{"id":10180,"date":"2015-07-14T15:12:47","date_gmt":"2015-07-14T13:12:47","guid":{"rendered":"http:\/\/www.amboilati.org\/chantier\/?p=10180"},"modified":"2023-04-24T09:29:07","modified_gmt":"2023-04-24T07:29:07","slug":"we-love-to-play-the-blues","status":"publish","type":"post","link":"https:\/\/www.amboilati.org\/chantier\/we-love-to-play-the-blues\/","title":{"rendered":"We love to play the blues"},"content":{"rendered":"

Choix musicaux<\/b> Autrefois, aujourd’hui, je d\u00e9testais les compilations. Chez les artistes les plus communs, les mieux partag\u00e9s, les monstres que malgr\u00e9 tout on adore, on ne sauve de trop de morceaux que de sempiternelles scies. Pire encore que les \u00ab\u00a0Best of\u00a0\u00bb, les \u00ab\u00a0Greatest Hits\u00a0\u00bb ; on se demande si ces monstres plaisent parce qu’ils sont connus ou l’inverse. Comme de toute fa\u00e7on le parcours d’un artiste est in\u00e9gal, on cherche \u00e0 sauver les perles, les tentatives pus hardies, les risques plus sinc\u00e8res. Ce sont donc ces Choix musicaux<\/em>.<\/p><\/blockquote>\n


<\/p>\n

\"pasche_tongue\"<\/a><\/p>\n


<\/p>\n

Tracklist<\/h3>\n

1*. Sway<\/em>
\n2*. Casino boogie<\/em>
\n3*. Down in the hall<\/em>
\n4. Stray cat blues<\/em>
\n5. Hand of fate<\/em>
\n6. I got the blues<\/em>
\n7*. Monkey man<\/em>
\n8. Rip this joint<\/em>
\n9*. Ventilator blues<\/em>
\n10. Fingerprint file<\/em><\/p>\n

11*. Honky tonk woman<\/em>
\n12. Can’t you hear me knockin ?<\/em>
\n13*. Dirty work<\/em>
\n14. Break the spell<\/em>
\n15. Mother’s little helper<\/em>
\n16. Beast of burden<\/em>
\n17*. You got the silver<\/em>
\n18. Might as well get juiced<\/em>
\n19. Back of my hand<\/em>
\n20*. Thru and thru<\/em><\/p>\n

21. Shattered<\/em>
\n22. Sweet black angel<\/em>
\n23*. Worried about you<\/em>
\n24. Tie you up<\/em>
\n25. Sister Morphine<\/em>
\n26. Memo from Turner<\/em>r
\n27. Tops<\/em>
\n28. 19th nervous breakdown<\/em>
\n29. No expectations<\/em>
\n30. Midnight rambler<\/em><\/p>\n



\n1, 6, 12, 25 : Sticky fingers<\/em>, 1971
\n2, 8, 9, 22 : Exile on Main Street<\/em>, 1972
\n3 : Emotional rescue<\/em>, 1980
\n4, 29 : Beggars banquet<\/em>, 1968
\n5 : Black and blue<\/em>, 1976
\n7, 17, 30 : Let it bleed<\/em>, 1969
\n10 : It’s only rock’n’roll<\/em>, 1974
\n11 : Honky tonk woman<\/em>, 1969
\n13 : Dirty work<\/em>, 1986
\n14 : Steel wheels<\/em>, 1989
\n18 : Bridges to Babylon<\/em>, 1997
\n19 : A bigger bang<\/em>, 2005
\n20 : Voodoo lounge<\/em>, 1994
\n16, 21 : Some girls<\/em>
\n23, 27 : Tattoo you<\/em>, 1981
\n24 : Undercover<\/em>, 1983
\n26 : London collection<\/em>, 1989
\n15, 28 : Aftermath<\/em>, 1966
\n* : version courte en un album : les indispensables.<\/font><\/p>\n","protected":false},"excerpt":{"rendered":"

Choix musicaux Autrefois, aujourd’hui, je d\u00e9testais les compilations. Chez les artistes les plus communs, les mieux partag\u00e9s, les monstres que malgr\u00e9 tout on adore, on ne sauve de trop de morceaux que de sempiternelles scies. Pire encore que les \u00ab\u00a0Best of\u00a0\u00bb, les \u00ab\u00a0Greatest Hits\u00a0\u00bb ; on se demande si ces monstres plaisent parce qu’ils sont…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2668,30],"tags":[252],"class_list":["post-10180","post","type-post","status-publish","format-standard","hentry","category-choix-musicaux","category-critique-chronique","tag-the-rolling-stones"],"_links":{"self":[{"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/posts\/10180","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/comments?post=10180"}],"version-history":[{"count":5,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/posts\/10180\/revisions"}],"predecessor-version":[{"id":10484,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/posts\/10180\/revisions\/10484"}],"wp:attachment":[{"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/media?parent=10180"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/categories?post=10180"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/tags?post=10180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}