{"id":10067,"date":"2015-05-28T16:03:41","date_gmt":"2015-05-28T14:03:41","guid":{"rendered":"http:\/\/www.amboilati.org\/chantier\/?p=10067"},"modified":"2023-04-24T09:29:08","modified_gmt":"2023-04-24T07:29:08","slug":"sisyphe-inconstant-02","status":"publish","type":"post","link":"https:\/\/www.amboilati.org\/chantier\/sisyphe-inconstant-02\/","title":{"rendered":"Sisyphe inconstant. R\u00e9flexions d\u00e9cousues sur le rock"},"content":{"rendered":"

II. Disques<\/h2>\n
\n

Sommaire de la s\u00e9rie<\/h3>\n

0. Avertissements<\/a>
\nI. Faits<\/a>
\nII. Disques<\/a>
\nIII. Dates<\/a>
\nIV. Noms<\/a>\n<\/p><\/blockquote>\n

 <\/p>\n

On aime les pochettes des disques ; je renvoie ici \u00e0 un projet parall\u00e8le intitul\u00e9 Pistes et sillages, qui sont des lectures po\u00e9tiques des morceaux de ces disques favoris. C’est ici : http:\/\/www.amboilati.org\/chantier\/pistes-et-sillages<\/a><\/p>\n

Pendant ce temps, les pochettes ci-dessous renvoient alors \u00e0 la page correspondante du site Allmusic.com<\/a>…<\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\"\"<\/a><\/td>\nGeorges Brassens
IX<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nAdrian Younge \/ Ghostface Killah
Adrian Younge presents 12 reasons to die<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nSyd Barrett
Barrett<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nBrian Eno
Before and after science<\/em><\/td>\n<\/tr>\n
<\/a><\/td>\nThe Aces of Clubs
Benefist<\/em><\/td>\n<\/tr>\n
<\/a><\/td>\nOsamo Katajima
Benzaiten<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nDavid Bowie
Blackstar<\/em><\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nAAVV
Bella ciao : chansons du peule en Italie<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nYoung Marble Giants
Colossal Youth<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nDon Cherry
Complete communion<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nFabrizio de Andr\u00e8
Creuza de m\u00e4<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nXTC
Drums and wires<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nPere Ubu
Dub Housing<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nAAVV [Kronos Quartet]
Early Music (Lacrymae antiquae)<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nPink Floyd
The Early Years 1965-1972<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nIAM
L’\u00e9cole du micro d’argent<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nGang Of Four
Entertainment !<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nThe Residents
Eskimo<\/em><\/td>\n<\/tr>\n
\"stones,<\/a><\/td>\nThe Rolling Stones
Exile on Main Street<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nPhilippe Katerine
Le film<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nFela Kuti
Gentleman<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nAdult Jazz
Gist is<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nDr John
Gris-gris<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nDominique A
L’horizon<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nPatti Smith
Horses<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nAlain Bashung
L’imprudence<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nLes X
Jeunes, coupables et libres<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nMiles Davis
Kind Of blue<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nKids See Ghosts [Kid Cudi & Kanye West]
Kids see ghosts<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nTalk Talk
Laughing Stock<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nThelonius Monk
The London collection, vol. 3<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nJoe Jackson
Look sharp !<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nDavid Bowie
Low<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nArchie Shepp
The magik of Ju-Ju<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nRed Snapper
Making bones<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nTelevision
Marquee moon<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nArt Blakey
Moanin’<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nPink Floyd
More<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nNdikho Xaba And The Natives
Ndikho Xaba And The Natives<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nSun Ra
The nubians of Plutonia<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nBeck
Odelay<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nNeu !
Neu !<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nPrince
Parade<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nJames Brown
The Payback<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nArt Ensemble Of Chicago
Phase one<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nAu Pairs
Playing with a different sex<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nPortishead
Portishead<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nAlice Coltrane
Ptah, the El Daoud<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nDevo
Q: Are we not men ? A: We are Devo !<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nLydia Lunch
Queen of Siam<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nTom Waits
Rain dogs<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nKahil El’Zabar’s Ritual Trio
Renaissance of resistance<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nP.J. Harvey
Rid of me<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nRobert Wyatt
Rock bottom<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nDie Antwoord
$o$<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nAlbert Ayler
Spiritual unity<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nWhy? & Odd Nosdam
[Split EP]<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nCrass
Stations of the Crass<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nTen Years After
Stonedhenge<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nHandsome Boy Modeling School
So…How’s your girl?<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nJohn Coltrane
Sun ship<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nPaul Simon
There goes rhymin’ Simon <\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nSly & the Family Stone
There’s a riot goin’ on !<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nAntipop Consortium
Tragic epilogue<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nDan The Automator
Wanna buy a monkey?: A mixtape session<\/em><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\nMax Roach
We insist! Max Roach’s freedom now suite<\/em><\/td>\n<\/tr>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/a><\/td>\n<\/a><\/td>\n<\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/td>\n\"\"<\/a><\/td>\n<\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n<\/tr>\n
\"\"<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n\"Philippe<\/a><\/td>\n\"Philippe<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/td>\n<\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n\"\"<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a>
\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a>\n<\/td>\n\n<\/a>\n<\/td>\n\n<\/a>\n<\/td>\n\n<\/a>\n<\/td>\n\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n

<\/tR><\/p>\n

<\/a><\/td>\n<\/a><\/td>\n\"Sun<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a>
\n<\/tr>\n
\n<\/a><\/td>\n<\/a><\/td>\n<\/td>\n\"\"<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n
<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n<\/tr>\n<\/table>\n

 <\/p>\n

Tous ces disques ! Sont ceux que j’\u00e9coute le plus, sans doute ; ou, si je ne les \u00e9coute pas beaucoup, ceux dont je ne voudrais pas me s\u00e9parer ; ou, si je ne les poss\u00e8de pas physiquement (en r\u00e9alit\u00e9 je n’ai plus de disques), ceux que je voudrais avoir chez moi.<\/p>\n","protected":false},"excerpt":{"rendered":"

II. Disques Sommaire de la s\u00e9rie 0. Avertissements I. Faits II. Disques III. Dates IV. Noms   On aime les pochettes des disques ; je renvoie ici \u00e0 un projet parall\u00e8le intitul\u00e9 Pistes et sillages, qui sont des lectures po\u00e9tiques des morceaux de ces disques favoris. C’est ici : http:\/\/www.amboilati.org\/chantier\/pistes-et-sillages Pendant ce temps, les pochettes…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30,2670],"tags":[2845,2854,264,2851,2853,2850,2370,2852,1403,2855,2788,2686,2098,160,2099,2666,253,338,2857,2096,394,2701,1003,419,1426,1645,2856,2704,2705,1058,2669,2702,2861,2794,2703,2858,2830,2097,515,149,158,2841,2860,1648,2764,157,2859,179,2131,252,2396,2837,2828],"class_list":["post-10067","post","type-post","status-publish","format-standard","hentry","category-critique-chronique","category-sysiphe-inconstant","tag-adult-jazz","tag-afreaka","tag-alain-bashung","tag-albert-ayler","tag-alice-coltrane","tag-antipop-consortium","tag-archie-shepp","tag-art-blakey","tag-art-ensemble-of-chicago","tag-brian-eno","tag-bruce-springsteen","tag-contre-culture","tag-david-bowie","tag-disque","tag-dominique-a","tag-dr-john","tag-exile-on-main-street","tag-fabrizio-de-andre","tag-fela-kuti","tag-gang-of-four","tag-georges-brassens","tag-gris-gris-album","tag-iam","tag-james-brown","tag-joe-jackson","tag-john-coltrane","tag-kronos-quartet","tag-low-album","tag-more-album","tag-musique","tag-neu","tag-neu-album","tag-osamu-kitajima","tag-p-j-harvey","tag-parade","tag-pattie-smith","tag-paul-simon","tag-pere-ubu","tag-philippe-katerine","tag-pink-floyd","tag-prince","tag-red-snapper","tag-robert-wyatt","tag-rocknroll","tag-sly-and-the-family-stone","tag-sly-stone","tag-talk-talk","tag-television","tag-the-residents","tag-the-rolling-stones","tag-thelonious-monk","tag-tom-waits","tag-vinicio-capossela"],"_links":{"self":[{"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/posts\/10067","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/comments?post=10067"}],"version-history":[{"count":22,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/posts\/10067\/revisions"}],"predecessor-version":[{"id":10099,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/posts\/10067\/revisions\/10099"}],"wp:attachment":[{"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/media?parent=10067"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/categories?post=10067"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/tags?post=10067"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}