{"id":10177,"date":"2015-07-09T12:12:47","date_gmt":"2015-07-09T10:12:47","guid":{"rendered":"http:\/\/www.amboilati.org\/chantier\/?p=10177"},"modified":"2023-04-24T09:29:07","modified_gmt":"2023-04-24T07:29:07","slug":"which-one-s-pink","status":"publish","type":"post","link":"https:\/\/www.amboilati.org\/chantier\/which-one-s-pink\/","title":{"rendered":"Which one’s Pink ?"},"content":{"rendered":"

Choix musicaux<\/b> Autrefois, aujourd’hui, je d\u00e9testais les compilations. Chez les artistes les plus communs, les mieux partag\u00e9s, les monstres que malgr\u00e9 tout on adore, on ne sauve de trop de morceaux que de sempiternelles scies. Pire encore que les \u00ab\u00a0Best of\u00a0\u00bb, les \u00ab\u00a0Greatest Hits\u00a0\u00bb ; on se demande si ces monstres plaisent parce qu’ils sont connus ou l’inverse. Comme de toute fa\u00e7on le parcours d’un artiste est in\u00e9gal, on cherche \u00e0 sauver les perles, les tentatives plus hardies, les risques plus sinc\u00e8res. Ce sont donc ces Choix musicaux<\/em>.<\/p><\/blockquote>\n


<\/p>\n

\"floyd_five\"<\/a><\/p>\n


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Tracklist<\/h3>\n

Suivies d’une *, la version courte en un album, les indispensables [le connoisseur reconna\u00eetra une certaine similitude avec l’existante compilation Works<\/a><\/em> de 19831<\/a><\/sup>].<\/font><\/p>\n

Which one’s Pink ? 1<\/b><\/p>\n

1. Echoes<\/em> (1)
\n2*. Up the Khyber<\/em>
\n3*. Have a cigar<\/em>
\n4*. Paint box<\/em>
\n5. Nobody home<\/em>
\n6. Vera<\/em>
\n7. Cymbaline<\/em>
\n8*. Mudmen<\/em>
\n9 Money<\/em>
\n10. Several species of small furry animals gathered together in a cave and grooving with a pict<\/em>
\n11*. Mother fore<\/em>
\n12*. Main theme<\/em>
\n13*. Any colour you like<\/em>
\n14. The final cut<\/em><\/p>\n



\nEntracte<\/strong>
\n
<\/p>\n

Which one’s Pink ? 1<\/b><\/p>\n

15*. One of these days (I’m going to cut you into several pieces)<\/em>
\n16. Lucifer Sam<\/em>
\n17*. Come in, number 51, your time is up<\/em>
\n18. Summer ’68<\/em>
\n19. Green is the colour<\/em>
\n20*. The great gig in the sky<\/em>
\n21. Dramatic theme<\/em>
\n22*. San Tropez<\/em>
\n23. Wot’s ? Uh the deal<\/em>
\n24*. Pigs<\/em>
\n25*. Brain Damage<\/em>
\n26*. Eclipse<\/em>
\n27. Echoes<\/em> (2)<\/ol>\n

\n1, 27 : Live at Pompei<\/em>, 1972
\n2, 7, 12, 19, 21 : More<\/em>, 1969
\n3 : Wish you were here<\/em>, 1975
\n4 : Apples and oranges<\/em>, 1967
\n5, 6 : The wall<\/em>, 1979
\n8, 23 : Obscured by clouds<\/em>, 1972
\n9, 13, 20, 25, 26 : The dark side of the moon<\/em>, 1973
\n10 : Ummagumma<\/em>, 1969
\n11, 18 : Atom heart mother<\/em>, 1970
\n14 : The final cut<\/em>, 1983
\n15, 22 : Meddle<\/em>, 1971
\n16 : The piper at the gates of dawn<\/em>, 1967
\n17 : Musique de Zabriskie Point<\/em> de Michelangelo Antonioni
\n24 : Animals<\/em>, 1977<\/font><\/p>\n

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    \n
  1. Voil\u00e0 bien la b\u00eatise du rock ; le site Allmusic, justement en lien, d\u00e9crit cette compilatin comme \u00ab\u00a0pointless\u00a0\u00bb et ajoute : \u00ab\u00a0it’s a disservice to Pink Floyd and an insult to their fans\u00a0\u00bb ; je pense exactement le contraire. ↩<\/a><\/span><\/li>\n<\/ol>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    Choix musicaux Autrefois, aujourd’hui, je d\u00e9testais les compilations. Chez les artistes les plus communs, les mieux partag\u00e9s, les monstres que malgr\u00e9 tout on adore, on ne sauve de trop de morceaux que de sempiternelles scies. Pire encore que les \u00ab\u00a0Best of\u00a0\u00bb, les \u00ab\u00a0Greatest Hits\u00a0\u00bb ; on se demande si ces monstres plaisent parce qu’ils sont…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2668,30],"tags":[149],"class_list":["post-10177","post","type-post","status-publish","format-standard","hentry","category-choix-musicaux","category-critique-chronique","tag-pink-floyd"],"_links":{"self":[{"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/posts\/10177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/comments?post=10177"}],"version-history":[{"count":13,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/posts\/10177\/revisions"}],"predecessor-version":[{"id":16917,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/posts\/10177\/revisions\/16917"}],"wp:attachment":[{"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/media?parent=10177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/categories?post=10177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/tags?post=10177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}