{"id":5300,"date":"2012-02-04T20:32:50","date_gmt":"2012-02-04T18:32:50","guid":{"rendered":"http:\/\/www.amboilati.org\/chantier\/?page_id=5300"},"modified":"2025-04-12T21:37:27","modified_gmt":"2025-04-12T19:37:27","slug":"theque","status":"publish","type":"page","link":"http:\/\/www.amboilati.org\/chantier\/accueil\/theque\/","title":{"rendered":"Th\u00e8que"},"content":{"rendered":"

 
\n\"\"
\n <\/p>\n

Une th\u00e8que, qu’elle soit biblio- ou disco- peut pr\u00e9senter deux aspects : une illusion de totalit\u00e9 (aujourd’hui plus volontiers confi\u00e9e, pour moi, au num\u00e9rique) ; un vade-mecum essentiel, une s\u00e9lection, un choix des pi\u00e8ces qui ne nous quitterons pas. Dans ce second cas, deux modalit\u00e9s encore existent : soit les \u0153uvres qui nous ont form\u00e9, durablement, je veux dire, pour toujours, m\u00eame si avec le temps elles nous semblent moins abouties ; et puis les \u0153uvres qui nous bouleversent continuellement parce que d\u00e9cid\u00e9ment, elles sont \u00ab\u00a0au-dessus de nos forces\u00a0\u00bb.<\/p><\/blockquote>\n

 <\/p>\n

Livres<\/h2>\n

 <\/p>\n\n\n
\n\"Juan  \"Antonio  \"Henri\n<\/td>\n<\/tr>\n<\/table>\n
\n
    \n
  • L’Aleph<\/em> \u2022 Jorge Luis Borges<\/li>\n
  • L’attente l’oubli<\/em> \u2022 Maurice Blanchot\n
  • Casa degli altri<\/em> [Maison des autres<\/em>] \u2022 Silvio d’Arzo<\/li>\n
  • Les chiens de paille<\/em> \u2022 Pierre Drieu la Rochelle<\/li>\n
  • La confrontation<\/em>\u00a0\u2022\u00a0Louis Guilloux<\/li>\n
  • D\u00e9lie<\/em>\u00a0\u2022\u00a0Maurice Sc\u00e8ve<\/li>\n
  • Les essais<\/em> \u2022 Michel de Montaigne<\/li>\n
  • Le fid\u00e8le Berger<\/em> \u2022 Alexandre Vialatte<\/li>\n
  • Les Fleurs de Tarbes<\/em>\u00a0\u2022\u00a0Jean Paulhan<\/li>\n
  • Fureur et myst\u00e8re<\/em>\u00a0\u2022\u00a0Ren\u00e9 Char<\/li>\n
  • La Gana<\/em>\u00a0\u2022\u00a0Fred Deux\/Jean Douassot<\/li>\n
  • Horcynus Orca<\/em> \u2022 Stefano D’Arrigo<\/li>\n
  • L’impossible<\/em>\u00a0\u2022\u00a0Georges Bataille<\/li>\n
  • Light in August<\/em> [Nuit d’a\u00f4ut<\/em>] \u2022 William Faulkner<\/li>\n
  • \u041c\u0430\u0441\u0442\u0435\u0440 \u0438 \u041c\u0430\u0440\u0433\u0430\u0440\u0438\u0442\u0430<\/em> [Le Ma\u00eetre et Marguerite<\/em>] \u2022 Mikha\u00efl Bulgakov<\/li>\n
  • \u041c\u0451\u0440\u0442\u0432\u044b\u0435 \u0434\u0443\u0448\u0438<\/em> [Les \u00e2mes mortes<\/em>] \u2022 Nicolas Gogol<\/li>\n
  • La marge<\/em> \u2022\u00a0Andr\u00e9 Pieyre de Mandiargues<\/li>\n
  • La nuit de Londres<\/em> \u2022 Henri Thomas<\/li>\n
  • Passages<\/em> \u2022\u00a0Henri Michaux<\/li>\n
  • Petits trait\u00e9s<\/em>\u00a0\u2022\u00a0Pascal Quignard\n
  • Pedro P\u00e0ramo<\/em>\u00a0\u2022\u00a0Juan Rulfo\n
  • Pens\u00e9es<\/em> \u2022 Joseph Joubert<\/li>\n
  • Le pi\u00e8ge<\/em> \u2022 Emmanuel Bove<\/li>\n
  • Les poulpes<\/em> \u2022 Maurice Gu\u00e9rin<\/li>\n
  • Les saisons<\/em> \u2022 Maurice Pons<\/li>\n
  • Il serpente<\/em> [Le serpent cannibale<\/em>]\u00a0\u2022\u00a0Luigi Malerba<\/li>\n
  • \u0427\u0435\u0432\u0435\u043d\u0433\u0443\u0440<\/em> [Tchevengur<\/em>] \u2022 Andrei Platonov<\/li>\n
  • I volatili del Beato Angelico<\/em> [Les oiseaux de Fra Angelico<\/em>] \u2022 Antonio Tabucchi<\/li>\n
  • \u0412\u0440\u0435\u043c\u044f \u0447\u0430\u0435\u043f\u0438\u0442\u0438\u044f<\/em> [Espaces et labyrinthes<\/em>] \u2022 Vassili Golovanov<\/li>\n<\/ul>\n

    Auteurs d\u00e9cisifs :<\/strong> Corrado Alvaro, Petronius Arbiter, Richard Brautigan, Gesualdo Bufalino, Nicole Caligaris, Italo Calvino, Jacques Derrida, Gao Xingjian, Gustave Flaubert, Jean de La Bruy\u00e8re, Carlo Levi, Pier Paolo Pasolini, Tony Morisson, Cesare Pavese, Francis Ponge, Marcel Proust, Fran\u00e7ois Rabelais, Yanis Ritsos, Arno Schmidt, Jack Spicer, Sei Ghonagon, Salah St\u00e9ti\u00e9, Marcel Schwob…<\/p>\n

     <\/p>\n

    Disques<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    \"\"<\/a><\/td>\nGeorges Brassens
    IX<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nAdrian Younge \/ Ghostface Killah
    Adrian Younge presents 12 reasons to die<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nEssential Logic
    Beat Rhythm News<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nSyd Barrett
    Barrett<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nBrian Eno
    Before and after science<\/em><\/td>\n<\/tr>\n
    <\/a><\/td>\nThe Aces of Clubs
    Benefist<\/em><\/td>\n<\/tr>\n
    <\/a><\/td>\nOsamo Katajima
    Benzaiten<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nDavid Bowie
    Blackstar<\/em><\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nAAVV
    Bella ciao : chansons du peule en Italie<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nYoung Marble Giants
    Colossal Youth<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nDon Cherry
    Complete communion<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nFabrizio de Andr\u00e8
    Creuza de m\u00e4<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nSam Rivers
    Crystals<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nMinutemen
    Double Nickels on The Dime<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nXTC
    Drums and wires<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nPere Ubu
    Dub Housing<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nAAVV [Kronos Quartet]
    Early Music (Lacrymae antiquae)<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nPink Floyd
    The Early Years 1965-1972<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nIAM
    L’\u00e9cole du micro d’argent<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nGang Of Four
    Entertainment !<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nThe Residents
    Eskimo<\/em><\/td>\n<\/tr>\n
    \"stones,<\/a><\/td>\nThe Rolling Stones
    Exile on Main Street<\/em><\/td>\n<\/tr>\n
    \"nick<\/a><\/td>\nNick Mason
    Nick Mason’s Fictitious Sports<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nPhilippe Katerine
    Le film<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nAdam Ant
    Friend of foe<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nFela Kuti
    Gentleman<\/em><\/td>\n<\/tr>\n
    <\/a><\/td>\nX-Ray Spex
    Germ Free Adolescents<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nAdult Jazz
    Gist is<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nDr John
    Gris-gris<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nHugh Masakela
    Home is where music is<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nDominique A
    L’horizon<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nPatti Smith
    Horses<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nAlain Bashung
    L’imprudence<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nWynton Marsalis Septet
    In this house, on this morning<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nLes X
    Jeunes, coupables et libres<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nSiouxsie & The Banshees
    Kaleidoscope<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nMiles Davis
    Kind Of blue<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nKids See Ghosts [Kid Cudi & Kanye West]
    Kids see ghosts<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nTalk Talk
    Laughing Stock<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nThelonius Monk
    The London collection, vol. 3<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nJoe Jackson
    Look sharp !<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nDavid Bowie
    Low<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nArchie Shepp
    The magik of Ju-Ju<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nRed Snapper
    Making bones<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nTelevision
    Marquee moon<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nArt Blakey
    Moanin’<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nPink Floyd
    More<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nNdikho Xaba And The Natives
    Ndikho Xaba And The Natives<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nSun Ra
    The nubians of Plutonia<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nBeck
    Odelay<\/em><\/td>\n<\/tr>\n
    \"\"<\/td>\nNamas Pamos
    L’odeur d’un cri<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nNeu !
    Neu !<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nPrince
    Parade<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nJames Brown
    The Payback<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nArt Ensemble Of Chicago
    Phase one<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nBlondie<
    Plastic letters<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nAu Pairs
    Playing with a different sex<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nGirls At Our Best!
    Pleasure<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nPortishead
    Portishead<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nAlice Coltrane
    Ptah, the El Daoud<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nDevo
    Q: Are we not men ? A: We are Devo !<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nThe Lounge Lizards
    Queen of all ears<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nLydia Lunch
    Queen of Siam<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nTom Waits
    Rain dogs<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nKahil El’Zabar’s Ritual Trio
    Renaissance of resistance<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nP.J. Harvey
    Rid of me<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nRobert Wyatt
    Rock bottom<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nHandsome Boy Modeling School
    So…How’s your girl?<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nDie Antwoord
    $o$<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nAlbert Ayler
    Spiritual unity<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nWhy? & Odd Nosdam
    [Split EP]<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nCrass
    Stations of the Crass<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nBill Withers
    Still Bill<\/em>
    <\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nTen Years After
    Stonedhenge<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nJohn Coltrane
    Sun ship<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nPaul Simon
    There goes rhymin’ Simon <\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nSly & the Family Stone
    There’s a riot goin’ on !<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nAntipop Consortium
    Tragic epilogue<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nTina Brooks
    True blue<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nDan The Automator
    Wanna buy a monkey?: A mixtape session<\/em><\/td>\n<\/tr>\n
    \"\"<\/a><\/td>\nMax Roach
    We insist! Max Roach’s freedom now suite<\/em><\/td>\n<\/tr>\n<\/table>\n

     <\/p>\n

    Films<\/h2>\n

    Ce ne sont que quelques films de-ci de-l\u00e0, qu’on reverrait avec plaisir. Mais vue notre connaissance du cin\u00e9ma, ce n’est pas tr\u00e8s repr\u00e9sentatif.<\/p>\n

      \n
    • Ariaferma<\/em> \u2022 Leonardo di Costanzo<\/li>\n
    • La bocca del lupo<\/em> \u2022 Pietro Marcello<\/li>\n
    • Le cercle rouge<\/em> \u2022 Jean-Pierre Melville<\/li>\n
    • Cr\u00eda cuervos<\/em> \u2022 Carlos Saura<\/li>\n
    • El esp\u00edritu de la colmena<\/em> [L’esprit de la ruche<\/em>] \u2022 Victor Erice<\/li>\n

    • Favolacce<\/em> [Storia di vacanze<\/em> (sic<\/em>)] \u2022 Damiano et Fabio D’Innocenzo<\/li>\n
    • Inchiesta su un cittadino al di sopra di ogni sospetto<\/em> [Enqu\u00eate sur un citoyen au-dessus de tout soup\u00e7on]<\/em> \u2022 Elio Petri<\/li>\n
    • La jet\u00e9e<\/em> \u2022 Chris Marker<\/li>\n
    • Lost highway<\/em> \u2022\u00a0David Lynch<\/li>\n
    • Seules les b\u00eates<\/em> \u2022 Dominik Moll<\/li>\n
    • Strategia del ragno<\/em> [La strat\u00e9gie de l’araign\u00e9e<\/em>] \u2022 Bernardo Bertolucci<\/li>\n
    • Testona<\/em> \u2022 Kantemir Balakov<\/li>\n
    • Teorema<\/em> [Th\u00e9or\u00e8me<\/em>] \u2022 Pier Paolo Pasoloni<\/li>\n
    • Under the skin<\/em> \u2022 Jonathan Glazer<\/li>\n<\/ul>\n

      Films d\u00e9cisifs :<\/strong> L’arm\u00e9e des ombres<\/em>, Il buono il brutto il cattivo<\/em> [Le bon la brute et le truand<\/em>], As comedia de Dio<\/em> [La com\u00e9die de Dieu<\/em>], Cristo si \u00e8 fermato a Eboli<\/em> [Le Christ s’est arr\u00eat\u00e9 \u00e0 Eboli<\/em>], Delta<\/em>, Dogman<\/em>, Elektra glide in blue<\/em>, Empire Strikes Back<\/em> [L’empire contre-attaque<\/em>], In the mood for love<\/em>, Lo chiamavano Jeeg Robot<\/em> [On l’appelait Jeeg Robot], M. Klein<\/em>, Morte di un matematico napoletano<\/em> [Mort d’un math\u00e9maticien napolitain<\/em>], Mulholand Drive<\/em>, \uae30\uc0dd\ucda9<\/em> [Parasite<\/em>], \u5929\u908a\u4e00\u6735\u96f2<\/em> [La saveur de la past\u00e8que<\/em>], \u00d6nd\u00f6g<\/em> [La femme des steppes, le flic et l’\u0153uf<\/em>], Respiro<\/em>, Sicilian Ghosts Story<\/em>, La solitudine dei numeri primi<\/em> [La solitude des nombres premiers<\/em>], Tarva Yeghanakn\u00e8re<\/em> [Les Saisons<\/em>], Vanishing point<\/em>…<\/p>\n

       <\/p>\n","protected":false},"excerpt":{"rendered":"

          Une th\u00e8que, qu’elle soit biblio- ou disco- peut pr\u00e9senter deux aspects : une illusion de totalit\u00e9 (aujourd’hui plus volontiers confi\u00e9e, pour moi, au num\u00e9rique) ; un vade-mecum essentiel, une s\u00e9lection, un choix des pi\u00e8ces qui ne nous quitterons pas. Dans ce second cas, deux modalit\u00e9s encore existent : soit les \u0153uvres qui nous…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5301,"menu_order":13,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5300","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/pages\/5300","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/comments?post=5300"}],"version-history":[{"count":112,"href":"http:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/pages\/5300\/revisions"}],"predecessor-version":[{"id":19152,"href":"http:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/pages\/5300\/revisions\/19152"}],"up":[{"embeddable":true,"href":"http:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/pages\/5301"}],"wp:attachment":[{"href":"http:\/\/www.amboilati.org\/chantier\/wp-json\/wp\/v2\/media?parent=5300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}