{"id":11297,"date":"2016-01-01T00:00:31","date_gmt":"2015-12-31T22:00:31","guid":{"rendered":"http:\/\/www.amboilati.org\/chantier\/?p=11297"},"modified":"2023-09-10T09:47:06","modified_gmt":"2023-09-10T07:47:06","slug":"livres-2016","status":"publish","type":"post","link":"https:\/\/www.amboilati.org\/chantier\/livres-2016\/","title":{"rendered":"Livres 2016 (liste provisoire)"},"content":{"rendered":"<blockquote><p>Liste des livres abord\u00e9s avec plus ou moins de difficult\u00e9 et de rigueur ; memento per se.<\/p><\/blockquote>\n<h2>Papier<\/h2>\n<h3>Fiction<\/h3>\n<p>Bao Zhao, <em>Sur les berges du Fleuve<\/em> [2e]<br \/>\nYu Xin, <em>Lamentations pour le sud du Fleuve<\/em><br \/>\nAlbino Pierro, <em>Metaponte<\/em><br \/>\nJacques R\u00e9da, <em>Les ruines de Paris<\/em> [2e]<br \/>\nJean Paulhan, <em>Les incertitudes du langage<\/em> [2e]<br \/>\nRen\u00e9 Daumal, <em>Le mont Analogue<\/em> ;<br \/>\nNicole Caligaris, L<em>es samothraces<\/em><br \/>\nElis\u00e9e Reclus<br \/>\nElis\u00e9e Reclus<br \/>\nRaymond Gu\u00e9rin, <em>Les poulpes<\/em>, 1952 ;<br \/>\nPaul Gadenne, <em>Baleine<\/em>, 1982 [1964] ;<br \/>\nPaul Gadenne, <em>La plage de Scheveningen<\/em>, 1952 ;<br \/>\nMaylis de Kerangal, <em>Lampedusa<\/em>, 2015 ;<br \/>\nStefano d&rsquo;Arrigo, <em>I fatti della fera<\/em>, 2010 [1960] ;<br \/>\nMilorad Pavi\u0107, <em>Le dictionnaire khazar<\/em>, 1984 ;<br \/>\nArno Schmidt, <em>On a march\u00e9 sur la lande<\/em>, 1964 ;<br \/>\nR\u00e9gis Debray, <em>Contre Venise<\/em>, 1995 ;<br \/>\nEnrique Vila-Matas, <em>Chet Baker pense \u00e0 son art<\/em>, 2011 ;<br \/>\nStefano d&rsquo;Arrigo, <em>Horcynus orca<\/em>, 1975 [3e lecture] ;<br \/>\nR\u00e9gis Debray, <em>Contre Venise<\/em>, 1995 ;<br \/>\nNicole Caligaris, <em>Les Samothraces<\/em>, 2016 [2000] ;<br \/>\nAntoine Choplin, <em>Apn\u00e9es<\/em>, 2009 ;<br \/>\nAlain Farah, <em>Contre Bologne<\/em>, 2014 ;<br \/>\nNathalie Quintane, <em>Les ann\u00e9es 10<\/em>, 2013 ;<br \/>\nQuignard, <em>Sur l&rsquo;id\u00e9e d&rsquo;une communaut\u00e9 de solitaires<\/em><br \/>\nPierre Senges, <em>Achab (s\u00e9quelles)<\/em>, 2015 ;<br \/>\nMarc Perrin, <em>Spinoza in China<\/em>, 2015 ;<br \/>\nMarie Cosnay, <em>Cord\u00e9lia la guerre<\/em>, 2015 ;<br \/>\nPier Paolo Pasolini, <em>La rage<\/em>, 2014 [1963] ;<br \/>\nArno Schmidt, <em>Sc\u00e8nes de l&rsquo;apr\u00e8s-midi d&rsquo;un faune<\/em>, 2011 [1953] ;<br \/>\nL\u00e9on-Paul Fargues, Autre pi\u00e9ton, Fata Morgana, 2010 [1947] ;<br \/>\nH\u00e9l\u00e8ne Fr\u00e9d\u00e9rick, <em>For\u00eat contraire<\/em>, 2014 ;<br \/>\nClaude Olier, <em>Outback, ou l&rsquo;arri\u00e8re-monde<\/em>, 1995 ;<br \/>\nAntonio Moresco, <em>Canti del caos<\/em>, 2009 ;<br \/>\nMathieu Brosseau, <em>Data Trasport<\/em>, 2015 ;<\/p>\n<p>&nbsp;<\/p>\n<h2>Num\u00e9rique<\/h2>\n<h3>Antiquit\u00e9<\/h3>\n<p>Auguste, Res gestae (2e)<br \/>\nEus\u00e8be de C\u00e9sar\u00e9e, Vie de Constatin<br \/>\nSei Shonagon, The pillow book (1ere en anglais)<br \/>\nSun Tzu, L&rsquo;art de la guerre (3e)<br \/>\nVirgile, Les Bucoliques<\/p>\n<h3>Fiction<\/h3>\n<p>Aira, The conversation<br \/>\nBinet, HHhH<br \/>\nBinet, La septi\u00e8me fonction du langage<br \/>\nBolano, Anvers<br \/>\nBolano, Le secret du mal<br \/>\nBoulgakov, Le ma\u00eetre et Marguerite<br \/>\nBove, M\u00e9moires d&rsquo;un homme singulier<br \/>\nBove, Le pi\u00e8ge<br \/>\nConstant, Adolphe<br \/>\nDostoievski, L&rsquo;idiot<br \/>\nDostoievsky, La confession de Stravoguine<br \/>\nDrieu la For\u00eat, Le feu follet<br \/>\nEliot, The Waste Land<br \/>\nGide, Les caves du Vatican<br \/>\nGiono, Que ma joie demeure,<br \/>\nGontcharov, Oblomov<br \/>\nGracq, Le rivage des Syrtes<br \/>\nHawthorne, La lettre \u00e9carlate<br \/>\nHowthorne, Le livre des merveilles<br \/>\nHugo, Les travailleurs de la mer<br \/>\nHuysmans, Un dilemnme<br \/>\nJames, Ce que savait Maisie<br \/>\nJames, L&rsquo;\u00e9l\u00e8ve<br \/>\nK\u00e9rangal, R\u00e9parer les vivants<br \/>\nLish, Parmi les loups et les bandits<br \/>\nMasters, New Spoon River (ne)<br \/>\nMurdoch, The sea, the sea<br \/>\nRenard, L&rsquo;\u00e9cornifleur<br \/>\nSaviano, Z\u00e9ro z\u00e9ro z\u00e9ro<br \/>\nSchwob, La croisade des enfants<br \/>\nTourgueniev, P\u00e8res et enfants<br \/>\nTougueniev, Fum\u00e9e<br \/>\nTourgu\u00e9niev, Terres vierges<br \/>\nValery, M. Teste (2e)<br \/>\nValery, Dialogue de l&rsquo;arbre<br \/>\nValery, Eupalinos<br \/>\nDe Vigan, Rien ne s&rsquo;oppose \u00e0 la nuit<br \/>\nVargas Llosa, La f\u00eate au bouc<br \/>\nWu Ming, 54<br \/>\nZamiatine, La montre<\/p>\n<h3>Essais<\/h3>\n<p>Cameron, Christianity and the Rhetoric of Empire<br \/>\nCameron ea, Cambridge Ancient History 13<br \/>\nGarnsey ea, Cambridge Ancient History 13<br \/>\nSyme, The Roman Revolution<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Liste des livres abord\u00e9s avec plus ou moins de difficult\u00e9 et de rigueur ; memento per se. Papier Fiction Bao Zhao, Sur les berges du Fleuve [2e] Yu Xin, Lamentations pour le sud du Fleuve Albino Pierro, Metaponte Jacques R\u00e9da, Les ruines de Paris [2e] Jean Paulhan, Les incertitudes du langage [2e] Ren\u00e9 Daumal, Le&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[68,4021],"tags":[3094,3093,2879,3097,3100,1127,3099,3098,3095,3096,2985,42,3091,2530,2392,3090,3092,1213],"class_list":["post-11297","post","type-post","status-publish","format-standard","hentry","category-registre-de-l-air","category-secretaire","tag-alain-farah","tag-antoine-choplin","tag-antonio-moresco","tag-arno-schmidt","tag-claude-ollier","tag-enrique-vila-matas","tag-helene-frederick","tag-leon-paul-fargues","tag-marc-perrin","tag-marie-cosnay","tag-nathalie-quintane","tag-nicole-caligaris","tag-paul-gadenne","tag-pier-paolo-pasolini","tag-pierre-senges","tag-raymond-guerin","tag-regis-debray","tag-stefano-darrigo"],"_links":{"self":[{"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/posts\/11297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/comments?post=11297"}],"version-history":[{"count":11,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/posts\/11297\/revisions"}],"predecessor-version":[{"id":17501,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/posts\/11297\/revisions\/17501"}],"wp:attachment":[{"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/media?parent=11297"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/categories?post=11297"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/tags?post=11297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}