<\/td>485<\/td>290<\/td><\/td>99<\/td>P<\/td>CCCP - Fedeli Alla Linea<\/td>Affinit\u2026-Divergenze<\/td>IT<\/td>1986<\/td>4,1<\/td>\n<\/tr>\n
511<\/td>485<\/td>291<\/td><\/td><\/td>P<\/td>ZZ Top<\/td>Degello<\/td>US<\/td>1979<\/td>4,1<\/td>\n<\/tr>\n
512<\/td>485<\/td><\/td><\/td><\/td>P<\/td>The Rolling Stones<\/td>Dirty Work<\/td>UK<\/td>1986<\/td>4,1<\/td>\n<\/tr>\n
513<\/td>485<\/td><\/td><\/td><\/td>C<\/td>Bob Dylan<\/td>Nashville Skyline<\/td>US<\/td>1969<\/td>4,1<\/td>\n<\/tr>\n
514<\/td><\/td><\/td><\/td><\/td>N<\/td>Adam Ant<\/td>Prince Charming<\/td>UK<\/td>1981<\/td>4,1<\/td>\n<\/tr>\n
515<\/td>485<\/td>292<\/td><\/td><\/td>M<\/td>Red Snapper<\/td>Red Snapper<\/td>UK<\/td>2003<\/td>4,1<\/td>\n<\/tr>\n
516<\/td>485<\/td>293<\/td><\/td><\/td>M<\/td>The Prodigy<\/td>The Fat Of The Land<\/td>US<\/td>1997<\/td>4,1<\/td>\n<\/tr>\n
517<\/td>485<\/td>294<\/td><\/td><\/td>C<\/td>Rita Mitsoukos<\/td>The No Comprendo<\/td>FR<\/td>1986<\/td>4,1<\/td>\n<\/tr>\n
518<\/td>492<\/td>295<\/td><\/td>100<\/td>F<\/td>Tower Of Power<\/td>Back To Oakland<\/td>US<\/td>1974<\/td>4,09090909090909<\/td>\n<\/tr>\n
519<\/td>492<\/td><\/td><\/td><\/td>X<\/td>Jimi Hendrix<\/td>Blues<\/td>US<\/td>1994<\/td>4,09090909090909<\/td>\n<\/tr>\n
520<\/td>492<\/td><\/td><\/td><\/td>C<\/td>Joni Mitchell<\/td>Courts And Sparks<\/td>US<\/td>1974<\/td>4,09090909090909<\/td>\n<\/tr>\n
521<\/td>492<\/td><\/td><\/td><\/td>M<\/td>Bj\u201drk<\/td>Debut<\/td>IS<\/td>1993<\/td>4,09090909090909<\/td>\n<\/tr>\n
522<\/td>492<\/td>296<\/td><\/td><\/td>M<\/td>The Chemical Brothers<\/td>Dig Your Own Hole<\/td>UK<\/td>1997<\/td>4,09090909090909<\/td>\n<\/tr>\n
523<\/td>492<\/td><\/td><\/td><\/td>C<\/td>Enzo Janacci<\/td>Fotorecord<\/td>IT<\/td>1979<\/td>4,09090909090909<\/td>\n<\/tr>\n
524<\/td>492<\/td>297<\/td><\/td><\/td>C<\/td>Lenine<\/td>No Press\u00c6o<\/td>BR<\/td>1999<\/td>4,09090909090909<\/td>\n<\/tr>\n
525<\/td>492<\/td><\/td><\/td><\/td>C<\/td>Paul Simon<\/td>Paul Simon<\/td>US<\/td>1972<\/td>4,09090909090909<\/td>\n<\/tr>\n
526<\/td>492<\/td>298<\/td><\/td><\/td>M<\/td>Boredoms<\/td>Soul Discharge '99<\/td>JA<\/td>1989<\/td>4,09090909090909<\/td>\n<\/tr>\n
527<\/td><\/td>299<\/td><\/td>101<\/td>N<\/td>Elvis Costello<\/td>Armed Forces<\/td>UK<\/td>1979<\/td>4,08333333333333<\/td>\n<\/tr>\n
528<\/td><\/td><\/td><\/td><\/td>N<\/td>The Cure<\/td>Boys Don't Cry<\/td>UK<\/td>1979<\/td>4,08333333333333<\/td>\n<\/tr>\n
529<\/td><\/td>300<\/td><\/td><\/td>N<\/td>The Slits<\/td>Cut<\/td>UK<\/td>1979<\/td>4,08333333333333<\/td>\n<\/tr>\n
530<\/td><\/td>301<\/td><\/td><\/td>N<\/td>Public Image Limited<\/td>Metal Box<\/td>UK<\/td>1979<\/td>4,08333333333333<\/td>\n<\/tr>\n
531<\/td><\/td>302<\/td><\/td><\/td>C<\/td>JJ Cale<\/td>Naturally<\/td>US<\/td>1971<\/td>4,08333333333333<\/td>\n<\/tr>\n
532<\/td><\/td><\/td><\/td><\/td>P<\/td>Nirvana<\/td>Nervermind<\/td>US<\/td>1991<\/td>4,08333333333333<\/td>\n<\/tr>\n
533<\/td><\/td>303<\/td><\/td>102<\/td>N<\/td>Deer Hoof<\/td>Apple 'O<\/td>US<\/td>2003<\/td>4,07692307692308<\/td>\n<\/tr>\n
534<\/td><\/td>304<\/td><\/td><\/td>R<\/td>Sleaford Mods<\/td>Austerity Dogs<\/td>UK<\/td>2013<\/td>4,07692307692308<\/td>\n<\/tr>\n
535<\/td><\/td><\/td><\/td><\/td>P<\/td>Morphine<\/td>Good<\/td>US<\/td>1992<\/td>4,07692307692308<\/td>\n<\/tr>\n
536<\/td><\/td>305<\/td><\/td><\/td>X<\/td>Junior Wels<\/td>Hoodoo Man Blues<\/td>US<\/td>1965<\/td>4,07692307692308<\/td>\n<\/tr>\n
537<\/td><\/td><\/td><\/td><\/td>A<\/td>Captain Beefheart<\/td>Ice Cream For Cow<\/td>US<\/td>1982<\/td>4,07692307692308<\/td>\n<\/tr>\n
538<\/td><\/td>306<\/td><\/td><\/td>C<\/td>La Rappresentante di Lista<\/td>My Mamma<\/td>IT<\/td>2021<\/td>4,07692307692308<\/td>\n<\/tr>\n
539<\/td><\/td>307<\/td><\/td><\/td>M<\/td>Aphex Twin<\/td>Selected Ambient Works 85-92<\/td>UK<\/td>1992<\/td>4,07692307692308<\/td>\n<\/tr>\n
540<\/td><\/td>308<\/td><\/td><\/td>N<\/td>X<\/td>Wild Gift<\/td>UK<\/td>1981<\/td>4,07692307692308<\/td>\n<\/tr>\n
541<\/td><\/td><\/td><\/td>103<\/td>R<\/td>Sleaford Mods<\/td>Divide & Exit<\/td>UK<\/td>2014<\/td>4,07142857142857<\/td>\n<\/tr>\n
542<\/td><\/td>309<\/td><\/td><\/td>R<\/td>Trouble Funk<\/td>Drop The Bomb<\/td>US<\/td>1982<\/td>4,07142857142857<\/td>\n<\/tr>\n
543<\/td><\/td>310<\/td><\/td><\/td>P<\/td>The Eels<\/td>Electro-Shock Blues<\/td>US<\/td>1998<\/td>4,07142857142857<\/td>\n<\/tr>\n
544<\/td><\/td>311<\/td><\/td><\/td>M<\/td>DJ Shadow<\/td>Excessive Ephimera<\/td>US<\/td>1996<\/td>4,07142857142857<\/td>\n<\/tr>\n
545<\/td><\/td>312<\/td><\/td><\/td>R<\/td>Tyler, The Creator<\/td>Flower Boy<\/td>US<\/td>2017<\/td>4,07142857142857<\/td>\n<\/tr>\n
546<\/td><\/td>313<\/td><\/td><\/td>R<\/td>A Tribe Called Quest<\/td>Midnight Marauders<\/td>US<\/td>1993<\/td>4,07142857142857<\/td>\n<\/tr>\n
547<\/td><\/td><\/td><\/td><\/td>R<\/td>A Tribe Called Quest<\/td>The Low End Theroy<\/td>US<\/td>1991<\/td>4,07142857142857<\/td>\n<\/tr>\n
548<\/td><\/td>314<\/td><\/td><\/td>A<\/td>Captain Beefheart<\/td>Trout Mask Replica<\/td>US<\/td>1969<\/td>4,07142857142857<\/td>\n<\/tr>\n
549<\/td><\/td><\/td><\/td>104<\/td>N<\/td>Tom Verlaine<\/td>Around<\/td>US<\/td>2006<\/td>4,0625<\/td>\n<\/tr>\n
550<\/td><\/td>316<\/td><\/td><\/td>N<\/td>Pylon<\/td>Gyrate<\/td>US<\/td>1980<\/td>4,0625<\/td>\n<\/tr>\n
551<\/td><\/td><\/td><\/td><\/td>P<\/td>Neil Young & Crazy Horse<\/td>Live Rust<\/td>CA<\/td>1979<\/td>4,0625<\/td>\n<\/tr>\n
552<\/td><\/td>317<\/td><\/td><\/td>C<\/td>Rino Gaetano<\/td>Mio Fratello \u00d4 Figlio Unico<\/td>IT<\/td>1976<\/td>4,0625<\/td>\n<\/tr>\n
553<\/td><\/td>318<\/td><\/td><\/td>M<\/td>Lee Noble<\/td>No Becoming<\/td>US<\/td>2011<\/td>4,0625<\/td>\n<\/tr>\n
554<\/td><\/td>319<\/td><\/td><\/td>N<\/td>Mission Of Burma<\/td>Vs<\/td>US<\/td>1982<\/td>4,0625<\/td>\n<\/tr>\n
555<\/td><\/td>320<\/td><\/td>105<\/td>R<\/td>Kaaris<\/td>Or Noir<\/td>FR<\/td>2013<\/td>4,05882352941176<\/td>\n<\/tr>\n
556<\/td><\/td><\/td><\/td>106<\/td>P<\/td>Frank Zappa<\/td>Apostrophe<\/td>US<\/td>1974<\/td>4,05555555555556<\/td>\n<\/tr>\n
557<\/td><\/td>321<\/td><\/td><\/td>P<\/td>Grace Jones<\/td>Nightclubing<\/td>US<\/td>1981<\/td>4,05555555555556<\/td>\n<\/tr>\n
558<\/td><\/td><\/td><\/td><\/td>M<\/td>Arnaud Rebotini<\/td>Someone gave me religion<\/td>FR<\/td>2011<\/td>4,05555555555556<\/td>\n<\/tr>\n
559<\/td><\/td>322<\/td><\/td>107<\/td>R<\/td>Public Enemy<\/td>Fear Of A Black Planet<\/td>US<\/td>1990<\/td>4,05<\/td>\n<\/tr>\n
560<\/td><\/td><\/td><\/td><\/td>C<\/td>Alain Bashung<\/td>Play Blessures<\/td>FR<\/td>1982<\/td>4,05<\/td>\n<\/tr>\n
561<\/td><\/td>323<\/td><\/td>108<\/td>N<\/td>The Go-Go's<\/td>Beauty and the Beat<\/td>US<\/td>1981<\/td>4,04545454545455<\/td>\n<\/tr>\n
562<\/td><\/td><\/td><\/td><\/td>C<\/td>Jeff Buckley<\/td>Graceland<\/td>US<\/td>1994<\/td>4,04545454545455<\/td>\n<\/tr>\n
563<\/td><\/td><\/td><\/td>109<\/td>C<\/td>Brigitte Fontaine<\/td>Comme \u2026 la radio<\/td>FR<\/td>1971<\/td>4,02083333333333<\/td>\n<\/tr>\n
564<\/td><\/td>324<\/td><\/td>110<\/td>P<\/td>The Beatles<\/td>The Beatles<\/td>UK<\/td>1968<\/td>4,01666666666667<\/td>\n<\/tr>\n
565<\/td><\/td><\/td><\/td>111<\/td>B<\/td>Miles Davis<\/td>'Round About Midnught<\/td>US<\/td>1957<\/td>4<\/td>\n<\/tr>\n
566<\/td><\/td><\/td><\/td><\/td>R<\/td>Die Antwoord<\/td>$O$<\/td>SA<\/td>2010<\/td>4<\/td>\n<\/tr>\n
567<\/td><\/td><\/td><\/td><\/td>P<\/td>David Bowie<\/td>1.Outside<\/td>UK<\/td>1995<\/td>4<\/td>\n<\/tr>\n
568<\/td><\/td>325<\/td><\/td><\/td>P<\/td>Queen<\/td>A Night At The Opera<\/td>UK<\/td>1975<\/td>4<\/td>\n<\/tr>\n
569<\/td><\/td><\/td><\/td><\/td>P<\/td>Ten Years After<\/td>A Space In Time<\/td>UK<\/td>1971<\/td>4<\/td>\n<\/tr>\n
570<\/td><\/td>326<\/td><\/td><\/td>H<\/td>Barclay James Harvest<\/td>Abd Other Short Stories<\/td>US<\/td>1971<\/td>4<\/td>\n<\/tr>\n
571<\/td><\/td>327<\/td><\/td><\/td>C<\/td>Arlo Guthrie<\/td>Alice's Restaurant<\/td>US<\/td>1967<\/td>4<\/td>\n<\/tr>\n
572<\/td><\/td>328<\/td><\/td><\/td>N<\/td>The Jam<\/td>All Mod Cons<\/td>UK<\/td>1978<\/td>4<\/td>\n<\/tr>\n
573<\/td><\/td><\/td><\/td><\/td>A<\/td>Brian Eno<\/td>Another Green World<\/td>UK<\/td>1975<\/td>4<\/td>\n<\/tr>\n
574<\/td><\/td><\/td><\/td><\/td>P<\/td>Neil Young<\/td>Arc<\/td>CA<\/td>1991<\/td>4<\/td>\n<\/tr>\n
575<\/td><\/td><\/td><\/td><\/td>P<\/td>Van Morisson<\/td>Astral Weeks<\/td>US<\/td>1970<\/td>4<\/td>\n<\/tr>\n
576<\/td><\/td><\/td><\/td><\/td>P<\/td>Jeff Beck Group<\/td>Beck-Ola<\/td>UK<\/td>1969<\/td>4<\/td>\n<\/tr>\n
577<\/td><\/td><\/td><\/td><\/td>A<\/td>Brian Eno<\/td>Before And After Science<\/td>UK<\/td>1977<\/td>4<\/td>\n<\/tr>\n
578<\/td><\/td><\/td><\/td><\/td>P<\/td>The Rolling Stones<\/td>Black And Blue<\/td>UK<\/td>1976<\/td>4<\/td>\n<\/tr>\n
579<\/td><\/td>329<\/td><\/td><\/td>R<\/td>D'Angelo And The Vanguards<\/td>Black Messiah<\/td>US<\/td>2014<\/td>4<\/td>\n<\/tr>\n
580<\/td><\/td><\/td><\/td><\/td>N<\/td>Wire<\/td>Chairs Missing<\/td>UK<\/td>1978<\/td>4<\/td>\n<\/tr>\n
581<\/td><\/td><\/td><\/td><\/td>C<\/td>Franco Battiato<\/td>Clic<\/td>IT<\/td>1974<\/td>4<\/td>\n<\/tr>\n
582<\/td><\/td>330<\/td><\/td><\/td>X<\/td>Bobby Womack<\/td>Communication<\/td>US<\/td>1971<\/td>4<\/td>\n<\/tr>\n
583<\/td><\/td><\/td><\/td><\/td>H<\/td>Steely Dan<\/td>Countdown To Ecstasy<\/td>US<\/td>1973<\/td>4<\/td>\n<\/tr>\n
584<\/td><\/td><\/td><\/td><\/td>M<\/td>Kraftwerk<\/td>Die Mensch-Maschine<\/td>DE<\/td>1978<\/td>4<\/td>\n<\/tr>\n
585<\/td><\/td>331<\/td><\/td><\/td>P<\/td>The White Stripes<\/td>Elephant<\/td>UK<\/td>2003<\/td>4<\/td>\n<\/tr>\n
586<\/td><\/td>332<\/td><\/td><\/td>M<\/td>Carl Cox<\/td>F.A.C.T 1 & 2<\/td>US<\/td>1997<\/td>4<\/td>\n<\/tr>\n
587<\/td><\/td><\/td><\/td><\/td>C<\/td>Alain Bashung<\/td>Fantaisie Militaire<\/td>FR<\/td>1998<\/td>4<\/td>\n<\/tr>\n
588<\/td><\/td>333<\/td><\/td><\/td>P<\/td>Yeah Yeah Yeahs<\/td>Fever to tell<\/td>US<\/td>2003<\/td>4<\/td>\n<\/tr>\n
589<\/td><\/td><\/td><\/td><\/td>F<\/td>Sly And The Family Stone<\/td>Fresh<\/td>US<\/td>1973<\/td>4<\/td>\n<\/tr>\n
590<\/td><\/td><\/td><\/td><\/td>H<\/td>Can<\/td>Future Days<\/td>DE<\/td>1973<\/td>4<\/td>\n<\/tr>\n
591<\/td><\/td>334<\/td><\/td><\/td>H<\/td>Daevid Alen<\/td>Good Morning<\/td>AU<\/td>1976<\/td>4<\/td>\n<\/tr>\n
592<\/td><\/td>335<\/td><\/td><\/td>N<\/td>Cuddly Toys<\/td>Guillotine Theatre<\/td>UK<\/td>1979<\/td>4<\/td>\n<\/tr>\n
593<\/td><\/td><\/td><\/td><\/td>P<\/td>The Rolling Stones<\/td>Hackney Diamonds<\/td>UK<\/td>2023<\/td>3,75<\/td>\n<\/tr>\n
594<\/td><\/td><\/td><\/td><\/td>P<\/td>Neil Young<\/td>Harvest Moon<\/td>CA<\/td>1992<\/td>4<\/td>\n<\/tr>\n
595<\/td><\/td>336<\/td><\/td><\/td>A<\/td>John Cale<\/td>Helen Of Troy<\/td>UK<\/td>1975<\/td>4<\/td>\n<\/tr>\n
596<\/td><\/td><\/td><\/td><\/td>R<\/td>Beastie Boys<\/td>Hello Nasty<\/td>US<\/td>1998<\/td>4<\/td>\n<\/tr>\n
597<\/td><\/td><\/td><\/td><\/td>N<\/td>The Fall<\/td>Hex Enduction Hour<\/td>UK<\/td>1982<\/td>4<\/td>\n<\/tr>\n
598<\/td><\/td>337<\/td><\/td><\/td>X<\/td>Ann Peebles<\/td>I Can't Stand The Rain<\/td>US<\/td>1973<\/td>4<\/td>\n<\/tr>\n
599<\/td><\/td><\/td><\/td><\/td>P<\/td>Led Zeppelin<\/td>III<\/td>UK<\/td>1970<\/td>4<\/td>\n<\/tr>\n
600<\/td><\/td><\/td><\/td><\/td>M<\/td>Amon Tobin<\/td>Isam<\/td>BR<\/td>2011<\/td>4<\/td>\n<\/tr>\n
601<\/td><\/td><\/td><\/td><\/td>H<\/td>Steely Dan<\/td>Katy Lied<\/td>US<\/td>1975<\/td>4<\/td>\n<\/tr>\n
602<\/td><\/td>338<\/td><\/td><\/td>P<\/td>Serge Gainsbourg<\/td>L'histoire De Melody Nelson<\/td>FR<\/td>1971<\/td>4<\/td>\n<\/tr>\n
603<\/td><\/td>339<\/td><\/td><\/td>P<\/td>Lo' Jo'<\/td>L'une Des Siens<\/td>FR<\/td>2002<\/td>4<\/td>\n<\/tr>\n
604<\/td><\/td>340<\/td><\/td><\/td>M<\/td>Iosonouncane<\/td>La Macarena Su Roma<\/td>IT<\/td>2010<\/td>4<\/td>\n<\/tr>\n
605<\/td><\/td>341<\/td><\/td><\/td>A<\/td>Leon Russell<\/td>Leon Russell<\/td>US<\/td>1970<\/td>4<\/td>\n<\/tr>\n
606<\/td><\/td><\/td><\/td><\/td>B<\/td>Albert Ayler<\/td>Live In Greenwich Village<\/td>US<\/td>1967<\/td>4<\/td>\n<\/tr>\n
607<\/td><\/td><\/td><\/td><\/td>A<\/td>Lou Reed<\/td>Metal Machine Music<\/td>US<\/td>1975<\/td>4<\/td>\n<\/tr>\n
608<\/td><\/td>342<\/td><\/td><\/td>P<\/td>The Kills<\/td>Midnight Boom<\/td>UK<\/td>2008<\/td>4<\/td>\n<\/tr>\n
609<\/td><\/td><\/td><\/td><\/td>C<\/td>Jean-Louis Murat<\/td>Mustango<\/td>FR<\/td>1999<\/td>4<\/td>\n<\/tr>\n
610<\/td><\/td>343<\/td><\/td><\/td>R<\/td>Naughty By Nature<\/td>Naughty By Nature<\/td>US<\/td>1991<\/td>4<\/td>\n<\/tr>\n
611<\/td><\/td><\/td><\/td><\/td>F<\/td>Prince<\/td>News<\/td>US<\/td>2003<\/td>4<\/td>\n<\/tr>\n
612<\/td><\/td><\/td><\/td><\/td>J<\/td>Nina Simone<\/td>Nina Simone At Town Hall<\/td>US<\/td>1959<\/td>4<\/td>\n<\/tr>\n
613<\/td><\/td>344<\/td><\/td><\/td>C<\/td>Bobby Gentry<\/td>Ode To Billie Joe<\/td>US<\/td>1967<\/td>4<\/td>\n<\/tr>\n
614<\/td><\/td><\/td><\/td><\/td>B<\/td>Don Cherry<\/td>Organic Music Society<\/td>US<\/td>1972<\/td>4<\/td>\n<\/tr>\n
615<\/td><\/td><\/td><\/td><\/td>B<\/td>Don Cherry<\/td>Orient<\/td>US<\/td>1971<\/td>4<\/td>\n<\/tr>\n
616<\/td><\/td>345<\/td><\/td><\/td>R<\/td>Booba<\/td>Ouest Side<\/td>FR<\/td>1976<\/td>4<\/td>\n<\/tr>\n
617<\/td><\/td>373<\/td><\/td><\/td>N<\/td>Minor Threat<\/td>Out Of Step<\/td>US<\/td>1983<\/td>4<\/td>\n<\/tr>\n
618<\/td><\/td><\/td><\/td><\/td>B<\/td>Miles Davis<\/td>Pangaea<\/td>US<\/td>1976<\/td>4<\/td>\n<\/tr>\n
619<\/td><\/td><\/td><\/td><\/td>R<\/td>Beastie Boys<\/td>Paul's Boutique<\/td>US<\/td>1989<\/td>4<\/td>\n<\/tr>\n
620<\/td><\/td><\/td><\/td><\/td>H<\/td>Tangerine Dream<\/td>Phaedra<\/td>DE<\/td>1974<\/td>4<\/td>\n<\/tr>\n
621<\/td><\/td><\/td><\/td><\/td>K<\/td>Bernard Herrmann<\/td>Psycho<\/td>US<\/td>1960<\/td>4<\/td>\n<\/tr>\n
622<\/td><\/td><\/td><\/td><\/td>P<\/td>The Police<\/td>Regatta De Blanc<\/td>UK<\/td>1979<\/td>4<\/td>\n<\/tr>\n
623<\/td><\/td><\/td><\/td><\/td>B<\/td>Miles Davis<\/td>Relaxin' KOMILI\u00f5\u00f5\u00f5<\/td>US<\/td>1958<\/td>4<\/td>\n<\/tr>\n
624<\/td><\/td>346<\/td><\/td><\/td>P<\/td>Callers<\/td>Reviver<\/td>US<\/td>2012<\/td>4<\/td>\n<\/tr>\n
625<\/td><\/td><\/td><\/td><\/td>H<\/td>Tangerine Dream<\/td>Ricochet<\/td>DE<\/td>1975<\/td>4<\/td>\n<\/tr>\n
626<\/td><\/td><\/td><\/td><\/td>C<\/td>Rita Mitsoukos<\/td>Rita Mitsouko<\/td>FR<\/td>1984<\/td>4<\/td>\n<\/tr>\n
627<\/td><\/td><\/td><\/td><\/td>H<\/td>Robert Wyatt<\/td>Ruth Is Stranger Than Richard<\/td>UK<\/td>1975<\/td>4<\/td>\n<\/tr>\n
628<\/td><\/td><\/td><\/td><\/td>P<\/td>Black Sabbath<\/td>Sabotage<\/td>UK<\/td>1975<\/td>4<\/td>\n<\/tr>\n
629<\/td><\/td><\/td><\/td><\/td>C<\/td>Randy Newman<\/td>Sail Away<\/td>US<\/td>1972<\/td>4<\/td>\n<\/tr>\n
630<\/td><\/td><\/td><\/td><\/td>A<\/td>Captain Beefheart<\/td>Shiny Beast [Bat Chain Puller]<\/td>US<\/td>1978<\/td>4<\/td>\n<\/tr>\n
631<\/td><\/td>347<\/td><\/td><\/td>C<\/td>Hubert-F\u201alix Thiefaine<\/td>Soleil Cherche Futur<\/td>FR<\/td>2001<\/td>4<\/td>\n<\/tr>\n
632<\/td><\/td><\/td><\/td><\/td>N<\/td>Magazine<\/td>The Correct Use Of Soap<\/td>UK<\/td>1980<\/td>4<\/td>\n<\/tr>\n
633<\/td><\/td>348<\/td><\/td><\/td>F<\/td>Isley Brothers<\/td>The Heat Is On<\/td>US<\/td>1975<\/td>4<\/td>\n<\/tr>\n
634<\/td><\/td><\/td><\/td><\/td>B<\/td>Sun Ra<\/td>The Heliocentric Worlds Of Sun Ra 02<\/td>US<\/td>1965<\/td>4<\/td>\n<\/tr>\n
635<\/td><\/td>349<\/td><\/td><\/td>B<\/td>Max Roach & Archie Shepp<\/td>The Long March<\/td>US<\/td>1979<\/td>4<\/td>\n<\/tr>\n
636<\/td><\/td>350<\/td><\/td><\/td>P<\/td>The Ramones<\/td>The Ramones<\/td>US<\/td>1976<\/td>4<\/td>\n<\/tr>\n
637<\/td><\/td><\/td><\/td><\/td>H<\/td>Steely Dan<\/td>The Royal Scam<\/td>US<\/td>1976<\/td>4<\/td>\n<\/tr>\n
638<\/td><\/td><\/td><\/td><\/td>B<\/td>Alice Coltrane<\/td>Universal Consciousness<\/td>US<\/td>1971<\/td>4<\/td>\n<\/tr>\n
639<\/td><\/td><\/td><\/td><\/td>P<\/td>Black Sabbath<\/td>Vol. 4<\/td>UK<\/td>1972<\/td>4<\/td>\n<\/tr>\n
640<\/td><\/td><\/td><\/td><\/td>M<\/td>Dan The Automator<\/td>Wanna Buy A Monkey\u00ff?<\/td>US<\/td>2002<\/td>4<\/td>\n<\/tr>\n
641<\/td><\/td>351<\/td><\/td><\/td>A<\/td>Kevin Ayers<\/td>Whatevershebringswesing<\/td>UK<\/td>1971<\/td>4<\/td>\n<\/tr>\n
642<\/td><\/td><\/td><\/td><\/td>P<\/td>The B-52's<\/td>Wild Planet<\/td>US<\/td>1980<\/td>4<\/td>\n<\/tr>\n
643<\/td><\/td><\/td><\/td><\/td>P<\/td>Bodega<\/td>Witness Scroll<\/td>US<\/td>2019<\/td>4<\/td>\n<\/tr>\n
644<\/td><\/td><\/td><\/td><\/td>C<\/td>Georges Brassens<\/td>X [Copains]<\/td>FR<\/td>1964<\/td>4<\/td>\n<\/tr>\n
645<\/td><\/td>352<\/td><\/td><\/td>C<\/td>L\u201ao Ferr\u201a<\/td>Ya Basta\u00ff!<\/td>FR<\/td>1973<\/td>4<\/td>\n<\/tr>\n
646<\/td><\/td><\/td><\/td><\/td>H<\/td>Tangerine Dream<\/td>Zeit<\/td>DE<\/td>1972<\/td>4<\/td>\n<\/tr>\n
647<\/td><\/td><\/td><\/td>112<\/td>C<\/td>Christophe<\/td>Comme si la terre penchait<\/td>FR<\/td>2001<\/td>3,97727272727273<\/td>\n<\/tr>\n
648<\/td><\/td>353<\/td><\/td>113<\/td>R<\/td>Skinnyman<\/td>Council State Of Mind<\/td>US<\/td>2004<\/td>3,96153846153846<\/td>\n<\/tr>\n
649<\/td><\/td><\/td><\/td><\/td>P<\/td>The Beatles<\/td>Sgt. Peppers's Lonely Hearts Club Band<\/td>UK<\/td>1967<\/td>3,96153846153846<\/td>\n<\/tr>\n
650<\/td><\/td><\/td><\/td>114<\/td>C<\/td>Jean-Louis Murat<\/td>Lilith<\/td>FR<\/td>2003<\/td>3,95652173913043<\/td>\n<\/tr>\n
651<\/td><\/td><\/td><\/td>115<\/td>M<\/td>Death Grips<\/td>Government Plates<\/td>US<\/td>2013<\/td>3,95454545454545<\/td>\n<\/tr>\n
652<\/td><\/td><\/td><\/td><\/td>P<\/td>Jon Spencer Blues Explosion<\/td>Extra width<\/td>US<\/td>1993<\/td>3,95454545454545<\/td>\n<\/tr>\n
653<\/td>362<\/td><\/td><\/td><\/td>P<\/td>Talking Heads<\/td>Fear Of Music<\/td>US<\/td>1979<\/td>3,95454545454545<\/td>\n<\/tr>\n
654<\/td><\/td><\/td><\/td>116<\/td>A<\/td>Moondog<\/td>Pax For A Sax<\/td>US<\/td>1994<\/td>3,95238095238095<\/td>\n<\/tr>\n
655<\/td><\/td><\/td><\/td>117<\/td>C<\/td>Fabrizio de Andr\u201a<\/td>Rimini<\/td>IT<\/td>1978<\/td>3,95<\/td>\n<\/tr>\n
656<\/td><\/td>354<\/td><\/td><\/td>M<\/td>The Orb<\/td>The Orb's adventures beyond the ultraworld<\/td>UK<\/td>1991<\/td>3,95<\/td>\n<\/tr>\n
657<\/td><\/td>355<\/td><\/td>118<\/td>N<\/td>Colin Newmann<\/td>A - Z<\/td>UK<\/td>1980<\/td>3,94117647058824<\/td>\n<\/tr>\n
658<\/td><\/td>356<\/td><\/td><\/td>P<\/td>The Jimi Hendrix Experience<\/td>Are You Experienced<\/td>US<\/td>1967<\/td>3,94117647058824<\/td>\n<\/tr>\n
659<\/td><\/td><\/td><\/td>119<\/td>P<\/td>The Jimi Hendrix Experience<\/td>Electric Ladyland<\/td>US<\/td>1968<\/td>3,9375<\/td>\n<\/tr>\n
660<\/td><\/td><\/td><\/td><\/td>R<\/td>Public Enemy<\/td>It Takes A Nation Of Millions To Hold Us Back<\/td>US<\/td>1988<\/td>3,9375<\/td>\n<\/tr>\n
661<\/td><\/td><\/td><\/td><\/td>A<\/td>Nick Cave & The Bad Seeds<\/td>Skeleton Tree<\/td>AU<\/td>2016<\/td>3,9375<\/td>\n<\/tr>\n
662<\/td><\/td><\/td><\/td>120<\/td>A<\/td>Moondog<\/td>Moondog [Prestige]<\/td>US<\/td>1956<\/td>3,92857142857143<\/td>\n<\/tr>\n
663<\/td><\/td><\/td><\/td><\/td>P<\/td>Pearl Jam<\/td>Vitalogy<\/td>US<\/td>1994<\/td>3,92857142857143<\/td>\n<\/tr>\n
664<\/td><\/td><\/td><\/td>121<\/td>M<\/td>DJ Shadow<\/td>Endtroducing?..<\/td>US<\/td>1996<\/td>3,92307692307692<\/td>\n<\/tr>\n
665<\/td><\/td>357<\/td><\/td><\/td>P<\/td>The Walkmen<\/td>Everyone Who Pretended To Like Me Is Gone<\/td>US<\/td>2002<\/td>3,92307692307692<\/td>\n<\/tr>\n
666<\/td><\/td><\/td><\/td><\/td>X<\/td>Marvin Gaye<\/td>Here, My Dear<\/td>US<\/td>1978<\/td>3,92307692307692<\/td>\n<\/tr>\n
667<\/td><\/td>358<\/td><\/td><\/td>N<\/td>Los Microwaves<\/td>Life After Breakfast<\/td>US<\/td>1981<\/td>3,92307692307692<\/td>\n<\/tr>\n
668<\/td><\/td><\/td><\/td><\/td>R<\/td>Mike Ladd<\/td>Welcome To The Afterfuture<\/td>US<\/td>2000<\/td>3,92307692307692<\/td>\n<\/tr>\n
669<\/td><\/td><\/td><\/td>123<\/td>A<\/td>Beat Happening<\/td>Beat Happening<\/td>US<\/td>1985<\/td>3,91666666666667<\/td>\n<\/tr>\n
670<\/td><\/td><\/td><\/td><\/td>P<\/td>Sonic Youth<\/td>Daydream Nation<\/td>US<\/td>1988<\/td>3,91666666666667<\/td>\n<\/tr>\n
671<\/td><\/td><\/td><\/td><\/td>A<\/td>Peter Gabriel<\/td>I\/O<\/td>UK<\/td>2024<\/td>3,91666666666667<\/td>\n<\/tr>\n
672<\/td><\/td>359<\/td><\/td><\/td>F<\/td>Beyonc\u201a<\/td>Lemonade<\/td>US<\/td>2016<\/td>3,91666666666667<\/td>\n<\/tr>\n
673<\/td><\/td><\/td><\/td><\/td>A<\/td>John Cale<\/td>Mfans<\/td>UK<\/td>2016<\/td>3,91666666666667<\/td>\n<\/tr>\n
674<\/td><\/td>360<\/td><\/td><\/td>M<\/td>Why?<\/td>Mumps, Etc.<\/td>US<\/td>2012<\/td>3,91666666666667<\/td>\n<\/tr>\n
675<\/td><\/td><\/td><\/td><\/td>N<\/td>Elvis Costello<\/td>My Aim Is True<\/td>UK<\/td>1977<\/td>3,91666666666667<\/td>\n<\/tr>\n
676<\/td><\/td>361<\/td><\/td><\/td>P<\/td>Pretenders<\/td>Pretenders<\/td>UK<\/td>1980<\/td>3,91666666666667<\/td>\n<\/tr>\n
677<\/td><\/td>362<\/td><\/td><\/td>F<\/td>Billy Cobham<\/td>Spectrum<\/td>US<\/td>1973<\/td>3,91666666666667<\/td>\n<\/tr>\n
678<\/td><\/td><\/td><\/td><\/td>P<\/td>Roger Waters<\/td>The Pros And Cons Of Hitch Hikin<\/td>UK<\/td>1984<\/td>3,91666666666667<\/td>\n<\/tr>\n
679<\/td><\/td>363<\/td><\/td>124<\/td>N<\/td>Clor<\/td>Clor<\/td>UK<\/td>2005<\/td>3,90909090909091<\/td>\n<\/tr>\n
680<\/td><\/td><\/td><\/td><\/td>C<\/td>Jean-Louis Murat<\/td>Il Francese<\/td>FR<\/td>2018<\/td>3,90909090909091<\/td>\n<\/tr>\n
681<\/td><\/td>364<\/td><\/td><\/td>P<\/td>Ry Cooder<\/td>Into The Purple Valley<\/td>US<\/td>1972<\/td>3,90909090909091<\/td>\n<\/tr>\n
682<\/td><\/td><\/td><\/td><\/td>C<\/td>Jacques Brel<\/td>Jacques Brel 1967<\/td>BE<\/td>1967<\/td>3,90909090909091<\/td>\n<\/tr>\n
683<\/td><\/td><\/td><\/td><\/td>P<\/td>Deer Hoof<\/td>Milk Man<\/td>US<\/td>2004<\/td>3,90909090909091<\/td>\n<\/tr>\n
684<\/td><\/td><\/td><\/td><\/td>M<\/td>Bj\u201drk<\/td>Post<\/td>IS<\/td>1995<\/td>3,90909090909091<\/td>\n<\/tr>\n
685<\/td><\/td><\/td><\/td><\/td>P<\/td>Talking Heads<\/td>Talking Heads: 77<\/td>US<\/td>1977<\/td>3,90909090909091<\/td>\n<\/tr>\n
686<\/td><\/td><\/td><\/td><\/td>P<\/td>The Rolling Stones<\/td>Tattoo You<\/td>UK<\/td>1981<\/td>3,90909090909091<\/td>\n<\/tr>\n
687<\/td><\/td><\/td><\/td><\/td>B<\/td>Sun Ra<\/td>The Futuristic Sounds Of Sun Ra<\/td>US<\/td>1962<\/td>3,90909090909091<\/td>\n<\/tr>\n
688<\/td><\/td><\/td><\/td><\/td>X<\/td>Bobby Womack<\/td>Ubuntu<\/td>US<\/td>1973<\/td>3,90909090909091<\/td>\n<\/tr>\n
689<\/td><\/td><\/td><\/td><\/td>F<\/td>Tower Of Power<\/td>Urban Renewal<\/td>US<\/td>1975<\/td>3,90909090909091<\/td>\n<\/tr>\n
690<\/td><\/td>365<\/td><\/td>125<\/td>N<\/td>Pet Shop Boys<\/td>Actually<\/td>UK<\/td>1987<\/td>3,9<\/td>\n<\/tr>\n
691<\/td><\/td>366<\/td><\/td><\/td>P<\/td>Mink Deville<\/td>Cabretta<\/td>US<\/td>1977<\/td>3,9<\/td>\n<\/tr>\n
692<\/td><\/td><\/td><\/td><\/td>P<\/td>The Rolling Stones<\/td>Emotional Rescue<\/td>UK<\/td>1980<\/td>3,9<\/td>\n<\/tr>\n
693<\/td><\/td>367<\/td><\/td><\/td>P<\/td>The Alan Parsons Project<\/td>I Robot<\/td>UK<\/td>1977<\/td>3,9<\/td>\n<\/tr>\n
694<\/td><\/td><\/td><\/td><\/td>P<\/td>The Rolling Stones<\/td>It's Only Rock'n'roll<\/td>UK<\/td>1974<\/td>3,9<\/td>\n<\/tr>\n
695<\/td><\/td>368<\/td><\/td><\/td>C<\/td>Scott Walker<\/td>Iv<\/td>US<\/td>1969<\/td>3,9<\/td>\n<\/tr>\n
696<\/td><\/td><\/td><\/td><\/td>P<\/td>Bob Dylan<\/td>Modern times<\/td>US<\/td>2006<\/td>3,9<\/td>\n<\/tr>\n
697<\/td><\/td>369<\/td><\/td><\/td>P<\/td>Suzanne Vega<\/td>Solitude Standing<\/td>US<\/td>1987<\/td>3,9<\/td>\n<\/tr>\n
698<\/td><\/td><\/td><\/td><\/td>X<\/td>Ann Peebles<\/td>Straight From The Heart<\/td>US<\/td>1971<\/td>3,9<\/td>\n<\/tr>\n
699<\/td><\/td><\/td><\/td><\/td>H<\/td>Spacemen 3<\/td>The Perfect Prescription<\/td>UK<\/td>1987<\/td>3,9<\/td>\n<\/tr>\n
700<\/td><\/td><\/td><\/td><\/td>M<\/td>Autechre<\/td>Tri Repetae<\/td>UK<\/td>1995<\/td>3,9<\/td>\n<\/tr>\n
701<\/td><\/td><\/td><\/td><\/td>C<\/td>Paolo Conte<\/td>Un Gelato Al Limon<\/td>IT<\/td>1979<\/td>3,9<\/td>\n<\/tr>\n
702<\/td><\/td><\/td><\/td><\/td>A<\/td>Gh\u201adalia Tazart\u0160s<\/td>Une \u201aclipse totale de soleil<\/td>FR<\/td>1984<\/td>3,9<\/td>\n<\/tr>\n
703<\/td><\/td><\/td><\/td><\/td>M<\/td>Bj\u201drk<\/td>Volta<\/td>IS<\/td>2007<\/td>3,9<\/td>\n<\/tr>\n
704<\/td><\/td>370<\/td><\/td>126<\/td>C<\/td>T\u02c6tes Raides<\/td>Les Oiseaux<\/td>FR<\/td>1992<\/td>3,89285714285714<\/td>\n<\/tr>\n
705<\/td><\/td>371<\/td><\/td>127<\/td>N<\/td>David Johansen<\/td>David Johansen<\/td>US<\/td>1978<\/td>3,88888888888889<\/td>\n<\/tr>\n
706<\/td><\/td>372<\/td><\/td><\/td>R<\/td>De La Soul<\/td>De La Soul Is Dead<\/td>US<\/td>1991<\/td>3,88888888888889<\/td>\n<\/tr>\n
707<\/td><\/td><\/td><\/td><\/td>N<\/td>Siouxie And The Banshees<\/td>Juju<\/td>UK<\/td>1981<\/td>3,88888888888889<\/td>\n<\/tr>\n
708<\/td><\/td><\/td><\/td><\/td>F<\/td>Prince<\/td>One Night Alone? Live<\/td>US<\/td>2002<\/td>3,88888888888889<\/td>\n<\/tr>\n
709<\/td><\/td><\/td><\/td><\/td>P<\/td>Ry Cooder<\/td>Paradise And Lunch<\/td>US<\/td>1974<\/td>3,88888888888889<\/td>\n<\/tr>\n
710<\/td><\/td>374<\/td><\/td><\/td>N<\/td>Heaven 17<\/td>Penthouse and Pavemet<\/td>UK<\/td>1981<\/td>3,88888888888889<\/td>\n<\/tr>\n
711<\/td><\/td><\/td><\/td><\/td>N<\/td>Magazine<\/td>Secondhand Daylight<\/td>UK<\/td>1979<\/td>3,88888888888889<\/td>\n<\/tr>\n
712<\/td><\/td><\/td><\/td>128<\/td>C<\/td>Areski & Brigitte Fonatine<\/td>L'incendie<\/td>FR<\/td>1974<\/td>3,88461538461538<\/td>\n<\/tr>\n
713<\/td><\/td><\/td><\/td><\/td>P<\/td>Ten Years After<\/td>Clicklewood Green<\/td>UK<\/td>1970<\/td>3,875<\/td>\n<\/tr>\n
714<\/td><\/td>375<\/td><\/td><\/td>P<\/td>Dismembrement Plan<\/td>Emergency & I<\/td>US<\/td>1999<\/td>3,875<\/td>\n<\/tr>\n
715<\/td><\/td>376<\/td><\/td><\/td>N<\/td>Rachel Sweet<\/td>Fool Around<\/td>US<\/td>1978<\/td>3,875<\/td>\n<\/tr>\n
716<\/td><\/td>377<\/td><\/td><\/td>N<\/td>Adam Ant<\/td>Friend Or Foe<\/td>UK<\/td>1982<\/td>3,875<\/td>\n<\/tr>\n
717<\/td><\/td>378<\/td><\/td><\/td>M<\/td>Holy Fuck<\/td>Holy Fuck<\/td>CA<\/td>2005<\/td>3,875<\/td>\n<\/tr>\n
718<\/td><\/td><\/td><\/td><\/td>P<\/td>Led Zeppelin<\/td>Houses Of The Holy<\/td>UK<\/td>1973<\/td>3,875<\/td>\n<\/tr>\n
719<\/td><\/td>379<\/td><\/td><\/td>X<\/td>Black Uhuru<\/td>Red<\/td>US<\/td>1981<\/td>3,875<\/td>\n<\/tr>\n
720<\/td><\/td><\/td><\/td><\/td>J<\/td>Sonny Rollins<\/td>Saxophone Colossus<\/td>US<\/td>1957<\/td>3,875<\/td>\n<\/tr>\n
721<\/td><\/td>380<\/td><\/td><\/td>P<\/td>Blue Oyster Cult<\/td>Secret Treaties<\/td>US<\/td>1974<\/td>3,875<\/td>\n<\/tr>\n
722<\/td><\/td><\/td><\/td><\/td>P<\/td>Neil Young<\/td>Sleeps With Angels<\/td>CA<\/td>1994<\/td>3,875<\/td>\n<\/tr>\n
723<\/td><\/td><\/td><\/td><\/td>P<\/td>Roxy Music<\/td>Stranded<\/td>UK<\/td>1973<\/td>3,875<\/td>\n<\/tr>\n
724<\/td><\/td>381<\/td><\/td>130<\/td>M<\/td>Mr Oizo<\/td>Analog Worm Attack<\/td>FR<\/td>1999<\/td>3,86666666666667<\/td>\n<\/tr>\n
725<\/td><\/td>382<\/td><\/td><\/td>P<\/td>The Pixies<\/td>Doolittle<\/td>US<\/td>1989<\/td>3,86666666666667<\/td>\n<\/tr>\n
726<\/td><\/td><\/td><\/td><\/td>N<\/td>Mission Of Burma<\/td>Onoffon<\/td>US<\/td>2004<\/td>3,86666666666667<\/td>\n<\/tr>\n
727<\/td><\/td><\/td><\/td><\/td>C<\/td>Tom Waits<\/td>Swordfishtrombone<\/td>US<\/td>1983<\/td>3,86666666666667<\/td>\n<\/tr>\n
728<\/td>362<\/td>222<\/td><\/td>131<\/td>P<\/td>Cream<\/td>Disrealy Gears<\/td>UK<\/td>1967<\/td>3,86363636363636<\/td>\n<\/tr>\n
729<\/td><\/td>383<\/td><\/td><\/td>K<\/td>Bixio-Frizzi-Tempera<\/td>Sette Note In Nero<\/td>IT<\/td>2006<\/td>3,86363636363636<\/td>\n<\/tr>\n
730<\/td><\/td><\/td><\/td>132<\/td>N<\/td>The Residents<\/td>Duck Stab<\/td>US<\/td>1978<\/td>3,86<\/td>\n<\/tr>\n
731<\/td><\/td><\/td><\/td>133<\/td>H<\/td>Steely Dan<\/td>Aja<\/td>US<\/td>1977<\/td>3,85714285714286<\/td>\n<\/tr>\n
732<\/td><\/td>384<\/td><\/td><\/td>H<\/td>Grateful Dead<\/td>Blues For Allah<\/td>US<\/td>1975<\/td>3,85714285714286<\/td>\n<\/tr>\n
733<\/td><\/td><\/td><\/td><\/td>H<\/td>The Virgin Prunes<\/td>If I die? I die<\/td>IR<\/td>1981<\/td>3,85714285714286<\/td>\n<\/tr>\n
734<\/td><\/td><\/td><\/td><\/td>P<\/td>Philippe Katerine<\/td>Robots Apr\u0160s Tout<\/td>FR<\/td>2005<\/td>3,85714285714286<\/td>\n<\/tr>\n
735<\/td><\/td><\/td><\/td><\/td>B<\/td>Sun Ra<\/td>The Heliocentric Worlds Of Sun Ra 01<\/td>US<\/td>1965<\/td>3,85714285714286<\/td>\n<\/tr>\n
736<\/td><\/td>385<\/td><\/td><\/td>P<\/td>Mick Jagger<\/td>Wandering Spirit<\/td>UK<\/td>1994<\/td>3,85714285714286<\/td>\n<\/tr>\n
737<\/td><\/td><\/td><\/td>134<\/td>B<\/td>Miles Davis<\/td>Agartha<\/td>US<\/td>1976<\/td>3,85<\/td>\n<\/tr>\n
738<\/td><\/td><\/td><\/td><\/td>M<\/td>Klaus Schulze<\/td>Moondawn<\/td>DE<\/td>1976<\/td>3,85<\/td>\n<\/tr>\n
739<\/td><\/td>386<\/td><\/td><\/td>M<\/td>Etienne de Cr\u201acy<\/td>Superdiscount<\/td>FR<\/td>1996<\/td>3,85<\/td>\n<\/tr>\n
740<\/td><\/td><\/td><\/td>135<\/td>M<\/td>The Prodigy<\/td>Music For The Jilted Generation<\/td>US<\/td>1994<\/td>3,84615384615385<\/td>\n<\/tr>\n
741<\/td><\/td><\/td><\/td><\/td>M<\/td>Bj\u201drk<\/td>Vespertine<\/td>IS<\/td>2001<\/td>3,84615384615385<\/td>\n<\/tr>\n
742<\/td><\/td><\/td><\/td><\/td>R<\/td>D'Angelo<\/td>Voodoo<\/td>US<\/td>2000<\/td>3,84615384615385<\/td>\n<\/tr>\n
743<\/td><\/td>387<\/td><\/td>136<\/td>R<\/td>Dr Dre<\/td>2001<\/td>US<\/td>1999<\/td>3,84210526315789<\/td>\n<\/tr>\n
744<\/td><\/td><\/td><\/td>137<\/td>H<\/td>Barclay James Harvest<\/td>Baby James Harvest<\/td>US<\/td>1972<\/td>3,83333333333333<\/td>\n<\/tr>\n
745<\/td><\/td><\/td><\/td><\/td>A<\/td>John Cale<\/td>Hobo Sapiens<\/td>UK<\/td>2003<\/td>3,83333333333333<\/td>\n<\/tr>\n
746<\/td><\/td><\/td><\/td><\/td>P<\/td>Nick Cave & The Bad Seeds<\/td>No More Shall We Part<\/td>AU<\/td>2001<\/td>3,83333333333333<\/td>\n<\/tr>\n
747<\/td><\/td>388<\/td><\/td><\/td>C<\/td>Giorgio Gaber<\/td>Polli Di Allevamento<\/td>IT<\/td>1978<\/td>3,83333333333333<\/td>\n<\/tr>\n
748<\/td><\/td><\/td><\/td><\/td>N<\/td>Elvis Costello<\/td>This Year's Model<\/td>UK<\/td>1978<\/td>3,83333333333333<\/td>\n<\/tr>\n
749<\/td><\/td><\/td><\/td>138<\/td>P<\/td>The Beatles<\/td>Abbey Road<\/td>UK<\/td>1969<\/td>3,82352941176471<\/td>\n<\/tr>\n
750<\/td><\/td>389<\/td><\/td><\/td>R<\/td>Casseurs Flowters<\/td>Orelsan Et Gringe Sont Les Casseurs Flowters<\/td>FR<\/td>2013<\/td>3,82352941176471<\/td>\n<\/tr>\n
751<\/td><\/td><\/td><\/td><\/td>H<\/td>Soft Machine<\/td>Volume 2<\/td>UK<\/td>1969<\/td>3,82352941176471<\/td>\n<\/tr>\n
752<\/td><\/td>390<\/td><\/td>139<\/td>K<\/td>Nino Rota<\/td>Amarcord<\/td>IT<\/td>1973<\/td>3,81818181818182<\/td>\n<\/tr>\n
753<\/td><\/td>391<\/td><\/td><\/td>P<\/td>Amy Winehouse<\/td>Back to Black<\/td>US<\/td>2006<\/td>3,81818181818182<\/td>\n<\/tr>\n
754<\/td><\/td><\/td><\/td><\/td>C<\/td>Paul Simon<\/td>Graceland<\/td>US<\/td>1986<\/td>3,81818181818182<\/td>\n<\/tr>\n
755<\/td><\/td>392<\/td><\/td><\/td>P<\/td>Nick Lowe<\/td>Jesus Of Cool<\/td>UK<\/td>1978<\/td>3,81818181818182<\/td>\n<\/tr>\n
756<\/td><\/td><\/td><\/td><\/td>A<\/td>Roger Waters<\/td>Music From The Body<\/td>UK<\/td>1970<\/td>3,81818181818182<\/td>\n<\/tr>\n
757<\/td><\/td>393<\/td><\/td><\/td>A<\/td>The Velvet Underground & Nico<\/td>The Velvet Underground & Nico<\/td>US<\/td>1967<\/td>3,81818181818182<\/td>\n<\/tr>\n
758<\/td><\/td>394<\/td><\/td><\/td>M<\/td>Fatboy Slim<\/td>You've Come A Long Baby, Baby<\/td>US<\/td>1998<\/td>3,81818181818182<\/td>\n<\/tr>\n
759<\/td><\/td><\/td><\/td><\/td>C<\/td>?????? ??????? [Leonid Fedorov]<\/td>??????? ????<\/td>RU<\/td>2003<\/td>3,81818181818182<\/td>\n<\/tr>\n
760<\/td><\/td><\/td><\/td>140<\/td>F<\/td>Prince<\/td>Sign O'the Times<\/td>US<\/td>1987<\/td>3,8125<\/td>\n<\/tr>\n
761<\/td><\/td><\/td><\/td><\/td>B<\/td>Archie Shepp <\/td>The Cry Of My People<\/td>US<\/td>1973<\/td>3,8125<\/td>\n<\/tr>\n
762<\/td><\/td><\/td><\/td><\/td>R<\/td>Kendrick Lamar<\/td>To Pimp A Butterfly<\/td>US<\/td>2015<\/td>3,8125<\/td>\n<\/tr>\n
763<\/td><\/td><\/td><\/td>141<\/td>P<\/td>REM<\/td>Monster<\/td>US<\/td>1994<\/td>3,80769230769231<\/td>\n<\/tr>\n
764<\/td><\/td><\/td><\/td>142<\/td>R<\/td>Dan The Automator<\/td>Bombay The Hardway 2<\/td>US<\/td>1998<\/td>3,8<\/td>\n<\/tr>\n
765<\/td><\/td><\/td><\/td><\/td>H<\/td>Supertramp<\/td>Breakfast In America<\/td>UK<\/td>1979<\/td>3,8<\/td>\n<\/tr>\n
766<\/td><\/td><\/td><\/td><\/td>X<\/td>Bob Marley<\/td>Burnin'<\/td>JM<\/td>1977<\/td>3,8<\/td>\n<\/tr>\n
767<\/td><\/td><\/td><\/td><\/td>P<\/td>The Who<\/td>By Numbers<\/td>UK<\/td>1975<\/td>3,8<\/td>\n<\/tr>\n
768<\/td><\/td><\/td><\/td><\/td>P<\/td>Roxy Music<\/td>Country Love<\/td>UK<\/td>1974<\/td>3,8<\/td>\n<\/tr>\n
769<\/td><\/td><\/td><\/td><\/td>H<\/td>Supertramp<\/td>Crisis, What Crisis\u00ff?<\/td>UK<\/td>1975<\/td>3,8<\/td>\n<\/tr>\n
770<\/td><\/td><\/td><\/td><\/td>C<\/td>Hubert-F\u201alix Thiefaine<\/td>Derni\u0160res Balises (Avant Mutation)<\/td>FR<\/td>1981<\/td>3,8<\/td>\n<\/tr>\n
771<\/td><\/td>395<\/td><\/td><\/td>H<\/td>13th Floor Elevator<\/td>Easter Everywhere<\/td>US<\/td>1967<\/td>3,8<\/td>\n<\/tr>\n
772<\/td><\/td><\/td><\/td><\/td>H<\/td>Yes<\/td>Fragile<\/td>UK<\/td>1971<\/td>3,8<\/td>\n<\/tr>\n
773<\/td><\/td>396<\/td><\/td><\/td>R<\/td>Nas<\/td>Illmatic<\/td>US<\/td>1994<\/td>3,8<\/td>\n<\/tr>\n
774<\/td><\/td><\/td><\/td><\/td>F<\/td>Prince<\/td>Indigo Nights<\/td>US<\/td>2008<\/td>3,8<\/td>\n<\/tr>\n
775<\/td><\/td>397<\/td><\/td><\/td>C<\/td>Alain Souchon<\/td>Jamais Content<\/td>FR<\/td>1977<\/td>3,8<\/td>\n<\/tr>\n
776<\/td><\/td>398<\/td><\/td><\/td>N<\/td>Jyl<\/td>Jyl<\/td>US<\/td>1984<\/td>3,8<\/td>\n<\/tr>\n
777<\/td><\/td>399<\/td><\/td><\/td>A<\/td>Radiohead<\/td>Kid A<\/td>UK<\/td>2000<\/td>3,8<\/td>\n<\/tr>\n
778<\/td><\/td><\/td><\/td><\/td>B<\/td>Miles Davis<\/td>Miles Ahead<\/td>US<\/td>1957<\/td>3,8<\/td>\n<\/tr>\n
779<\/td><\/td><\/td><\/td><\/td>N<\/td>Pere Ubu<\/td>New Pic Nic<\/td>US<\/td>1979<\/td>3,8<\/td>\n<\/tr>\n
780<\/td><\/td><\/td><\/td><\/td>J<\/td>Sonny Rollins<\/td>On Impulse\u00ff!<\/td>US<\/td>1965<\/td>3,8<\/td>\n<\/tr>\n
781<\/td><\/td><\/td><\/td><\/td>P<\/td>Neil Young & Crazy Horse<\/td>Ragged Glory<\/td>CA<\/td>1990<\/td>3,8<\/td>\n<\/tr>\n
782<\/td><\/td>400<\/td><\/td><\/td>P<\/td>Queens Of The Stone Age<\/td>Rated R<\/td>US<\/td>2000<\/td>3,8<\/td>\n<\/tr>\n
783<\/td><\/td>401<\/td><\/td><\/td>B<\/td>John Coltrane & Don Cherry<\/td>The Avant-Garde<\/td>US<\/td>1966<\/td>3,8<\/td>\n<\/tr>\n
784<\/td><\/td><\/td><\/td><\/td>F<\/td>Prince<\/td>The Chocolate Invasion<\/td>US<\/td>2004<\/td>3,8<\/td>\n<\/tr>\n
785<\/td><\/td>402<\/td><\/td><\/td>A<\/td>Fred Frith<\/td>The Technology Of Tears<\/td>UK<\/td>1988<\/td>3,8<\/td>\n<\/tr>\n
786<\/td><\/td>403<\/td><\/td><\/td>P<\/td>Yo la Tengo<\/td>There's A Riot Goin' On<\/td>US<\/td>1971<\/td>3,8<\/td>\n<\/tr>\n
787<\/td><\/td><\/td><\/td><\/td>F<\/td>Tower Of Power<\/td>Tower Of Power<\/td>US<\/td>1973<\/td>3,8<\/td>\n<\/tr>\n
788<\/td><\/td>404<\/td><\/td><\/td>P<\/td>Cocteau Twins<\/td>Treasure<\/td>UK<\/td>1984<\/td>3,8<\/td>\n<\/tr>\n
789<\/td><\/td><\/td><\/td><\/td>P<\/td>Creedence Clearwater Revival<\/td>Willie & The Poorboys<\/td>US<\/td>1970<\/td>3,8<\/td>\n<\/tr>\n
790<\/td><\/td><\/td><\/td><\/td>B<\/td>Alice Coltrane<\/td>World Galaxy<\/td>US<\/td>1972<\/td>3,8<\/td>\n<\/tr>\n
791<\/td><\/td><\/td><\/td>143<\/td>J<\/td>Nina Simone<\/td>Wild Is The Wind<\/td>US<\/td>1966<\/td>3,79545454545455<\/td>\n<\/tr>\n
792<\/td><\/td><\/td><\/td>144<\/td>R<\/td>De La Soul<\/td>3 Feet High And Risin<\/td>US<\/td>1989<\/td>3,79166666666667<\/td>\n<\/tr>\n
793<\/td><\/td>405<\/td><\/td><\/td>K<\/td>Mokadelic<\/td>Gomorra<\/td>IT<\/td>2020<\/td>3,79166666666667<\/td>\n<\/tr>\n
794<\/td><\/td><\/td><\/td>145<\/td>P<\/td>The Rolling Stones<\/td>Aftermath<\/td>UK<\/td>1966<\/td>3,78571428571429<\/td>\n<\/tr>\n
795<\/td><\/td>406<\/td><\/td><\/td>J<\/td>AV<\/td>Hugh Masekela Presents<\/td>SA<\/td>197<\/td>3,78571428571429<\/td>\n<\/tr>\n
796<\/td><\/td>407<\/td><\/td><\/td>X<\/td>Lonie Holley<\/td>Just Before Music<\/td>US<\/td>2012<\/td>3,78571428571429<\/td>\n<\/tr>\n
797<\/td><\/td>408<\/td><\/td><\/td>P<\/td>The Smashing Pumpkins<\/td>Mellon Collie And The Infinite Sadness<\/td>US<\/td>1995<\/td>3,78571428571429<\/td>\n<\/tr>\n
798<\/td><\/td>409<\/td><\/td><\/td>R<\/td>House Of Pain<\/td>Same As It Ever Was<\/td>US<\/td>1994<\/td>3,78571428571429<\/td>\n<\/tr>\n
799<\/td><\/td>410<\/td><\/td><\/td>M<\/td>Alva Noto<\/td>Univrs<\/td>DE<\/td>2011<\/td>3,78571428571429<\/td>\n<\/tr>\n
800<\/td><\/td>411<\/td><\/td><\/td>A<\/td>Billie Eilish<\/td>When We All Fall Asleep, Where Do We Go\u00ff?<\/td>US<\/td>2019<\/td>3,78571428571429<\/td>\n<\/tr>\n
801<\/td><\/td><\/td><\/td>146<\/td>H<\/td>Henry Cow<\/td>Unrest<\/td>UK<\/td>1973<\/td>3,78125<\/td>\n<\/tr>\n
802<\/td><\/td><\/td><\/td>147<\/td>C<\/td>L\u201ao Ferr\u201a<\/td>Amour Anarchie<\/td>FR<\/td>1970<\/td>3,77777777777778<\/td>\n<\/tr>\n
803<\/td><\/td>412<\/td><\/td><\/td>N<\/td>Renaissance<\/td>Camera Camera<\/td>US<\/td>1981<\/td>3,77777777777778<\/td>\n<\/tr>\n
804<\/td><\/td><\/td><\/td><\/td>C<\/td>Jacques Higelin<\/td>Champagne Pour Tout Le Monde<\/td>FR<\/td>1979<\/td>3,77777777777778<\/td>\n<\/tr>\n
805<\/td><\/td><\/td><\/td><\/td>P<\/td>Colin Newmann<\/td>Commercial Suicide<\/td>UK<\/td>1986<\/td>3,77777777777778<\/td>\n<\/tr>\n
806<\/td><\/td>413<\/td><\/td><\/td>N<\/td>I'M So Hollow<\/td>Emotion\/Sound\/Motion<\/td>UK<\/td>1981<\/td>3,77777777777778<\/td>\n<\/tr>\n
807<\/td><\/td><\/td><\/td><\/td>C<\/td>Tom Waits<\/td>Heartattack And Wine<\/td>US<\/td>1980<\/td>3,77777777777778<\/td>\n<\/tr>\n
808<\/td><\/td>414<\/td><\/td><\/td>F<\/td>Madonna<\/td>Like A Prayer<\/td>US<\/td>1989<\/td>3,77777777777778<\/td>\n<\/tr>\n
809<\/td><\/td>415<\/td><\/td><\/td>P<\/td>Sparks<\/td>Lil Beethoven<\/td>US<\/td>2002<\/td>3,77777777777778<\/td>\n<\/tr>\n
810<\/td><\/td><\/td><\/td><\/td>X<\/td>Marcia Griffiths<\/td>Naturally<\/td>JM<\/td>1978<\/td>3,77777777777778<\/td>\n<\/tr>\n
811<\/td><\/td>416<\/td><\/td><\/td>N<\/td>Judy Nylon And Crucial<\/td>Pal July<\/td>US<\/td>1982<\/td>3,77777777777778<\/td>\n<\/tr>\n
812<\/td><\/td><\/td><\/td><\/td>H<\/td>Kevin Ayers<\/td>Sweet Deceiver<\/td>UK<\/td>1975<\/td>3,77777777777778<\/td>\n<\/tr>\n
813<\/td><\/td><\/td><\/td><\/td>N<\/td>Tom Verlaine<\/td>Tom Verlaine<\/td>US<\/td>1981<\/td>3,77777777777778<\/td>\n<\/tr>\n
814<\/td><\/td><\/td><\/td><\/td>P<\/td>ZZ Top<\/td>Tres Hombres<\/td>US<\/td>1973<\/td>3,77777777777778<\/td>\n<\/tr>\n
815<\/td><\/td><\/td><\/td><\/td>F<\/td>Madonna<\/td>True Blue<\/td>US<\/td>1986<\/td>3,77777777777778<\/td>\n<\/tr>\n
816<\/td><\/td><\/td><\/td><\/td>M<\/td>Bj\u201drk<\/td>Vulnicura<\/td>IS<\/td>2015<\/td>3,77777777777778<\/td>\n<\/tr>\n
817<\/td><\/td><\/td><\/td>148<\/td>F<\/td>Keziah Jones<\/td>Blufunk Is A Fact!<\/td>US<\/td>1992<\/td>3,76923076923077<\/td>\n<\/tr>\n
818<\/td><\/td>416<\/td><\/td><\/td>R<\/td>Snoop Doggy Dogg<\/td>Doggystyle<\/td>US<\/td>1993<\/td>3,76923076923077<\/td>\n<\/tr>\n
819<\/td><\/td><\/td><\/td><\/td>F<\/td>James Brown<\/td>Hell<\/td>US<\/td>1974<\/td>3,76923076923077<\/td>\n<\/tr>\n
820<\/td><\/td><\/td><\/td><\/td>C<\/td>Alain Bashung<\/td>Pizza<\/td>FR<\/td>1981<\/td>3,76923076923077<\/td>\n<\/tr>\n
821<\/td><\/td>417<\/td><\/td><\/td>M<\/td>Stromae<\/td>Racine Carr\u201ae<\/td>BE<\/td>2013<\/td>3,76923076923077<\/td>\n<\/tr>\n
822<\/td><\/td><\/td><\/td><\/td>C<\/td>Vinicio Caposella<\/td>Rebetiko Gymastas<\/td>IT<\/td>2012<\/td>3,76923076923077<\/td>\n<\/tr>\n
823<\/td><\/td><\/td><\/td>149<\/td>R<\/td>OutKast<\/td>Stankonia<\/td>US<\/td>2000<\/td>3,76470588235294<\/td>\n<\/tr>\n
824<\/td><\/td>418<\/td><\/td>150<\/td>A<\/td>Sigur R\u2022s<\/td>\u00b5g\u2018tis Byrjun<\/td>IS<\/td>1999<\/td>3,75<\/td>\n<\/tr>\n
825<\/td><\/td>419<\/td><\/td><\/td>P<\/td>Urge Overkill<\/td>Exit The Dragon<\/td>US<\/td>1995<\/td>3,75<\/td>\n<\/tr>\n
826<\/td><\/td><\/td><\/td><\/td>C<\/td>Fiona Apple<\/td>Extraordinary Machine<\/td>US<\/td>2005<\/td>3,75<\/td>\n<\/tr>\n
827<\/td><\/td><\/td><\/td><\/td>H<\/td>Daevid Allen<\/td>Good Morning<\/td>AU<\/td>1976<\/td>3,75<\/td>\n<\/tr>\n
828<\/td><\/td>420<\/td><\/td><\/td>H<\/td>Magma<\/td>M\u2030kan\u2039k D\u2030strukt\u2039? K\u201dmmand\u201dh<\/td>FR<\/td>1973<\/td>3,75<\/td>\n<\/tr>\n
829<\/td><\/td>421<\/td><\/td><\/td>R<\/td>Lovage<\/td>Nathanial Merriweather Presents<\/td>US<\/td>2001<\/td>3,75<\/td>\n<\/tr>\n
830<\/td><\/td><\/td><\/td><\/td>P<\/td>Neil Young<\/td>Neil Young<\/td>CA<\/td>1968<\/td>3,75<\/td>\n<\/tr>\n
831<\/td><\/td><\/td><\/td><\/td>H<\/td>Barclay James Harvest<\/td>Once Again<\/td>US<\/td>1971<\/td>3,75<\/td>\n<\/tr>\n
832<\/td><\/td><\/td><\/td><\/td>M<\/td>Red Snapper<\/td>Prince Blimey<\/td>UK<\/td>1996<\/td>3,75<\/td>\n<\/tr>\n
833<\/td><\/td>422<\/td><\/td><\/td>N<\/td>Jonathan Richmond<\/td>Rough Trade<\/td>US<\/td>1979<\/td>3,75<\/td>\n<\/tr>\n
834<\/td><\/td><\/td><\/td><\/td>P<\/td>Ten Years After<\/td>Ssssh.<\/td>UK<\/td>1969<\/td>3,75<\/td>\n<\/tr>\n
835<\/td><\/td><\/td><\/td><\/td>P<\/td>PJ Harvey<\/td>Stories From The City, Stories From The Sea<\/td>UK<\/td>2000<\/td>3,75<\/td>\n<\/tr>\n
836<\/td><\/td><\/td><\/td><\/td>C<\/td>JJ Cale<\/td>Troubadour<\/td>US<\/td>1976<\/td>3,75<\/td>\n<\/tr>\n
837<\/td><\/td><\/td><\/td><\/td>P<\/td>Neil Young & Crazy Horse<\/td>Weld 01<\/td>CA<\/td>1991<\/td>3,75<\/td>\n<\/tr>\n
838<\/td><\/td><\/td><\/td><\/td>F<\/td>Jeff Beck<\/td>Wired<\/td>UK<\/td>1976<\/td>3,75<\/td>\n<\/tr>\n
839<\/td><\/td>423<\/td><\/td><\/td>M<\/td>The Field<\/td>Yesterday And Today<\/td>SW<\/td>2009<\/td>3,75<\/td>\n<\/tr>\n
840<\/td><\/td><\/td><\/td>151<\/td>P<\/td>The Pixies<\/td>Trompe-Le-Monde<\/td>US<\/td>1991<\/td>3,73333333333333<\/td>\n<\/tr>\n
841<\/td><\/td>424<\/td><\/td>152<\/td>R<\/td>Sefyu<\/td>Oui Je Le Suis<\/td>FR<\/td>2011<\/td>3,73076923076923<\/td>\n<\/tr>\n
842<\/td><\/td>425<\/td><\/td>153<\/td>P<\/td>Todd Rungren<\/td>Something\/Anything\u00ff?<\/td>US<\/td>1972<\/td>3,72916666666667<\/td>\n<\/tr>\n
843<\/td><\/td><\/td><\/td>154<\/td>F<\/td>Prince<\/td>1999<\/td>US<\/td>1982<\/td>3,72727272727273<\/td>\n<\/tr>\n
844<\/td><\/td>426<\/td><\/td><\/td>H<\/td>Procol Harum<\/td>A Whiter Shade Of Pale<\/td>UK<\/td>1967<\/td>3,72727272727273<\/td>\n<\/tr>\n
845<\/td><\/td>427<\/td><\/td><\/td>P<\/td>The Cars<\/td>Candy-O<\/td>US<\/td>1979<\/td>3,72727272727273<\/td>\n<\/tr>\n
846<\/td><\/td>428<\/td><\/td><\/td>P<\/td>T.Rex<\/td>Electric Warrior<\/td>UK<\/td>1971<\/td>3,72727272727273<\/td>\n<\/tr>\n
847<\/td><\/td>429<\/td><\/td><\/td>P<\/td>Franz Ferdinand<\/td>Franz Ferdinand<\/td>UK<\/td>2004<\/td>3,72727272727273<\/td>\n<\/tr>\n
848<\/td><\/td>430<\/td><\/td><\/td>M<\/td>Battles<\/td>Mirrored<\/td>US<\/td>2007<\/td>3,72727272727273<\/td>\n<\/tr>\n
849<\/td><\/td><\/td><\/td><\/td>P<\/td>Talking Heads<\/td>More Songs About Buildings And Food<\/td>US<\/td>1978<\/td>3,72727272727273<\/td>\n<\/tr>\n
850<\/td><\/td>431<\/td><\/td><\/td>N<\/td>New York Dolls<\/td>New York Dolls<\/td>US<\/td>1973<\/td>3,72727272727273<\/td>\n<\/tr>\n
851<\/td><\/td>432<\/td><\/td><\/td>H<\/td>Steely Dan<\/td>Pretzel Logic<\/td>US<\/td>1974<\/td>3,72727272727273<\/td>\n<\/tr>\n
852<\/td><\/td>433<\/td><\/td><\/td>A<\/td>Nils Frahm<\/td>Soaces<\/td>DE<\/td>2013<\/td>3,72727272727273<\/td>\n<\/tr>\n
853<\/td><\/td><\/td><\/td><\/td>H<\/td>The Alan Parsons Project<\/td>Tales Of Mystery And Imagination (Edgar Allan Poe)<\/td>UK<\/td>1976<\/td>3,72727272727273<\/td>\n<\/tr>\n
854<\/td><\/td>434<\/td><\/td>155<\/td>A<\/td>Brian Eno & David Byrne<\/td>My Life In The Bush Of Ghosts<\/td>UK<\/td>1981<\/td>3,72222222222222<\/td>\n<\/tr>\n
855<\/td><\/td>435<\/td><\/td><\/td>R<\/td>Oxmo Puccino<\/td>Opera Puccino<\/td>FR<\/td>1998<\/td>3,72222222222222<\/td>\n<\/tr>\n
856<\/td><\/td><\/td><\/td><\/td>P<\/td>Manu Chao<\/td>Clandestino<\/td>FR<\/td>1998<\/td>3,71875<\/td>\n<\/tr>\n
857<\/td><\/td><\/td><\/td><\/td>C<\/td>Johnny Cash<\/td>American Ii<\/td>US<\/td>2014<\/td>3,71428571428571<\/td>\n<\/tr>\n
858<\/td><\/td><\/td><\/td><\/td>H<\/td>Soft Machine<\/td>Fourth<\/td>UK<\/td>1971<\/td>3,71428571428571<\/td>\n<\/tr>\n
859<\/td><\/td><\/td><\/td>156<\/td>P<\/td>Radiohead<\/td>In Rainbows<\/td>UK<\/td>2007<\/td>3,71428571428571<\/td>\n<\/tr>\n
860<\/td><\/td>436<\/td><\/td><\/td>N<\/td>Suburban Lawns<\/td>Suburban Lawns<\/td>US<\/td>1981<\/td>3,71428571428571<\/td>\n<\/tr>\n
861<\/td><\/td><\/td><\/td>157<\/td>N<\/td>Buzzcocks<\/td>A different kind<\/td>UK<\/td>1979<\/td>3,70833333333333<\/td>\n<\/tr>\n
862<\/td><\/td><\/td><\/td><\/td>P<\/td>Pavement<\/td>Crooked Rain, Crooked Rain<\/td>US<\/td>1994<\/td>3,70833333333333<\/td>\n<\/tr>\n
863<\/td><\/td>437<\/td><\/td><\/td>C<\/td>Noir D\u201asir<\/td>Des Visages Des Figures<\/td>FR<\/td>2001<\/td>3,70833333333333<\/td>\n<\/tr>\n
864<\/td><\/td><\/td><\/td><\/td>C<\/td>Jean-Louis Murat<\/td>Le Moujik & sa femme<\/td>FR<\/td>2002<\/td>3,70833333333333<\/td>\n<\/tr>\n
865<\/td><\/td>438<\/td><\/td>158<\/td>P<\/td>Red Hot Chili Peppers<\/td>Bloodsugarsexmagik<\/td>US<\/td>1991<\/td>3,70588235294118<\/td>\n<\/tr>\n
866<\/td><\/td>439<\/td><\/td><\/td>C<\/td>Calexico<\/td>The Black Light<\/td>UK<\/td>1998<\/td>3,70588235294118<\/td>\n<\/tr>\n
867<\/td><\/td><\/td><\/td>159<\/td>F<\/td>Isley Brothers<\/td>3+3<\/td>US<\/td>1973<\/td>3,7<\/td>\n<\/tr>\n
868<\/td><\/td>440<\/td><\/td><\/td>P<\/td>AC\/DC<\/td>Back In Black<\/td>AU<\/td>1980<\/td>3,7<\/td>\n<\/tr>\n
869<\/td><\/td>441<\/td><\/td><\/td>R<\/td>Umar Bin Hassan<\/td>Be Bop Or Be Dead<\/td>US<\/td>1993<\/td>3,7<\/td>\n<\/tr>\n
870<\/td><\/td><\/td><\/td><\/td>M<\/td>The Chemical Brothers<\/td>Come With Us<\/td>UK<\/td>2002<\/td>3,7<\/td>\n<\/tr>\n
871<\/td><\/td><\/td><\/td><\/td>N<\/td>Tom Verlaine<\/td>Dreamtime<\/td>US<\/td>1981<\/td>3,7<\/td>\n<\/tr>\n
872<\/td><\/td><\/td><\/td><\/td>M<\/td>The Field<\/td>From Here We Go Sublime<\/td>SW<\/td>2007<\/td>3,7<\/td>\n<\/tr>\n
873<\/td><\/td><\/td><\/td><\/td>N<\/td>The Fall<\/td>Grotesque<\/td>UK<\/td>1980<\/td>3,7<\/td>\n<\/tr>\n
874<\/td><\/td><\/td><\/td><\/td>N<\/td>David Johansen<\/td>In Style<\/td>US<\/td>1979<\/td>3,7<\/td>\n<\/tr>\n
875<\/td><\/td>442<\/td><\/td><\/td>P<\/td>Peter Gabriel<\/td>Peter Gabriel<\/td>UK<\/td>1977<\/td>3,7<\/td>\n<\/tr>\n
876<\/td><\/td>443<\/td><\/td><\/td>P<\/td>Buckethead<\/td>Population Override<\/td>US<\/td>2004<\/td>3,7<\/td>\n<\/tr>\n
877<\/td><\/td>444<\/td><\/td><\/td>N<\/td>Cortex<\/td>Spinal Injuries<\/td>FR<\/td>1983<\/td>3,7<\/td>\n<\/tr>\n
878<\/td><\/td><\/td><\/td><\/td>P<\/td>Nick Cave<\/td>Tender Prey<\/td>AU<\/td>1988<\/td>3,7<\/td>\n<\/tr>\n
879<\/td><\/td><\/td><\/td>160<\/td>N<\/td>Jonathan Richmond<\/td>23 Great Recordings<\/td>US<\/td>1990<\/td>3,69565217391304<\/td>\n<\/tr>\n
880<\/td><\/td><\/td><\/td>164<\/td>H<\/td>Syd Barrett<\/td>The Madcap Laughs<\/td>UK<\/td>1970<\/td>3,69230769230769<\/td>\n<\/tr>\n
881<\/td><\/td><\/td><\/td>162<\/td>P<\/td>The Rolling Stones<\/td>A Bigger Bang<\/td>UK<\/td>2007<\/td>3,6875<\/td>\n<\/tr>\n
882<\/td><\/td>445<\/td><\/td><\/td>R<\/td>Ice Cube<\/td>Amerikkka's Most Wanted<\/td>US<\/td>1990<\/td>3,6875<\/td>\n<\/tr>\n
883<\/td><\/td><\/td><\/td><\/td>C<\/td>Lucio Dalla<\/td>Come \u0160 profondo il mare<\/td>IT<\/td>1977<\/td>3,6875<\/td>\n<\/tr>\n
884<\/td><\/td>446<\/td><\/td><\/td>F<\/td>Diana Ross<\/td>Diana<\/td>US<\/td>1980<\/td>3,6875<\/td>\n<\/tr>\n
885<\/td><\/td><\/td><\/td><\/td>P<\/td>The White Stripes<\/td>White Blood Celles<\/td>UK<\/td>2001<\/td>3,6875<\/td>\n<\/tr>\n
886<\/td><\/td><\/td><\/td>163<\/td>P<\/td>Neil Young<\/td>After the gold rush<\/td>CA<\/td>1970<\/td>3,68181818181818<\/td>\n<\/tr>\n
887<\/td><\/td>447<\/td><\/td><\/td>M<\/td>Dead Can Dance<\/td>Into The Labyrinth<\/td>AU<\/td>1993<\/td>3,68181818181818<\/td>\n<\/tr>\n
888<\/td><\/td>448<\/td><\/td><\/td>X<\/td>Lotti Golden<\/td>Lotti Golden<\/td>US<\/td>1971<\/td>3,68181818181818<\/td>\n<\/tr>\n
889<\/td><\/td><\/td><\/td>164<\/td>M<\/td>Dead Can Dance<\/td>The Serpent's Egg<\/td>AU<\/td>1988<\/td>3,68<\/td>\n<\/tr>\n
890<\/td><\/td><\/td><\/td>165<\/td>C<\/td>Johnny Cash<\/td>American Iv<\/td>US<\/td>2002<\/td>3,66666666666667<\/td>\n<\/tr>\n
891<\/td><\/td><\/td><\/td><\/td>P<\/td>The Black Crowes<\/td>Amorica<\/td>US<\/td>1994<\/td>3,66666666666667<\/td>\n<\/tr>\n
892<\/td><\/td><\/td><\/td><\/td>P<\/td>Jimi Hendrix<\/td>Band Of Gipsies<\/td>US<\/td>1970<\/td>3,66666666666667<\/td>\n<\/tr>\n
893<\/td><\/td>449<\/td><\/td><\/td>H<\/td>Genesis<\/td>Foxtrot<\/td>UK<\/td>1972<\/td>3,66666666666667<\/td>\n<\/tr>\n
894<\/td><\/td><\/td><\/td><\/td>J<\/td>Bojan Z Tetraband<\/td>Humus<\/td>CR<\/td>2010<\/td>3,66666666666667<\/td>\n<\/tr>\n
895<\/td><\/td><\/td><\/td><\/td>P<\/td>The National<\/td>Laugh Track<\/td>US<\/td>2013<\/td>3,66666666666667<\/td>\n<\/tr>\n
896<\/td><\/td>450<\/td><\/td><\/td>R<\/td>Afrika Bambaata<\/td>Looking For The Perfect Beat 1980-1985<\/td>US<\/td>2001<\/td>3,66666666666667<\/td>\n<\/tr>\n
897<\/td><\/td>451<\/td><\/td><\/td>N<\/td>Modern English<\/td>Mash & Lace<\/td>UK<\/td>1981<\/td>3,66666666666667<\/td>\n<\/tr>\n
898<\/td><\/td><\/td><\/td><\/td>P<\/td>Led Zeppelin<\/td>Physical Graffiti<\/td>UK<\/td>1975<\/td>3,66666666666667<\/td>\n<\/tr>\n
899<\/td><\/td><\/td><\/td><\/td>P<\/td>Supergrass<\/td>Road To Rouen<\/td>UK<\/td>2005<\/td>3,66666666666667<\/td>\n<\/tr>\n
900<\/td><\/td><\/td><\/td><\/td>C<\/td>Alain Bashung<\/td>Roulette Russe<\/td>FR<\/td>1979<\/td>3,66666666666667<\/td>\n<\/tr>\n
901<\/td><\/td>452<\/td><\/td><\/td>P<\/td>Fleetwood Mac<\/td>Rumours<\/td>UK<\/td>1977<\/td>3,66666666666667<\/td>\n<\/tr>\n
902<\/td><\/td>453<\/td><\/td><\/td>M<\/td>Solex<\/td>Solex Vs The Heitmaster<\/td>NL<\/td>1998<\/td>3,66666666666667<\/td>\n<\/tr>\n
903<\/td><\/td><\/td><\/td><\/td>P<\/td>David Bowie<\/td>Station To Station<\/td>UK<\/td>1976<\/td>3,66666666666667<\/td>\n<\/tr>\n
904<\/td><\/td><\/td><\/td><\/td>P<\/td>The Rolling Stones<\/td>Voodoo Lounge<\/td>UK<\/td>1994<\/td>3,66666666666667<\/td>\n<\/tr>\n
905<\/td><\/td><\/td><\/td>166<\/td>P<\/td>Radiohead<\/td>Ok Computer<\/td>UK<\/td>1997<\/td>3,65217391304348<\/td>\n<\/tr>\n
906<\/td><\/td><\/td><\/td><\/td>H<\/td>Genesis<\/td>The Lamb Lies Down On Broadway<\/td>UK<\/td>1974<\/td>3,65217391304348<\/td>\n<\/tr>\n
907<\/td><\/td>454<\/td><\/td>167<\/td>P<\/td>Coldplay<\/td>A Rush if Blood to the Head<\/td>UK<\/td>2002<\/td>3,65<\/td>\n<\/tr>\n
908<\/td><\/td>455<\/td><\/td><\/td>M<\/td>Motor<\/td>Man Made Machine<\/td>US<\/td>2012<\/td>3,65<\/td>\n<\/tr>\n
909<\/td><\/td>456<\/td><\/td>168<\/td>R<\/td>Kool Keith<\/td>Black Elvis\/Lost In Space<\/td>US<\/td>1999<\/td>3,64705882352941<\/td>\n<\/tr>\n
910<\/td><\/td><\/td><\/td>169<\/td>R<\/td>Kendrick Lamar<\/td>Damn<\/td>US<\/td>2017<\/td>3,64285714285714<\/td>\n<\/tr>\n
911<\/td><\/td>457<\/td><\/td><\/td>P<\/td>The Stooges<\/td>Fun House<\/td>UK<\/td>1969<\/td>3,64285714285714<\/td>\n<\/tr>\n
912<\/td><\/td><\/td><\/td><\/td>X<\/td>Lotti Golden<\/td>Motor-Cycle<\/td>US<\/td>1969<\/td>3,64285714285714<\/td>\n<\/tr>\n
913<\/td><\/td>458<\/td><\/td><\/td>C<\/td>Caetano Veloso<\/td>Transa<\/td>BR<\/td>1972<\/td>3,64285714285714<\/td>\n<\/tr>\n
914<\/td><\/td><\/td><\/td>170<\/td>R<\/td>Antipop Consortium<\/td>Shopping Carts Crashing<\/td>US<\/td>2000<\/td>3,64<\/td>\n<\/tr>\n
915<\/td><\/td>459<\/td><\/td>171<\/td>P<\/td>Eric Clapton<\/td>461 Ocean Boulevard<\/td>UK<\/td>1974<\/td>3,63636363636364<\/td>\n<\/tr>\n
916<\/td><\/td><\/td><\/td><\/td>P<\/td>Deer Hoof<\/td>Friend Opportunity<\/td>US<\/td>2007<\/td>3,63636363636364<\/td>\n<\/tr>\n
917<\/td><\/td>460<\/td><\/td><\/td>C<\/td>Kevin Coyne<\/td>Marjory Razorblade<\/td>UK<\/td>1973<\/td>3,63636363636364<\/td>\n<\/tr>\n
918<\/td><\/td><\/td><\/td><\/td>A<\/td>John Cale<\/td>Music For A New Soceity<\/td>UK<\/td>1982<\/td>3,63636363636364<\/td>\n<\/tr>\n
919<\/td><\/td>461<\/td><\/td><\/td>M<\/td>Cornelius<\/td>Point<\/td>JA<\/td>2001<\/td>3,63636363636364<\/td>\n<\/tr>\n
920<\/td><\/td><\/td><\/td><\/td>P<\/td>Pearl Jam<\/td>Ten<\/td>US<\/td>1991<\/td>3,63636363636364<\/td>\n<\/tr>\n
921<\/td><\/td><\/td><\/td><\/td>P<\/td>David Bowie<\/td>The Rise And Fall Of Ziggy Stardust<\/td>UK<\/td>1972<\/td>3,63636363636364<\/td>\n<\/tr>\n
922<\/td><\/td><\/td><\/td><\/td>C<\/td>Christophe<\/td>Aimer ce que nous sommes<\/td>FR<\/td>2008<\/td>3,625<\/td>\n<\/tr>\n
923<\/td><\/td><\/td><\/td>172<\/td>P<\/td>Bruce Springsteen<\/td>Born To Run<\/td>US<\/td>1975<\/td>3,625<\/td>\n<\/tr>\n
924<\/td><\/td><\/td><\/td><\/td>N<\/td>Public Image Limited<\/td>First Issue<\/td>UK<\/td>1978<\/td>3,625<\/td>\n<\/tr>\n
925<\/td><\/td>462<\/td><\/td><\/td>A<\/td>Guy Andrews<\/td>Our Space<\/td>UK<\/td>2016<\/td>3,625<\/td>\n<\/tr>\n
926<\/td><\/td><\/td><\/td><\/td>F<\/td>Earth, Wind And Fire<\/td>That's The Way Of The World<\/td>US<\/td>1975<\/td>3,625<\/td>\n<\/tr>\n
927<\/td><\/td><\/td><\/td><\/td>R<\/td>Dr Dre<\/td>The Chronic<\/td>US<\/td>1992<\/td>3,625<\/td>\n<\/tr>\n
928<\/td><\/td>463<\/td><\/td><\/td>H<\/td>10CC<\/td>The Original Soundtrack<\/td>UK<\/td>1975<\/td>3,625<\/td>\n<\/tr>\n
929<\/td><\/td><\/td><\/td>173<\/td>P<\/td>The Jimi Hendrix Experience<\/td>Axis\u00ff: Bold As Love<\/td>US<\/td>1967<\/td>3,61538461538462<\/td>\n<\/tr>\n
930<\/td><\/td>464<\/td><\/td><\/td>P<\/td>Arctic Monkeys<\/td>Whatever People Say I Am, That's What I'm Not<\/td>UK<\/td>2006<\/td>3,61538461538462<\/td>\n<\/tr>\n
931<\/td><\/td>465<\/td><\/td>174<\/td>P<\/td>The Stranglers<\/td>Black And White<\/td>UK<\/td>1978<\/td>3,61111111111111<\/td>\n<\/tr>\n
932<\/td><\/td><\/td><\/td><\/td>P<\/td>Clash<\/td>Sandinista\u00ff!<\/td>UK<\/td>1980<\/td>3,61111111111111<\/td>\n<\/tr>\n
933<\/td><\/td><\/td><\/td>175<\/td>H<\/td>Grateful Dead<\/td>American Beauty<\/td>US<\/td>1970<\/td>3,6<\/td>\n<\/tr>\n
934<\/td><\/td><\/td><\/td><\/td>C<\/td>Bob Dylan<\/td>Blood On The Tracks<\/td>US<\/td>1975<\/td>3,6<\/td>\n<\/tr>\n
935<\/td><\/td>466<\/td><\/td><\/td>P<\/td>Rodolphe Burger<\/td>Cheval-Mouvement<\/td>FR<\/td>1993<\/td>3,6<\/td>\n<\/tr>\n
936<\/td><\/td><\/td><\/td><\/td>X<\/td>The Temptations<\/td>Cloud Nine<\/td>US<\/td>1969<\/td>3,6<\/td>\n<\/tr>\n
937<\/td><\/td><\/td><\/td><\/td>H<\/td>Electric Light Orchestra<\/td>Eldorado<\/td>UK<\/td>1974<\/td>3,6<\/td>\n<\/tr>\n
938<\/td><\/td><\/td><\/td><\/td>N<\/td>The Sound<\/td>From The Lion's Mouth<\/td>UK<\/td>1981<\/td>3,6<\/td>\n<\/tr>\n
939<\/td><\/td><\/td><\/td><\/td>P<\/td>Dire Straits<\/td>Love Over Gold<\/td>UK<\/td>1982<\/td>3,6<\/td>\n<\/tr>\n
940<\/td><\/td><\/td><\/td><\/td>F<\/td>Prince<\/td>One Night Alone<\/td>US<\/td>2002<\/td>3,6<\/td>\n<\/tr>\n
941<\/td><\/td>467<\/td><\/td><\/td>C<\/td>Thomas Fersen<\/td>Qu4tre<\/td>FR<\/td>1999<\/td>3,6<\/td>\n<\/tr>\n
942<\/td><\/td><\/td><\/td><\/td>X<\/td>Stevie Ray Vaughan<\/td>Texas flood<\/td>US<\/td>1983<\/td>3,6<\/td>\n<\/tr>\n
943<\/td><\/td>468<\/td><\/td><\/td>R<\/td>Eminem<\/td>The Marshall Matters Lp<\/td>US<\/td>2000<\/td>3,6<\/td>\n<\/tr>\n
944<\/td><\/td><\/td><\/td><\/td>C<\/td>Fiona Apple<\/td>Tidal<\/td>US<\/td>1996<\/td>3,6<\/td>\n<\/tr>\n
945<\/td><\/td>469<\/td><\/td><\/td>N<\/td>Elli & Jacno<\/td>Tout Va Sauter<\/td>FR<\/td>1980<\/td>3,6<\/td>\n<\/tr>\n
946<\/td><\/td><\/td><\/td><\/td>N<\/td>Cuddly Toys<\/td>Trial And Crosses<\/td>UK<\/td>1984<\/td>3,6<\/td>\n<\/tr>\n
947<\/td><\/td>470<\/td><\/td>176<\/td>A<\/td>James Blake<\/td>James Blake<\/td>US<\/td>2011<\/td>3,59090909090909<\/td>\n<\/tr>\n
948<\/td><\/td><\/td><\/td>177<\/td>P<\/td>Nick Cave & The Bad Seeds<\/td>Abbatoir Blues<\/td>AU<\/td>2004<\/td>3,58823529411765<\/td>\n<\/tr>\n
949<\/td><\/td><\/td><\/td>178<\/td>A<\/td>Max Richter<\/td>24 Postcards in Full Colour<\/td>UK<\/td>2008<\/td>3,58333333333333<\/td>\n<\/tr>\n
950<\/td><\/td>471<\/td><\/td><\/td>C<\/td>Daniel Darc<\/td>Cr\u0160vec?ur<\/td>FR<\/td>2004<\/td>3,58333333333333<\/td>\n<\/tr>\n
951<\/td><\/td><\/td><\/td><\/td>P<\/td>Sparks<\/td>Kimono My House<\/td>US<\/td>1974<\/td>3,58333333333333<\/td>\n<\/tr>\n
952<\/td><\/td>472<\/td><\/td><\/td>N<\/td>Henry Rollins<\/td>Weight<\/td>US<\/td>1994<\/td>3,58333333333333<\/td>\n<\/tr>\n
953<\/td><\/td><\/td><\/td>179<\/td>P<\/td>Deer Hoof<\/td>The Man, The King, The Girl<\/td>US<\/td>1997<\/td>3,57692307692308<\/td>\n<\/tr>\n
954<\/td><\/td>473<\/td><\/td>180<\/td>P<\/td>Kat Onoma<\/td>Far From The Pictures<\/td>FR<\/td>1995<\/td>3,57142857142857<\/td>\n<\/tr>\n
955<\/td><\/td><\/td><\/td><\/td>A<\/td>Franco Battiato<\/td>L'era Del Cinghiale Bianc<\/td>IT<\/td>1979<\/td>3,57142857142857<\/td>\n<\/tr>\n
956<\/td><\/td>474<\/td><\/td><\/td>P<\/td>Joe Cocker<\/td>Mad Dogs And Englishmen<\/td>UK<\/td>1970<\/td>3,57142857142857<\/td>\n<\/tr>\n
957<\/td><\/td><\/td><\/td><\/td>P<\/td>The Beatles<\/td>Revolver<\/td>UK<\/td>1966<\/td>3,57142857142857<\/td>\n<\/tr>\n
958<\/td><\/td><\/td><\/td><\/td>P<\/td>Lou Reed<\/td>Rock'N'Roll Animal<\/td>US<\/td>1974<\/td>3,57142857142857<\/td>\n<\/tr>\n
959<\/td><\/td>475<\/td><\/td><\/td>P<\/td>Offsprings<\/td>Smash<\/td>US<\/td>1994<\/td>3,57142857142857<\/td>\n<\/tr>\n
960<\/td><\/td>476<\/td><\/td>181<\/td>C<\/td>Adriano Celentano<\/td>Svalutation<\/td>IT<\/td>1976<\/td>3,5625<\/td>\n<\/tr>\n
961<\/td><\/td><\/td><\/td>182<\/td>C<\/td>T\u02c6tes Raides<\/td>Le Bout Du Toit<\/td>FR<\/td>1996<\/td>3,55882352941176<\/td>\n<\/tr>\n
962<\/td><\/td><\/td><\/td>183<\/td>P<\/td>The Cars<\/td>Cars, The<\/td>US<\/td>1978<\/td>3,55555555555556<\/td>\n<\/tr>\n
963<\/td><\/td><\/td><\/td><\/td>X<\/td>Stevie Wonder<\/td>Music of My Mind<\/td>US<\/td>1972<\/td>3,55555555555556<\/td>\n<\/tr>\n
964<\/td><\/td>477<\/td><\/td><\/td>C<\/td>Francesco De Gregori<\/td>Rimmel<\/td>IT<\/td>1975<\/td>3,55555555555556<\/td>\n<\/tr>\n
965<\/td><\/td>478<\/td><\/td><\/td>N<\/td>Dead Boys<\/td>Still Snotty\u00ff: Young Loud And Snotty<\/td>US<\/td>2017<\/td>3,55555555555556<\/td>\n<\/tr>\n
966<\/td><\/td><\/td><\/td><\/td>C<\/td>Nino Ferrer<\/td>Suite En ?uf<\/td>FR<\/td>1974<\/td>3,55555555555556<\/td>\n<\/tr>\n
967<\/td><\/td><\/td><\/td><\/td>C<\/td>Gil Scott-Heron & Brian Jackson<\/td>Winter In America<\/td>US<\/td>1974<\/td>3,55555555555556<\/td>\n<\/tr>\n
968<\/td><\/td><\/td><\/td>184<\/td>P<\/td>AC\/DC<\/td>Highway To Hell<\/td>AU<\/td>1979<\/td>3,55<\/td>\n<\/tr>\n
969<\/td><\/td><\/td><\/td>185<\/td>P<\/td>The Stranglers<\/td>Aural Sculpture<\/td>UK<\/td>1984<\/td>3,54545454545455<\/td>\n<\/tr>\n
970<\/td><\/td><\/td><\/td><\/td>N<\/td>Blondie<\/td>Blondie<\/td>US<\/td>1977<\/td>3,54545454545455<\/td>\n<\/tr>\n
971<\/td><\/td><\/td><\/td><\/td>M<\/td>The Chemical Brothers<\/td>Exit Planet Dust<\/td>UK<\/td>1995<\/td>3,54545454545455<\/td>\n<\/tr>\n
972<\/td><\/td>479<\/td><\/td><\/td>C<\/td>Jane Birkin & Serge Gainsbourg<\/td>Jane Birkin - Serge Gainbourg<\/td>FR<\/td>1969<\/td>3,54545454545455<\/td>\n<\/tr>\n
973<\/td><\/td><\/td><\/td><\/td>C<\/td>Rita Mitsoukos<\/td>Marc Et Robert<\/td>FR<\/td>1988<\/td>3,54545454545455<\/td>\n<\/tr>\n
974<\/td><\/td><\/td><\/td><\/td>M<\/td>Red Snapper<\/td>Our Aim Is To Satisfy<\/td>UK<\/td>2000<\/td>3,54545454545455<\/td>\n<\/tr>\n
975<\/td><\/td>480<\/td><\/td><\/td>C<\/td>Gil Scott-Heron<\/td>Pieces Of A Man<\/td>US<\/td>1971<\/td>3,54545454545455<\/td>\n<\/tr>\n
976<\/td><\/td>481<\/td><\/td><\/td>P<\/td>Keith Richards<\/td>Talk is cheap<\/td>UK<\/td>1988<\/td>3,54545454545455<\/td>\n<\/tr>\n
977<\/td><\/td><\/td><\/td>186<\/td>J<\/td>Nina Simone<\/td>High Priestess Of Soul<\/td>US<\/td>1967<\/td>3,54166666666667<\/td>\n<\/tr>\n
978<\/td><\/td><\/td><\/td>187<\/td>F<\/td>Prince<\/td>Diamonds And Pearls<\/td>US<\/td>1991<\/td>3,53846153846154<\/td>\n<\/tr>\n
979<\/td><\/td>482<\/td><\/td><\/td>P<\/td>The Kinks<\/td>Lola Versus Powerman And The Moneygroundt, Pt 1<\/td>UK<\/td>1970<\/td>3,53846153846154<\/td>\n<\/tr>\n
980<\/td><\/td>483<\/td><\/td><\/td>C<\/td>Bertrand Belin<\/td>Persona<\/td>FR<\/td>2019<\/td>3,53846153846154<\/td>\n<\/tr>\n
981<\/td><\/td><\/td><\/td><\/td>P<\/td>Fugazi<\/td>Red Medicine<\/td>US<\/td>1995<\/td>3,53846153846154<\/td>\n<\/tr>\n
982<\/td><\/td><\/td><\/td><\/td>P<\/td>Lana del Rey<\/td>Norman Fucking Rockwell<\/td>US<\/td>2019<\/td>3,53571428571429<\/td>\n<\/tr>\n
983<\/td><\/td><\/td><\/td>188<\/td>P<\/td>Keith Richards<\/td>Crosseyed Hearts<\/td>UK<\/td>2015<\/td>3,53333333333333<\/td>\n<\/tr>\n
984<\/td><\/td>484<\/td><\/td><\/td>P<\/td>Soundgarden<\/td>Superunknown<\/td>US<\/td>1994<\/td>3,53333333333333<\/td>\n<\/tr>\n
985<\/td><\/td>485<\/td><\/td>189<\/td>R<\/td>The Notorious B.I.G<\/td>Ready To Die<\/td>US<\/td>1994<\/td>3,52941176470588<\/td>\n<\/tr>\n
986<\/td><\/td>486<\/td><\/td>190<\/td>R<\/td>Cody ChesnuTT<\/td>The Headphone Masterpieces<\/td>US<\/td>202<\/td>3,52777777777778<\/td>\n<\/tr>\n
987<\/td><\/td>487<\/td><\/td>191<\/td>C<\/td>Lucio Battisti<\/td>Anima latina<\/td>IT<\/td>1974<\/td>3,5<\/td>\n<\/tr>\n
988<\/td><\/td><\/td><\/td><\/td>B<\/td>Sun Ra<\/td>Atlantis<\/td>US<\/td>1969<\/td>3,5<\/td>\n<\/tr>\n
989<\/td><\/td><\/td><\/td><\/td>C<\/td>Lucio Dalla & Francesco de Gregori<\/td>Banana Republic<\/td>IT<\/td>1979<\/td>3,5<\/td>\n<\/tr>\n
990<\/td><\/td><\/td><\/td><\/td>C<\/td>Jacques Higelin<\/td>Bbh 75<\/td>FR<\/td>1974<\/td>3,5<\/td>\n<\/tr>\n
991<\/td><\/td><\/td><\/td><\/td>C<\/td>Nick Drake<\/td>Bryter Layter<\/td>UK<\/td>1971<\/td>3,5<\/td>\n<\/tr>\n
992<\/td><\/td>488<\/td><\/td><\/td>R<\/td>Janelle Monae<\/td>Dirty Computer<\/td>US<\/td>2018<\/td>3,5<\/td>\n<\/tr>\n
993<\/td><\/td>489<\/td><\/td><\/td>C<\/td>Invisible<\/td>El Jarin De Lo Presentes<\/td>AR<\/td>1976<\/td>3,5<\/td>\n<\/tr>\n
994<\/td><\/td><\/td><\/td><\/td>X<\/td>Bob Marley<\/td>Exodus<\/td>JM<\/td>1977<\/td>3,5<\/td>\n<\/tr>\n
995<\/td><\/td>490<\/td><\/td><\/td>P<\/td>Deep Purple<\/td>Fire Ball<\/td>UK<\/td>1971<\/td>3,5<\/td>\n<\/tr>\n
996<\/td><\/td><\/td><\/td><\/td>P<\/td>Rodolphe Burger<\/td>Good<\/td>FR<\/td>2017<\/td>3,5<\/td>\n<\/tr>\n
997<\/td><\/td>491<\/td><\/td><\/td>A<\/td>Naked City<\/td>Grand Guignol<\/td>US<\/td>1992<\/td>3,5<\/td>\n<\/tr>\n
998<\/td><\/td><\/td><\/td><\/td>H<\/td>Grateful Dead<\/td>Grateful Dead [Skull and Roses]<\/td>US<\/td>1971<\/td>3,5<\/td>\n<\/tr>\n
999<\/td><\/td><\/td><\/td><\/td>P<\/td>Yo la Tengo<\/td>I Can Hear The Hear Beating As One<\/td>US<\/td>1997<\/td>3,5<\/td>\n<\/tr>\n
1000<\/td><\/td><\/td><\/td><\/td>C<\/td>G\u201arard Manset<\/td>Il voyage solitaire<\/td>FR<\/td>1975<\/td>3,5<\/td>\n<\/tr>\n
1001<\/td><\/td><\/td><\/td><\/td>P<\/td>Deep Purple<\/td>In Rock<\/td>UK<\/td>1970<\/td>3,5<\/td>\n<\/tr>\n
1002<\/td><\/td><\/td><\/td><\/td>P<\/td>Derek and the Dominoes<\/td>Layla abd Other Assorted Love Songs<\/td>UK<\/td>1970<\/td>3,5<\/td>\n<\/tr>\n
1003<\/td><\/td><\/td><\/td><\/td>P<\/td>David Bowie<\/td>Let's dance<\/td>UK<\/td>1983<\/td>3,5<\/td>\n<\/tr>\n
1004<\/td><\/td>492<\/td><\/td><\/td>M<\/td>Tricky<\/td>Maxinquaye<\/td>US<\/td>1995<\/td>3,5<\/td>\n<\/tr>\n
1005<\/td><\/td>493<\/td><\/td><\/td>C<\/td>Joan Manuel Serrat<\/td>Mediterr\u00a0neo<\/td>ES<\/td>1971<\/td>3,5<\/td>\n<\/tr>\n
1006<\/td><\/td><\/td><\/td><\/td>P<\/td>The Kinks<\/td>Misfits<\/td>UK<\/td>1978<\/td>3,5<\/td>\n<\/tr>\n
1007<\/td><\/td>494<\/td><\/td><\/td>A<\/td>Steve Reich<\/td>Music For 18 Musicians<\/td>US<\/td>2020<\/td>3,5<\/td>\n<\/tr>\n
1008<\/td><\/td><\/td><\/td><\/td>C<\/td>Alain Bashung<\/td>Pass\u201a Le Rio Grande<\/td>FR<\/td>1986<\/td>3,5<\/td>\n<\/tr>\n
1009<\/td><\/td><\/td><\/td><\/td>K<\/td>Bob Dylan<\/td>Pat Garrett and Billy The Kid<\/td>US<\/td>1973<\/td>3,5<\/td>\n<\/tr>\n
1010<\/td><\/td><\/td><\/td><\/td>P<\/td>Pearl Jam<\/td>Pearl Jam<\/td>US<\/td>2006<\/td>3,5<\/td>\n<\/tr>\n
1011<\/td><\/td>495<\/td><\/td><\/td>P<\/td>Happy Mondays<\/td>Pills'n'thrills And Bellyaches<\/td>UK<\/td>1990<\/td>3,5<\/td>\n<\/tr>\n
1012<\/td><\/td>496<\/td><\/td><\/td>N<\/td>New Order<\/td>Power, Corruption & Lies<\/td>UK<\/td>1983<\/td>3,5<\/td>\n<\/tr>\n
1013<\/td><\/td><\/td><\/td><\/td>B<\/td>McToy Tyner<\/td>Reaching Fourth<\/td>US<\/td>1963<\/td>3,5<\/td>\n<\/tr>\n
1014<\/td><\/td><\/td><\/td><\/td>P<\/td>Beck<\/td>Sea Changes<\/td>US<\/td>2002<\/td>3,5<\/td>\n<\/tr>\n
1015<\/td><\/td><\/td><\/td><\/td>P<\/td>Lynyrd Skynyrd<\/td>Second Helping<\/td>US<\/td>1974<\/td>3,5<\/td>\n<\/tr>\n
1016<\/td><\/td><\/td><\/td><\/td>H<\/td>Genesis<\/td>Selling England By The Pound<\/td>UK<\/td>1973<\/td>3,5<\/td>\n<\/tr>\n
1017<\/td><\/td><\/td><\/td><\/td>A<\/td>John Cale<\/td>Slow Dazzle<\/td>UK<\/td>1975<\/td>3,5<\/td>\n<\/tr>\n
1018<\/td><\/td><\/td><\/td><\/td>F<\/td>Prince<\/td>The Black Album<\/td>US<\/td>1994<\/td>3,5<\/td>\n<\/tr>\n
1019<\/td><\/td>497<\/td><\/td><\/td>A<\/td>Nico<\/td>The End?<\/td>DE<\/td>1974<\/td>3,5<\/td>\n<\/tr>\n
1020<\/td><\/td><\/td><\/td><\/td>A<\/td>Paul Motian<\/td>The Story Of Maryam<\/td>US<\/td>1984<\/td>3,5<\/td>\n<\/tr>\n
1021<\/td><\/td><\/td><\/td><\/td>X<\/td>The Temptations<\/td>With A Lot Of Soul<\/td>US<\/td>1967<\/td>3,5<\/td>\n<\/tr>\n
1011<\/td><\/td>498<\/td><\/td>192<\/td>M<\/td>Why? & Odd Nosdam (Reaching Quiet)<\/td>Split EP\u00ff!<\/td>US<\/td>2001<\/td>3,46666666666667<\/td>\n<\/tr>\n
1012<\/td><\/td>499<\/td><\/td>193<\/td>P<\/td>The Beach Boys<\/td>Pet Sounds<\/td>US<\/td>1966<\/td>3,46153846153846<\/td>\n<\/tr>\n
1013<\/td><\/td>500<\/td><\/td><\/td>R<\/td>Jay Z<\/td>The Blueprint<\/td>US<\/td>2001<\/td>3,46153846153846<\/td>\n<\/tr>\n
1014<\/td><\/td><\/td><\/td><\/td>C<\/td>Bob Dylan<\/td>The Freewheelin' Bob Dylan<\/td>US<\/td>1963<\/td>3,46153846153846<\/td>\n<\/tr>\n
1015<\/td><\/td><\/td><\/td><\/td>P<\/td>The Kinks<\/td>Arthur (Or The Decline and Fall of the British Empire)<\/td>UK<\/td>1969<\/td>3,45833333333333<\/td>\n<\/tr>\n
1016<\/td><\/td><\/td><\/td><\/td>P<\/td>Pearl Jam<\/td>Backspacer<\/td>US<\/td>2009<\/td>3,45833333333333<\/td>\n<\/tr>\n
1017<\/td><\/td><\/td><\/td>194<\/td>C<\/td>Fran\u2021oise Hardy<\/td>La question<\/td>FR<\/td>1971<\/td>3,45833333333333<\/td>\n<\/tr>\n
1018<\/td><\/td>501<\/td><\/td><\/td>P<\/td>Tori Amos<\/td>Little Earthquakes<\/td>US<\/td>1992<\/td>3,45833333333333<\/td>\n<\/tr>\n
1019<\/td><\/td><\/td><\/td><\/td>N<\/td>Blondie<\/td>Parallel Lines<\/td>US<\/td>1978<\/td>3,45833333333333<\/td>\n<\/tr>\n
1020<\/td><\/td><\/td><\/td>195<\/td>A<\/td>Max Richter<\/td>The Blue Notebooks<\/td>UK<\/td>2004<\/td>3,45454545454545<\/td>\n<\/tr>\n
1021<\/td><\/td><\/td><\/td><\/td>P<\/td>The Who<\/td>Who's Next<\/td>UK<\/td>1971<\/td>3,45454545454545<\/td>\n<\/tr>\n
1022<\/td><\/td><\/td><\/td>196<\/td>C<\/td>Scott Walker<\/td>Sings Brel<\/td>US<\/td>1981<\/td>3,45<\/td>\n<\/tr>\n
1023<\/td><\/td>502<\/td><\/td>197<\/td>N<\/td>The Bonaparte's<\/td>...To The Isle Of Dogs<\/td>FR<\/td>1986<\/td>3,44444444444444<\/td>\n<\/tr>\n
1024<\/td><\/td><\/td><\/td><\/td>C<\/td>Joni Mitchell<\/td>Hejira<\/td>US<\/td>1976<\/td>3,44444444444444<\/td>\n<\/tr>\n
1025<\/td><\/td>503<\/td><\/td><\/td>A<\/td>Brian Eno, John Cale, Kevin Ayers, Nico, Robert Wyatt<\/td>June, 1, 1974<\/td>UK<\/td>1974<\/td>3,44444444444444<\/td>\n<\/tr>\n
1026<\/td><\/td><\/td><\/td><\/td>C<\/td>L\u201ao Ferr\u201a<\/td>La Solitude<\/td>FR<\/td>1971<\/td>3,44444444444444<\/td>\n<\/tr>\n
1027<\/td><\/td><\/td><\/td><\/td>C<\/td>Rino Gaetano<\/td>Non Te Reggae Pi\u2014<\/td>IT<\/td>1978<\/td>3,44444444444444<\/td>\n<\/tr>\n
1028<\/td><\/td><\/td><\/td><\/td>P<\/td>Roxy Music<\/td>Siren<\/td>UK<\/td>1975<\/td>3,44444444444444<\/td>\n<\/tr>\n
1029<\/td><\/td>504<\/td><\/td>198<\/td>M<\/td>Ladytron<\/td>604<\/td>UK<\/td>2001<\/td>3,4375<\/td>\n<\/tr>\n
1030<\/td><\/td>505<\/td><\/td><\/td>R<\/td>Arrested Developpment<\/td>3 Years, 5 Months And 2 Days Life<\/td>US<\/td>1992<\/td>3,4375<\/td>\n<\/tr>\n
1031<\/td><\/td><\/td><\/td><\/td>P<\/td>Sepultura<\/td>Roots<\/td>BR<\/td>1994<\/td>3,4375<\/td>\n<\/tr>\n
1032<\/td><\/td><\/td><\/td><\/td>P<\/td>Gorillaz<\/td>Demon Days<\/td>UK<\/td>2005<\/td>3,43333333333333<\/td>\n<\/tr>\n
1033<\/td><\/td><\/td><\/td>199<\/td>P<\/td>The Kinks<\/td>Village Green Preservation Society<\/td>UK<\/td>1969<\/td>3,43333333333333<\/td>\n<\/tr>\n
1034<\/td><\/td><\/td><\/td>200<\/td>H<\/td>Supertranp<\/td>Even In The Quietest Moments<\/td>UK<\/td>1977<\/td>3,42857142857143<\/td>\n<\/tr>\n
1035<\/td><\/td>506<\/td><\/td><\/td>P<\/td>The Dismemberment Plan<\/td>Emergency & I<\/td>US<\/td>1999<\/td>3,41666666666667<\/td>\n<\/tr>\n
1036<\/td><\/td><\/td><\/td><\/td>M<\/td>The Prodigy<\/td>Experience<\/td>US<\/td>1992<\/td>3,41666666666667<\/td>\n<\/tr>\n
1037<\/td><\/td><\/td><\/td><\/td>R<\/td>Kendrick Lamar<\/td>Good Kid Maad City<\/td>US<\/td>2012<\/td>3,41666666666667<\/td>\n<\/tr>\n
1038<\/td><\/td><\/td><\/td><\/td>C<\/td>Bob Dylan<\/td>John Wesley Harding<\/td>US<\/td>1967<\/td>3,41666666666667<\/td>\n<\/tr>\n
1039<\/td><\/td>507<\/td><\/td><\/td>P<\/td>The Strokes<\/td>Is This It<\/td>US<\/td>2001<\/td>3,40909090909091<\/td>\n<\/tr>\n
1040<\/td><\/td><\/td><\/td><\/td>F<\/td>Prince<\/td>Come<\/td>US<\/td>1994<\/td>3,4<\/td>\n<\/tr>\n
1041<\/td><\/td>508<\/td><\/td><\/td>P<\/td>Elton John<\/td>Honky Ch\u0192teau<\/td>UK<\/td>1972<\/td>3,4<\/td>\n<\/tr>\n
1042<\/td><\/td>509<\/td><\/td><\/td>N<\/td>Lizzy Mercier<\/td>Mambo Nassau<\/td>US<\/td>1981<\/td>3,4<\/td>\n<\/tr>\n
1043<\/td><\/td>510<\/td><\/td><\/td>F<\/td>Michael Jackson<\/td>Off The Wall<\/td>US<\/td>1979<\/td>3,4<\/td>\n<\/tr>\n
1044<\/td><\/td>511<\/td><\/td><\/td>P<\/td>The Jesus And Mary Chain<\/td>Psychocandy<\/td>UK<\/td>1985<\/td>3,4<\/td>\n<\/tr>\n
1045<\/td><\/td><\/td><\/td><\/td>R<\/td>OutKast<\/td>Speakerboxxx<\/td>US<\/td>2003<\/td>3,4<\/td>\n<\/tr>\n
1046<\/td><\/td><\/td><\/td><\/td>C<\/td>Rino Gaetano<\/td>Aida<\/td>IT<\/td>1977<\/td>3,38888888888889<\/td>\n<\/tr>\n
1047<\/td><\/td>512<\/td><\/td><\/td>R<\/td>Cardi B<\/td>Invasion Of Privacy<\/td>US<\/td>2018<\/td>3,38461538461538<\/td>\n<\/tr>\n
1048<\/td><\/td>513<\/td><\/td><\/td>P<\/td>Lady Gaga<\/td>The Fame<\/td>US<\/td>2008<\/td>3,38461538461538<\/td>\n<\/tr>\n
1049<\/td><\/td><\/td><\/td><\/td>R<\/td>Die Antwoord<\/td>Donker Mag<\/td>SA<\/td>2014<\/td>3,375<\/td>\n<\/tr>\n
1050<\/td><\/td><\/td><\/td><\/td>P<\/td>Black Sabbath<\/td>Master Of Reality<\/td>UK<\/td>1971<\/td>3,375<\/td>\n<\/tr>\n
1051<\/td><\/td><\/td><\/td><\/td>H<\/td>Gentle Giant<\/td>Octopus<\/td>UK<\/td>1972<\/td>3,375<\/td>\n<\/tr>\n
1052<\/td><\/td><\/td><\/td><\/td>P<\/td>Black Sabbath<\/td>Sabbath Bloody Sabbath<\/td>UK<\/td>1973<\/td>3,375<\/td>\n<\/tr>\n
1053<\/td><\/td><\/td><\/td><\/td>P<\/td>Sparks<\/td>A Woofer In Tweeter's Clothing<\/td>US<\/td>1973<\/td>3,36363636363636<\/td>\n<\/tr>\n
1054<\/td><\/td><\/td><\/td><\/td>C<\/td>Bertrand Belin<\/td>Cap Waller<\/td>FR<\/td>2015<\/td>3,36363636363636<\/td>\n<\/tr>\n
1055<\/td><\/td><\/td><\/td><\/td>C<\/td>Thomas Fersen<\/td>Le Jour Du Poisson<\/td>FR<\/td>1997<\/td>3,36363636363636<\/td>\n<\/tr>\n
1056<\/td><\/td><\/td><\/td><\/td>A<\/td>John Cale<\/td>Vintage Violence<\/td>UK<\/td>1970<\/td>3,36363636363636<\/td>\n<\/tr>\n
1057<\/td><\/td><\/td><\/td><\/td>A<\/td>John Zorn<\/td>Cobra<\/td>US<\/td>1987<\/td>3,35714285714286<\/td>\n<\/tr>\n
1058<\/td><\/td>514<\/td><\/td><\/td>F<\/td>Black Eyed Peas<\/td>Elephunk<\/td>IS<\/td>2003<\/td>3,35714285714286<\/td>\n<\/tr>\n
1059<\/td><\/td><\/td><\/td><\/td>P<\/td>David Bowie<\/td>Scary Monsters<\/td>UK<\/td>1980<\/td>3,35<\/td>\n<\/tr>\n
1060<\/td><\/td>515<\/td><\/td><\/td>H<\/td>Jethro Tull<\/td>Aqualung<\/td>UK<\/td>1971<\/td>3,34615384615385<\/td>\n<\/tr>\n
1061<\/td><\/td>516<\/td><\/td><\/td>A<\/td>Arthur Russell<\/td>Calling Out Of Contest KOMPILIEEEEE<\/td><\/td>2004<\/td>3,33333333333333<\/td>\n<\/tr>\n
1062<\/td><\/td>517<\/td><\/td><\/td>P<\/td>The Bangles<\/td>Different Light<\/td>US<\/td>1986<\/td>3,33333333333333<\/td>\n<\/tr>\n
1063<\/td><\/td><\/td><\/td><\/td>M<\/td>Why?<\/td>Elephant Eyelash<\/td>US<\/td>2005<\/td>3,33333333333333<\/td>\n<\/tr>\n
1064<\/td><\/td>518<\/td><\/td><\/td>C<\/td>Lucinda Williams<\/td>Lucinda Williams 01<\/td>US<\/td>1988<\/td>3,33333333333333<\/td>\n<\/tr>\n
1065<\/td><\/td><\/td><\/td><\/td>F<\/td>Prince<\/td>Musicology<\/td>US<\/td>2004<\/td>3,33333333333333<\/td>\n<\/tr>\n
1066<\/td><\/td>519<\/td><\/td><\/td>A<\/td>John Cale & Lou Reed<\/td>Songs For Della<\/td>UK<\/td>1990<\/td>3,33333333333333<\/td>\n<\/tr>\n
1067<\/td><\/td><\/td><\/td><\/td>A<\/td>Osamu Kitajima<\/td>The Source<\/td>JA<\/td>1984<\/td>3,33333333333333<\/td>\n<\/tr>\n
1068<\/td><\/td><\/td><\/td><\/td>P<\/td>The Bee Gees<\/td>Odessa<\/td>UK<\/td>1969<\/td>3,32352941176471<\/td>\n<\/tr>\n
1069<\/td><\/td><\/td><\/td><\/td>H<\/td>Jefferson Airplane<\/td>Surrealistic Pillow<\/td>US<\/td>1967<\/td>3,31818181818182<\/td>\n<\/tr>\n
1070<\/td><\/td>520<\/td><\/td><\/td>P<\/td>Wilco<\/td>Wilco<\/td>US<\/td>2009<\/td>3,31818181818182<\/td>\n<\/tr>\n
1071<\/td><\/td><\/td><\/td><\/td>M<\/td>Black Dog<\/td>Spanners<\/td><\/td>1995<\/td>3,31578947368421<\/td>\n<\/tr>\n
1072<\/td><\/td>521<\/td><\/td><\/td>N<\/td>Marylin Manson<\/td>Antichrist Superstar<\/td>US<\/td>1996<\/td>3,3125<\/td>\n<\/tr>\n
1073<\/td><\/td>522<\/td><\/td><\/td>X<\/td>Frank Ocean<\/td>Channel Ocean<\/td>US<\/td>2012<\/td>3,3125<\/td>\n<\/tr>\n
1074<\/td><\/td>523<\/td><\/td><\/td>X<\/td>Lauryn Hill<\/td>The Miseducation of Lauryn Hill<\/td>US<\/td>1998<\/td>3,3125<\/td>\n<\/tr>\n
1075<\/td><\/td><\/td><\/td><\/td>H<\/td>Jethro Tull<\/td>Thick As A Brick<\/td>UK<\/td>1972<\/td>3,3125<\/td>\n<\/tr>\n
1076<\/td><\/td><\/td><\/td><\/td>P<\/td>Noir D\u201asir<\/td>666,667 Club<\/td>FR<\/td>1996<\/td>3,30769230769231<\/td>\n<\/tr>\n
1077<\/td><\/td><\/td><\/td><\/td>R<\/td>Beastie Boys<\/td>Licensed To Ill<\/td>US<\/td>1986<\/td>3,30769230769231<\/td>\n<\/tr>\n
1078<\/td><\/td>524<\/td><\/td><\/td>M<\/td>Bomb The Bass<\/td>Clear<\/td>UK<\/td>1995<\/td>3,3<\/td>\n<\/tr>\n
1079<\/td><\/td><\/td><\/td><\/td>H<\/td>The Alan Parsons Project<\/td>Eye In The Sky<\/td>UK<\/td>1982<\/td>3,3<\/td>\n<\/tr>\n
1080<\/td><\/td>525<\/td><\/td><\/td>N<\/td>Hang The Dance<\/td>Ghost Blood Country<\/td><\/td>1988<\/td>3,3<\/td>\n<\/tr>\n
1081<\/td><\/td><\/td><\/td><\/td>P<\/td>The Rolling Stones<\/td>Goat's Head Soup<\/td>UK<\/td>1973<\/td>3,3<\/td>\n<\/tr>\n
1082<\/td><\/td><\/td><\/td><\/td>P<\/td>Sparks<\/td>Hello Young Lovers<\/td>US<\/td>2006<\/td>3,3<\/td>\n<\/tr>\n
1083<\/td><\/td><\/td><\/td><\/td>P<\/td>The Velvet Underground<\/td>Loaded<\/td>US<\/td>1970<\/td>3,3<\/td>\n<\/tr>\n
1084<\/td><\/td><\/td><\/td><\/td>H<\/td>PFM<\/td>Per un amico<\/td>IT<\/td>1972<\/td>3,3<\/td>\n<\/tr>\n
1085<\/td><\/td>526<\/td><\/td><\/td>X<\/td>Stevie Wonder<\/td>Talking Book<\/td>US<\/td>1972<\/td>3,3<\/td>\n<\/tr>\n
1086<\/td><\/td>527<\/td><\/td><\/td>C<\/td>Giorgio Gaber<\/td>Far Finta Di Essere Sani<\/td>IT<\/td>1973<\/td>3,29310344827586<\/td>\n<\/tr>\n
1087<\/td><\/td><\/td><\/td><\/td>P<\/td>The Band<\/td>The Band<\/td>US<\/td>1969<\/td>3,29166666666667<\/td>\n<\/tr>\n
1088<\/td><\/td><\/td><\/td><\/td>R<\/td>Nas<\/td>God's Son<\/td>US<\/td>2002<\/td>3,28571428571429<\/td>\n<\/tr>\n
1089<\/td><\/td><\/td><\/td><\/td>F<\/td>Prince<\/td>The Rainbow Children<\/td>US<\/td>2001<\/td>3,28571428571429<\/td>\n<\/tr>\n
1090<\/td><\/td><\/td><\/td><\/td>R<\/td>Kaaris<\/td>Le Bruit De Mon \u00b6me<\/td>FR<\/td>2015<\/td>3,27777777777778<\/td>\n<\/tr>\n
1091<\/td><\/td>527<\/td><\/td><\/td>N<\/td>Nina Hagen<\/td>Nina Hagen<\/td>DE<\/td>1989<\/td>3,27272727272727<\/td>\n<\/tr>\n
1092<\/td><\/td><\/td><\/td><\/td>N<\/td>Tom Verlaine<\/td>Cover<\/td>US<\/td>1984<\/td>3,25<\/td>\n<\/tr>\n
1093<\/td><\/td><\/td><\/td><\/td>A<\/td>Nico<\/td>Desertshore<\/td>DE<\/td>1970<\/td>3,25<\/td>\n<\/tr>\n
1094<\/td><\/td><\/td><\/td><\/td>P<\/td>The Kinks<\/td>Face To Face<\/td>UK<\/td>1966<\/td>3,25<\/td>\n<\/tr>\n
1095<\/td><\/td>528<\/td><\/td><\/td>N<\/td>The Shakespeare's Sisters<\/td>Hormonally Yours<\/td>IR<\/td>1992<\/td>3,25<\/td>\n<\/tr>\n
1096<\/td><\/td><\/td><\/td><\/td>P<\/td>Neutral Milk Hotel<\/td>In the Aeroplane Over the Sea<\/td>US<\/td>1998<\/td>3,25<\/td>\n<\/tr>\n
1097<\/td><\/td>529<\/td><\/td><\/td>P<\/td>The Stone Roses<\/td>The Stones Rose<\/td>US<\/td>1989<\/td>3,25<\/td>\n<\/tr>\n
1098<\/td><\/td><\/td><\/td><\/td>P<\/td>The Velvet Underground<\/td>The Velvet Underground<\/td>US<\/td>1969<\/td>3,25<\/td>\n<\/tr>\n
1099<\/td><\/td><\/td><\/td><\/td>C<\/td>Bertrand Belin<\/td>Parcs<\/td>FR<\/td>2013<\/td>3,23076923076923<\/td>\n<\/tr>\n
1100<\/td><\/td>530<\/td><\/td><\/td>R<\/td>2Pac<\/td>All Eyez On Me<\/td>US<\/td>1996<\/td>3,22222222222222<\/td>\n<\/tr>\n
1101<\/td><\/td>531<\/td><\/td><\/td>N<\/td>Tik And Tok<\/td>Intolerance<\/td>UK<\/td>1984<\/td>3,22222222222222<\/td>\n<\/tr>\n
1102<\/td><\/td>532<\/td><\/td><\/td>P<\/td>Elastica<\/td>Elastica<\/td>UK<\/td>1995<\/td>3,21875<\/td>\n<\/tr>\n
1103<\/td><\/td><\/td><\/td><\/td>A<\/td>Franco Battiato<\/td>La Voce Del Padrone<\/td>IT<\/td>1981<\/td>3,21428571428571<\/td>\n<\/tr>\n
1104<\/td><\/td><\/td><\/td><\/td>P<\/td>Deep Purple<\/td>Machine Head<\/td>UK<\/td>1972<\/td>3,21428571428571<\/td>\n<\/tr>\n
1105<\/td><\/td><\/td><\/td><\/td>P<\/td>The Beatles<\/td>Rubber Soul<\/td>UK<\/td>1965<\/td>3,21428571428571<\/td>\n<\/tr>\n
1106<\/td><\/td>533<\/td><\/td><\/td>P<\/td>The Beach House<\/td>Bloom<\/td>US<\/td>2012<\/td>3,2<\/td>\n<\/tr>\n
1107<\/td><\/td><\/td><\/td><\/td>P<\/td>Jeff Beck Group<\/td>Truth<\/td>UK<\/td>1968<\/td>3,2<\/td>\n<\/tr>\n
1108<\/td><\/td>534<\/td><\/td><\/td>P<\/td>Alice In Chains<\/td>Dirt<\/td>US<\/td>1992<\/td>3,19230769230769<\/td>\n<\/tr>\n
1109<\/td><\/td>535<\/td><\/td><\/td>R<\/td>Mac Miller<\/td>Swimming<\/td>US<\/td>2018<\/td>3,19230769230769<\/td>\n<\/tr>\n
1110<\/td><\/td><\/td><\/td><\/td>P<\/td>Lou Reed<\/td>Coney Island Baby<\/td>US<\/td>1975<\/td>3,1875<\/td>\n<\/tr>\n
1291<\/td><\/td><\/td><\/td><\/td>P<\/td>Janet Jackson<\/td>The Velvet Rope<\/td><\/td>1997<\/td>3,1875<\/td>\n<\/tr>\n
1111<\/td><\/td><\/td><\/td><\/td>P<\/td>Sparks<\/td>Angst In My Pants<\/td>US<\/td>1982<\/td>3,18181818181818<\/td>\n<\/tr>\n
1112<\/td><\/td><\/td><\/td><\/td>P<\/td>ZZ Top<\/td>Eliminator<\/td>US<\/td>1983<\/td>3,18181818181818<\/td>\n<\/tr>\n
1113<\/td><\/td><\/td><\/td><\/td>P<\/td>Eric Clapton<\/td>Eric Clapton<\/td>UK<\/td>1970<\/td>3,18181818181818<\/td>\n<\/tr>\n
1114<\/td><\/td>536<\/td><\/td><\/td>N<\/td>My Bloody Valentine<\/td>Loveless<\/td>UK<\/td>1991<\/td>3,18181818181818<\/td>\n<\/tr>\n
1115<\/td><\/td>537<\/td><\/td><\/td>R<\/td>Nicki Menaj<\/td>The Pinkprint<\/td>US<\/td>2014<\/td>3,18181818181818<\/td>\n<\/tr>\n
1116<\/td><\/td>538<\/td><\/td><\/td>C<\/td>Mano Solo<\/td>La Marmaille Nue<\/td>FR<\/td>1995<\/td>3,17857142857143<\/td>\n<\/tr>\n
1117<\/td><\/td>539<\/td><\/td><\/td>P<\/td>Guns And Roses<\/td>Use Your Illusions I<\/td>US<\/td>1991<\/td>3,17857142857143<\/td>\n<\/tr>\n
1118<\/td><\/td><\/td><\/td><\/td>B<\/td>Sam Rivers<\/td>Involution<\/td>US<\/td>1975<\/td>3,16666666666667<\/td>\n<\/tr>\n
1119<\/td><\/td>540<\/td><\/td><\/td>P<\/td>Eurythmics<\/td>Sweat Dreams (Are Made Of This)<\/td>UK<\/td>1983<\/td>3,16666666666667<\/td>\n<\/tr>\n
1120<\/td><\/td><\/td><\/td><\/td>C<\/td>V\u201aronique Sanson<\/td>Vancouver<\/td>FR<\/td>1976<\/td>3,16666666666667<\/td>\n<\/tr>\n
1121<\/td><\/td>541<\/td><\/td><\/td>N<\/td>Teenage Fanclub & Jad Fair<\/td>World Of Wisdom And Hope<\/td>UK<\/td>2002<\/td>3,16666666666667<\/td>\n<\/tr>\n
1122<\/td><\/td><\/td><\/td><\/td>P<\/td>Urge Overkill<\/td>Saturation<\/td>US<\/td>1993<\/td>3,15384615384615<\/td>\n<\/tr>\n
1123<\/td><\/td><\/td><\/td><\/td>P<\/td>Deer Hoof<\/td>The Runners Four<\/td>US<\/td>2005<\/td>3,15<\/td>\n<\/tr>\n
1124<\/td><\/td><\/td><\/td><\/td>R<\/td>Nas<\/td>It Was Written<\/td>US<\/td>1996<\/td>3,14285714285714<\/td>\n<\/tr>\n
1125<\/td><\/td><\/td><\/td><\/td>R<\/td>Orelsan<\/td>Civilisation<\/td>FR<\/td>2021<\/td>3,13333333333333<\/td>\n<\/tr>\n
1126<\/td><\/td><\/td><\/td><\/td>F<\/td>Prince<\/td>Controversy<\/td>US<\/td>1981<\/td>3,125<\/td>\n<\/tr>\n
1127<\/td><\/td><\/td><\/td><\/td>P<\/td>Etienne Daho<\/td>Eden<\/td>FR<\/td>1996<\/td>3,125<\/td>\n<\/tr>\n
1128<\/td><\/td><\/td><\/td><\/td>P<\/td>The Kinks<\/td>Something Else By The Kinks<\/td>UK<\/td>1968<\/td>3,11538461538462<\/td>\n<\/tr>\n
1129<\/td><\/td><\/td><\/td><\/td>P<\/td>AC\/DC<\/td>Dirty Deeds<\/td>AU<\/td>1976<\/td>3,11111111111111<\/td>\n<\/tr>\n
1130<\/td><\/td><\/td><\/td><\/td>F<\/td>Earth, Wind And Fire<\/td>Powerlight<\/td>US<\/td>1983<\/td>3,11111111111111<\/td>\n<\/tr>\n
1131<\/td><\/td>542<\/td><\/td><\/td>N<\/td>Cabaret Voltaire<\/td>Red Mecca<\/td>UK<\/td>1981<\/td>3,11111111111111<\/td>\n<\/tr>\n
1132<\/td><\/td><\/td><\/td><\/td>F<\/td>Earth, Wind And Fire<\/td>Spirit Of The Boogie<\/td>US<\/td>1975<\/td>3,11111111111111<\/td>\n<\/tr>\n
1133<\/td><\/td><\/td><\/td><\/td>F<\/td>Michael Jackson<\/td>Thriller<\/td>US<\/td>1982<\/td>3,11111111111111<\/td>\n<\/tr>\n
1134<\/td><\/td><\/td><\/td><\/td>C<\/td>Neil Young<\/td>Comes A Time<\/td>CA<\/td>1978<\/td>3,1<\/td>\n<\/tr>\n
1135<\/td><\/td><\/td><\/td><\/td>P<\/td>Bruce Springsteen<\/td>Darkness On The Edge Of Town<\/td>US<\/td>1978<\/td>3,1<\/td>\n<\/tr>\n
1136<\/td><\/td><\/td><\/td><\/td>H<\/td>Camel<\/td>Mirage<\/td>UK<\/td>1974<\/td>3,1<\/td>\n<\/tr>\n
1137<\/td><\/td>543<\/td><\/td><\/td>M<\/td>Air<\/td>Moon Safari<\/td>FR<\/td>1998<\/td>3,1<\/td>\n<\/tr>\n
1138<\/td><\/td><\/td><\/td><\/td>C<\/td>Alain Souchon<\/td>C'est D\u201aj\u2026 \u20aca<\/td>FR<\/td>1995<\/td>3,09090909090909<\/td>\n<\/tr>\n
1139<\/td><\/td><\/td><\/td><\/td>C<\/td>Alain Souchon<\/td>J'ai Dix Ans<\/td>FR<\/td>1977<\/td>3,09090909090909<\/td>\n<\/tr>\n
1140<\/td><\/td><\/td><\/td><\/td>P<\/td>The Police<\/td>Synchronicity<\/td>UK<\/td>1983<\/td>3,09090909090909<\/td>\n<\/tr>\n
1141<\/td><\/td><\/td><\/td><\/td>C<\/td>Alain Bashung<\/td>Bleu P\u201atrole<\/td>FR<\/td>2008<\/td>3,08333333333333<\/td>\n<\/tr>\n
1142<\/td><\/td><\/td><\/td><\/td>P<\/td>Serge Gainsbourg<\/td>Initials B.B.<\/td>FR<\/td>1968<\/td>3,08333333333333<\/td>\n<\/tr>\n
1143<\/td><\/td>544<\/td><\/td><\/td>P<\/td>Metallica<\/td>Metalllica<\/td>US<\/td>1991<\/td>3,08333333333333<\/td>\n<\/tr>\n
1144<\/td><\/td><\/td><\/td><\/td>P<\/td>REM<\/td>Murmur<\/td>US<\/td>1983<\/td>3,08333333333333<\/td>\n<\/tr>\n
1145<\/td><\/td><\/td><\/td><\/td>F<\/td>Prince and Third Eye Girl<\/td>Plectrumelectrum<\/td>US<\/td>2014<\/td>3,08333333333333<\/td>\n<\/tr>\n
1146<\/td><\/td>545<\/td><\/td><\/td>R<\/td>Drake<\/td>Take Care<\/td>US<\/td>2011<\/td>3,08333333333333<\/td>\n<\/tr>\n
1147<\/td><\/td><\/td><\/td><\/td>P<\/td>Sparks<\/td>Propaganda<\/td>US<\/td>1974<\/td>3,07692307692308<\/td>\n<\/tr>\n
1148<\/td><\/td><\/td><\/td><\/td>X<\/td>Fugees<\/td>The Score<\/td>US<\/td>1996<\/td>3,07692307692308<\/td>\n<\/tr>\n
1149<\/td><\/td>546<\/td><\/td><\/td>P<\/td>Placebo<\/td>Without You I'm Nothing<\/td>UK<\/td>1998<\/td>3,07692307692308<\/td>\n<\/tr>\n
1150<\/td><\/td><\/td><\/td><\/td>P<\/td>Rodolphe Burger<\/td>No Sport<\/td>FR<\/td>2008<\/td>3,07142857142857<\/td>\n<\/tr>\n
1151<\/td><\/td>547<\/td><\/td><\/td>C<\/td>Francesco Guccini<\/td>Via Paolo Fabbri 43<\/td>IT<\/td>1976<\/td>3,07142857142857<\/td>\n<\/tr>\n
1152<\/td><\/td><\/td><\/td><\/td>R<\/td>Ice Cube<\/td>Amerikkka's Most Wanted<\/td>US<\/td>1990<\/td>3,0625<\/td>\n<\/tr>\n
1153<\/td><\/td><\/td><\/td><\/td>P<\/td>Elton John<\/td>Goodbye Yellow Brick Road<\/td>UK<\/td>1973<\/td>3,05882352941176<\/td>\n<\/tr>\n
1154<\/td><\/td><\/td><\/td><\/td>P<\/td>Gorillaz<\/td>Gorillaz<\/td>UK<\/td>2001<\/td>3,05<\/td>\n<\/tr>\n
1155<\/td><\/td><\/td><\/td><\/td>A<\/td>Moondog<\/td>Moondog 2<\/td>US<\/td>1971<\/td>3,03846153846154<\/td>\n<\/tr>\n
1156<\/td><\/td><\/td><\/td><\/td>F<\/td>Prince<\/td>3121<\/td>US<\/td>2006<\/td>3<\/td>\n<\/tr>\n
1157<\/td><\/td>548<\/td><\/td><\/td>P<\/td>U2<\/td>Achtung Baby<\/td>IR<\/td>1991<\/td>3<\/td>\n<\/tr>\n
1158<\/td><\/td>549<\/td><\/td><\/td>H<\/td>Los Jaivas<\/td>Alturas de Machu Pichu<\/td>CI<\/td>1981<\/td>3<\/td>\n<\/tr>\n
1159<\/td><\/td><\/td><\/td><\/td>C<\/td>Bob Dylan<\/td>Blonde On Blonde<\/td>US<\/td>1966<\/td>3<\/td>\n<\/tr>\n
1160<\/td><\/td><\/td><\/td><\/td>P<\/td>Kat Onoma<\/td>Cupid<\/td>FR<\/td>1988<\/td>3<\/td>\n<\/tr>\n
1161<\/td><\/td>552<\/td><\/td><\/td>P<\/td>Linkin Park<\/td>Hybrid Therory<\/td>US<\/td>2000<\/td>3<\/td>\n<\/tr>\n
1162<\/td><\/td><\/td><\/td><\/td>C<\/td>Dominique A<\/td>La Musique<\/td>FR<\/td>2009<\/td>3<\/td>\n<\/tr>\n
1163<\/td><\/td><\/td><\/td><\/td>C<\/td>Bertrand Belin<\/td>La Perdue<\/td>FR<\/td>2007<\/td>3<\/td>\n<\/tr>\n
1164<\/td><\/td>550<\/td><\/td><\/td>N<\/td>Gardening By Moonlight<\/td>Method In The Madness<\/td>UK<\/td>1983<\/td>3<\/td>\n<\/tr>\n
1165<\/td><\/td><\/td><\/td><\/td>P<\/td>The Doors<\/td>Morisson Hotel<\/td>US<\/td>1970<\/td>3<\/td>\n<\/tr>\n
1166<\/td><\/td>551<\/td><\/td><\/td>P<\/td>Iron Maiden<\/td>Number Of The Beast<\/td>UK<\/td>1979<\/td>3<\/td>\n<\/tr>\n
1167<\/td><\/td><\/td><\/td><\/td>A<\/td>John Cale<\/td>Paris 1919<\/td>UK<\/td>1973<\/td>3<\/td>\n<\/tr>\n
1168<\/td><\/td><\/td><\/td><\/td>P<\/td>Roger Waters<\/td>Radio Kaos<\/td>UK<\/td>1987<\/td>3<\/td>\n<\/tr>\n
1169<\/td><\/td><\/td><\/td><\/td>P<\/td>Billy Joel<\/td>The Stranger<\/td>US<\/td>1977<\/td>3<\/td>\n<\/tr>\n
1170<\/td><\/td><\/td><\/td><\/td>P<\/td>Guns And Roses<\/td>Use Your Illusions II<\/td>US<\/td>1991<\/td>3<\/td>\n<\/tr>\n
1171<\/td><\/td><\/td><\/td><\/td>P<\/td>The Velvet Underground<\/td>White Light\/White Heat<\/td>US<\/td>1968<\/td>3<\/td>\n<\/tr>\n
1172<\/td><\/td>553<\/td><\/td><\/td>P<\/td>???? ? ????????????<\/td>??? ??? ???????????<\/td>RU<\/td>1993<\/td>2,97619047619048<\/td>\n<\/tr>\n
1173<\/td><\/td><\/td><\/td><\/td>P<\/td>Taylor Swift<\/td>Folklore<\/td>US<\/td>2020<\/td>2,96875<\/td>\n<\/tr>\n
1174<\/td><\/td>554<\/td><\/td><\/td>X<\/td>Alphonse Mouzon<\/td>Funky Snakefoot<\/td>US<\/td>1973<\/td>2,95833333333333<\/td>\n<\/tr>\n
1175<\/td><\/td><\/td><\/td><\/td>C<\/td>Michel Polnareff<\/td>Polnareff's<\/td>FR<\/td>1971<\/td>2,95454545454545<\/td>\n<\/tr>\n
1176<\/td><\/td>555<\/td><\/td><\/td>P<\/td>The Smiths<\/td>The Smiths<\/td>UK<\/td>1984<\/td>2,95454545454545<\/td>\n<\/tr>\n
1177<\/td><\/td><\/td><\/td><\/td>F<\/td>Prince<\/td>The Love Symbol Album<\/td>US<\/td>1992<\/td>2,9375<\/td>\n<\/tr>\n
1178<\/td><\/td>556<\/td><\/td><\/td>P<\/td>Big Star<\/td>#1 Record<\/td>US<\/td>1972<\/td>2,91666666666667<\/td>\n<\/tr>\n
1179<\/td><\/td>557<\/td><\/td><\/td>P<\/td>Queen<\/td>Innuendo<\/td>UK<\/td>1991<\/td>2,91666666666667<\/td>\n<\/tr>\n
1180<\/td><\/td><\/td><\/td><\/td>C<\/td>Alain Souchon<\/td>On Avance<\/td>FR<\/td>1983<\/td>2,91666666666667<\/td>\n<\/tr>\n
1181<\/td><\/td><\/td><\/td><\/td>C<\/td>Scott Walker<\/td>Scott<\/td>US<\/td>1967<\/td>2,91666666666667<\/td>\n<\/tr>\n
1182<\/td><\/td>558<\/td><\/td><\/td>C<\/td>??????? [Auktyon]<\/td>????? <\/td>RU<\/td>1993<\/td>2,91666666666667<\/td>\n<\/tr>\n
1183<\/td><\/td><\/td><\/td><\/td>C<\/td>Scott Walker<\/td>Scott 4<\/td>US<\/td>1969<\/td>2,91<\/td>\n<\/tr>\n
1184<\/td><\/td>559<\/td><\/td><\/td>N<\/td>Nine Inch Nails<\/td>Pretty Hate Machine<\/td>US<\/td>1989<\/td>2,90909090909091<\/td>\n<\/tr>\n
1185<\/td><\/td>560<\/td><\/td><\/td>P<\/td>James Blood Ulmer, Rodolphe Burger<\/td>Guitard Music<\/td>US<\/td>2003<\/td>2,9<\/td>\n<\/tr>\n
1186<\/td><\/td><\/td><\/td><\/td>P<\/td>Cyndi Lauper<\/td>She's So Unusual<\/td>US<\/td>1983<\/td>2,9<\/td>\n<\/tr>\n
1187<\/td><\/td>561<\/td><\/td><\/td>P<\/td>Tom Petty<\/td>Damn The Torpedoes<\/td>US<\/td>1979<\/td>2,88888888888889<\/td>\n<\/tr>\n
1188<\/td><\/td><\/td><\/td><\/td>C<\/td>Nino Ferrer<\/td>V\u201aritables Vari\u201at\u201as Verd\u0192tres<\/td>FR<\/td>1971<\/td>2,88888888888889<\/td>\n<\/tr>\n
1189<\/td><\/td>562<\/td><\/td><\/td>A<\/td>Emerson, Lake & Palmer<\/td>Brain Salad Surgery<\/td>UK<\/td>1973<\/td>2,875<\/td>\n<\/tr>\n
1190<\/td><\/td>563<\/td><\/td><\/td>P<\/td>Green Day<\/td>Dookie\u00ff!<\/td>US<\/td>1994<\/td>2,86666666666667<\/td>\n<\/tr>\n
1191<\/td><\/td>564<\/td><\/td><\/td>C<\/td>Pino Daniele<\/td>Bella 'Mbriana<\/td>IT<\/td>1982<\/td>2,86363636363636<\/td>\n<\/tr>\n
1192<\/td><\/td><\/td><\/td><\/td>F<\/td>Prince<\/td>Emancipation<\/td>US<\/td>1996<\/td>2,86111111111111<\/td>\n<\/tr>\n
1193<\/td><\/td>565<\/td><\/td><\/td>M<\/td>Daft Punk<\/td>Discovery<\/td>FR<\/td>2001<\/td>2,85714285714286<\/td>\n<\/tr>\n
1194<\/td><\/td><\/td><\/td><\/td>P<\/td>Kat Onoma<\/td>Kat Onoma<\/td>FR<\/td>2001<\/td>2,85714285714286<\/td>\n<\/tr>\n
1195<\/td><\/td><\/td><\/td><\/td>H<\/td>Rush<\/td>Moving Pictures<\/td>CA<\/td>1981<\/td>2,85714285714286<\/td>\n<\/tr>\n
1196<\/td><\/td><\/td><\/td><\/td>P<\/td>U2<\/td>Zooropa<\/td>IR<\/td>1993<\/td>2,85<\/td>\n<\/tr>\n
1197<\/td><\/td>566<\/td><\/td><\/td>P<\/td>Blur<\/td>Parklife<\/td><\/td>1994<\/td>2,84375<\/td>\n<\/tr>\n
1198<\/td><\/td>567<\/td><\/td><\/td>H<\/td>Bubu<\/td>Anabelas<\/td>BR<\/td>1978<\/td>2,83333333333333<\/td>\n<\/tr>\n
1199<\/td><\/td>568<\/td><\/td><\/td>X<\/td>Rihanna<\/td>Good Girl Gone Bad<\/td>BB<\/td>2007<\/td>2,83333333333333<\/td>\n<\/tr>\n
1200<\/td><\/td><\/td><\/td><\/td>P<\/td>Mano Negra<\/td>Puta's Fever<\/td>FR<\/td>1989<\/td>2,80555555555556<\/td>\n<\/tr>\n
1201<\/td><\/td><\/td><\/td><\/td>F<\/td>Prince<\/td>20ten<\/td>US<\/td>2010<\/td>2,8<\/td>\n<\/tr>\n
1202<\/td><\/td>569<\/td><\/td><\/td>P<\/td>Wings<\/td>Band On The Run<\/td>US<\/td>1973<\/td>2,8<\/td>\n<\/tr>\n
1203<\/td><\/td>570<\/td><\/td><\/td>P<\/td>The Breeders<\/td>Last splash<\/td>US<\/td>1993<\/td>2,8<\/td>\n<\/tr>\n
1204<\/td><\/td>571<\/td><\/td><\/td>P<\/td>Foo Fighters<\/td>Wasting Light<\/td>US<\/td>2011<\/td>2,8<\/td>\n<\/tr>\n
1205<\/td><\/td>572<\/td><\/td><\/td>P<\/td>Hsker D<\/td>Zen Arcade<\/td>US<\/td>1984<\/td>2,8<\/td>\n<\/tr>\n
1206<\/td><\/td>573<\/td><\/td><\/td>P<\/td>Muse<\/td>Showbizz<\/td>UK<\/td>1999<\/td>2,79166666666667<\/td>\n<\/tr>\n
1207<\/td><\/td>574<\/td><\/td><\/td>P<\/td>Arcade Fire<\/td>The Suburbs<\/td>UK<\/td>2010<\/td>2,78125<\/td>\n<\/tr>\n
1208<\/td><\/td><\/td><\/td><\/td>P<\/td>Sparks<\/td>N. 1 In Heaven<\/td>US<\/td>1979<\/td>2,77777777777778<\/td>\n<\/tr>\n
1209<\/td><\/td><\/td><\/td><\/td>P<\/td>Kat Onoma<\/td>Billy The Kid<\/td>FR<\/td>1992<\/td>2,76923076923077<\/td>\n<\/tr>\n
1210<\/td><\/td>575<\/td><\/td><\/td>M<\/td>Mike Oldfield<\/td>Tubular bells<\/td>UK<\/td>1973<\/td>2,75<\/td>\n<\/tr>\n
1211<\/td><\/td><\/td><\/td><\/td>X<\/td>Stevie Wonder<\/td>Songs in the Key Of Life<\/td>US<\/td>1976<\/td>2,71428571428571<\/td>\n<\/tr>\n
1212<\/td><\/td>576<\/td><\/td><\/td>P<\/td>Dinosaur Jr<\/td>Green Mind<\/td>US<\/td>1991<\/td>2,7<\/td>\n<\/tr>\n
1213<\/td><\/td>577<\/td><\/td><\/td>N<\/td>Echo & the Bunnymen<\/td>Porcupine<\/td>UK<\/td>1983<\/td>2,7<\/td>\n<\/tr>\n
1214<\/td><\/td><\/td><\/td><\/td>F<\/td>Larry Graham Central Station<\/td>Release yourself<\/td>US<\/td>1974<\/td>2,7<\/td>\n<\/tr>\n
1215<\/td><\/td><\/td><\/td><\/td>P<\/td>U2<\/td>The Joshua Tree<\/td>IR<\/td>1987<\/td>2,68181818181818<\/td>\n<\/tr>\n
1216<\/td><\/td><\/td><\/td><\/td>C<\/td>Bertrand Belin<\/td>Bertrand Belin<\/td>FR<\/td>2005<\/td>2,66666666666667<\/td>\n<\/tr>\n
1217<\/td><\/td>578<\/td><\/td><\/td>P<\/td>Sade<\/td>Diamond Life<\/td>NG<\/td>1984<\/td>2,66666666666667<\/td>\n<\/tr>\n
1218<\/td><\/td><\/td><\/td><\/td>R<\/td>Booba<\/td>Nero N\u201am\u201asis<\/td>FR<\/td>2015<\/td>2,61538461538462<\/td>\n<\/tr>\n
1219<\/td><\/td>579<\/td><\/td><\/td>M<\/td>Blonde Redhead<\/td>23<\/td><\/td>2007<\/td>2,6<\/td>\n<\/tr>\n
1220<\/td><\/td><\/td><\/td><\/td>C<\/td>Alain Souchon<\/td>Au Ras Des P\u0192querette<\/td>FR<\/td>1999<\/td>2,6<\/td>\n<\/tr>\n
1221<\/td><\/td><\/td><\/td><\/td>P<\/td>Guns And Roses<\/td>Appetite For Destruction<\/td>US<\/td>1987<\/td>2,58333333333333<\/td>\n<\/tr>\n
1222<\/td><\/td><\/td><\/td><\/td>P<\/td>Dire Straits<\/td>Brothers In Arms<\/td>UK<\/td>1985<\/td>2,55555555555556<\/td>\n<\/tr>\n
1223<\/td><\/td>580<\/td><\/td><\/td>P<\/td>Suede<\/td>Suede<\/td>UK<\/td>1993<\/td>2,54545454545455<\/td>\n<\/tr>\n
1224<\/td><\/td>581<\/td><\/td><\/td>R<\/td>Jul<\/td>My World<\/td>FR<\/td>2015<\/td>2,52380952380952<\/td>\n<\/tr>\n
1225<\/td><\/td>582<\/td><\/td><\/td>P<\/td>Extreme<\/td>III Sides Of The Same Story<\/td>US<\/td>1992<\/td>2,5<\/td>\n<\/tr>\n
1226<\/td><\/td>583<\/td><\/td><\/td>X<\/td>Stevie Wonder<\/td>Innervision<\/td>US<\/td>1973<\/td>2,5<\/td>\n<\/tr>\n
1227<\/td><\/td><\/td><\/td><\/td>P<\/td>Kat Onoma<\/td>Stock Phrases<\/td>FR<\/td>1990<\/td>2,5<\/td>\n<\/tr>\n
1228<\/td><\/td><\/td><\/td><\/td>C<\/td>Bertrand Belin<\/td>Hypernuit<\/td>FR<\/td>2010<\/td>2,45454545454545<\/td>\n<\/tr>\n
1229<\/td><\/td><\/td><\/td><\/td>N<\/td>Bauhaus<\/td>Burning From The Inside<\/td>UK<\/td>1983<\/td>2,4375<\/td>\n<\/tr>\n
1230<\/td><\/td>584<\/td><\/td><\/td>P<\/td>Morissey<\/td>Vauxhall And I<\/td>UK<\/td>1994<\/td>2,40909090909091<\/td>\n<\/tr>\n
1231<\/td><\/td>585<\/td><\/td><\/td>P<\/td>Oasis<\/td>(What's The Story) Morning Glory\u00ff?<\/td>UK<\/td>1995<\/td>2,4<\/td>\n<\/tr>\n
1232<\/td><\/td><\/td><\/td><\/td>X<\/td>The Weeknd<\/td>After hours<\/td>CA<\/td>2020<\/td>2,4<\/td>\n<\/tr>\n
1233<\/td><\/td><\/td><\/td><\/td>C<\/td>Dominique A<\/td>Un Disque Sourd<\/td>FR<\/td>1991<\/td>2,38461538461538<\/td>\n<\/tr>\n
1234<\/td><\/td><\/td><\/td><\/td>P<\/td>Bruce Springsteen<\/td>The River<\/td>US<\/td>1980<\/td>2,38095238095238<\/td>\n<\/tr>\n
1235<\/td><\/td><\/td><\/td><\/td>P<\/td>Foreigner<\/td>4<\/td>UK<\/td>1984<\/td>2,35<\/td>\n<\/tr>\n
1236<\/td><\/td>586<\/td><\/td><\/td>M<\/td>Moby<\/td>Play<\/td>US<\/td>1999<\/td>2,25<\/td>\n<\/tr>\n
1237<\/td><\/td><\/td><\/td><\/td>C<\/td>Dominique A<\/td>L'horizon<\/td>FR<\/td>2006<\/td>2,18181818181818<\/td>\n<\/tr>\n
1238<\/td><\/td>587<\/td><\/td><\/td>P<\/td>The Smiths<\/td>The Queen Is Dead<\/td>UK<\/td>1986<\/td>2,1<\/td>\n<\/tr>\n
1239<\/td><\/td>588<\/td><\/td><\/td>P<\/td>Prefab Sprout<\/td>Steve MacQueen<\/td>UK<\/td>1985<\/td>2,04545454545455<\/td>\n<\/tr>\n
1240<\/td><\/td>589<\/td><\/td><\/td>P<\/td>10000 Maniacs<\/td>In my tribe<\/td>US<\/td>1997<\/td>2<\/td>\n<\/tr>\n
1241<\/td><\/td><\/td><\/td><\/td>P<\/td>Extreme<\/td>Pornograffitti<\/td>US<\/td>1990<\/td>2<\/td>\n<\/tr>\n
1242<\/td><\/td>590<\/td><\/td><\/td>P<\/td>Toto<\/td>IV<\/td>US<\/td>1982<\/td>1,95<\/td>\n<\/tr>\n
1243<\/td><\/td>591<\/td><\/td><\/td>P<\/td>Stone Temple Pilots<\/td>Purple<\/td>US<\/td>1994<\/td>1,875<\/td>\n<\/tr>\n
1244<\/td><\/td>592<\/td><\/td><\/td>X<\/td>Mary J. Blige<\/td>What's The 411<\/td>US<\/td>1992<\/td>1,8<\/td>\n<\/tr>\n
1245<\/td><\/td>593<\/td><\/td><\/td>P<\/td>Tears For Fears<\/td>Songs From A Big Chair<\/td>UK<\/td>1995<\/td>1,1875<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n

 <\/p>\n

Juste des pochettes, mais elles ont toutes saut\u00e9, puisque les liens n’\u00e9taient pas permaliens chez Allmusic… du boulot \u00e0 venir… D\u00e9sol\u00e9<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/a><\/td>\n<\/a><\/td>\n<\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/td>\n\"\"<\/a><\/td>\n<\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
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<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n<\/tr>\n
\"\"<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n\"Philippe<\/a><\/td>\n\"Philippe<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/td>\n<\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n\"\"<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a>\n<\/td>\n<\/a>\n<\/td>\n<\/a>\n<\/td>\n<\/a><\/td>\n\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n

<\/tR><\/p>\n

<\/a><\/td>\n<\/a><\/td>\n\"Sun<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
\n<\/a><\/td>\n<\/a><\/td>\n<\/td>\n\"\"<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n<\/tr>\n<\/table>\n\n\n\n
Les compilations de bluesmen<\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n<\/table>\n


<\/p>\n

Des compilations indispensables :<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
<\/a><\/td>\nThe Akron compilation<\/em> [punk – 1 LP]<\/td>\n<\/tr>\n
<\/a><\/td>\nChess blues<\/em> [blues – 4 LP]<\/td>\n<\/tr>\n
<\/a><\/td>\nLes Ethiopiques<\/em> [musique d’Ethiopie et d’Erythr\u00e9e – 29 LP]<\/td>\n<\/tr>\n
<\/a><\/td>\nEd Rec<\/em> [electro – 6 LP]<\/td>\n<\/tr>\n
<\/a><\/td>\nMartin Scorcese presents : The blues, a musical journey<\/em> [electro – 6 LP]<\/td>\n<\/tr>\n
<\/a><\/td>\nNo New York<\/em> [punk – 1 LP]<\/td>\n<\/tr>\n
<\/a><\/td>\nNuggets, Original artyfacts…<\/em> [garage – 2 LP chez Elektra, repris chez Rhino en 12 LP]<\/td>\n<\/tr>\n
<\/a><\/td>\nThe Stiff Records Box Set <\/em> [punk – 4 LP]<\/td>\n<\/tr>\n
<\/a><\/td>\nThe Vibe – The Ultimate Rare Grooves Series<\/em> [rythm’n’blues\/funk\/jazz\/bossa… – 10 LP]<\/td>\n<\/tr>\n
<\/a><\/td>\nWhat It is! Funky Soul and Rare Grooves: 1967-1977<\/em> [rythm’n’blues\/funk – 4 LP]<\/td>\n<\/tr>\n<\/table>\n

Nota.<\/strong> Une grande part du blues, sans parler encore de Nino Rota, d’Enio Morricone, de la musique folk, et de diverses BO \u00e0 droite et \u00e0 gauche, ne sont pas d\u00e9crits ici, pour le moment !<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Comme l’herbier ou des po\u00e8mes, la discoth\u00e8que est une op\u00e9ration sur le monde, une op\u00e9ration, je veux dire, proprement d\u00e9miurgique ; le cabinet de curiosit\u00e9 est une astuce qu’a trouv\u00e9e la collection pour ne pas sombrer dans la n\u00e9vrose. Pendant trois ann\u00e9es, depuis que j’ai chang\u00e9 d’ordinateur et rang\u00e9 ma discoth\u00e8que, j’\u00e9coute des disques. J’estime,…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[68],"tags":[264,2853,2850,3612,152,2788,3609,3608,2098,3325,3605,2666,338,2857,2096,394,3614,419,2094,2915,1626,1645,3611,1654,2763,3613,3606,3471,340,154,2669,3326,2954,3610,3474,149,2839,3327,1126,2846,2859,2693,3607,252,3615,2396,3508],"class_list":["post-15341","post","type-post","status-publish","format-standard","hentry","category-registre-de-l-air","tag-alain-bashung","tag-alice-coltrane","tag-antipop-consortium","tag-barbet-shroeder","tag-bob-dylan","tag-bruce-springsteen","tag-bud-powell","tag-carla-bley","tag-david-bowie","tag-david-gilmour","tag-don-cherry","tag-dr-john","tag-fabrizio-de-andre","tag-fela-kuti","tag-gang-of-four","tag-georges-brassens","tag-henry-grimes","tag-james-brown","tag-james-chance","tag-jim-jarmush","tag-john-byrne","tag-john-coltrane","tag-kalil-el-zabar","tag-led-zepellin","tag-love","tag-marc-ribot","tag-matthew-shipp","tag-miles-davis","tag-morphine","tag-neil-young","tag-neu","tag-nick-mason","tag-nina-simone","tag-parliament","tag-pharoah-sanders","tag-pink-floyd","tag-portishead","tag-richard-wright","tag-roger-waters","tag-syd-barrett","tag-talk-talk","tag-the-beatles","tag-the-contortions","tag-the-rolling-stones","tag-the-roots","tag-thelonious-monk","tag-throbbing-gristle"],"_links":{"self":[{"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/posts\/15341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/comments?post=15341"}],"version-history":[{"count":26,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/posts\/15341\/revisions"}],"predecessor-version":[{"id":18500,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/posts\/15341\/revisions\/18500"}],"wp:attachment":[{"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/media?parent=15341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/categories?post=15341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/tags?post=15341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}